Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

"True Colors" by Billy Steinberg and Tom Kelly, arr. Deke Sharon. Made Popular by Cyndi Lauper. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choi...  more"True Colors" by Billy Steinberg and Tom Kelly, arr. Deke Sharon. Made Popular by Cyndi Lauper. Recorded live on Sunday, May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. You with the sad eyes Don't be discouraged Oh I realize It's hard to take courage In a world full of people You can lose sight of it all And the darkness inside you Can make you feel so small But I see your true colors Shining through I see your true colors And that's why I love you So don't be afraid to let them show Your true colors True colors are beautiful, Like a rainbow Show me a smile then, Don't be unhappy, can't remember When I last saw you laughing If this world makes you crazy And you've taken all you can bear You call me up Because you know I'll be there And I'll see your true colors Shining through I see your true colors And that's why I love you So don't be ...    less

Ottawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of Popular chansons of the entire Renaissance. Audio: Tom Barnes....  moreOttawa choir, The Stairwell Carollers, perform "Le chant des oyseaux" by Clément Janequin (c. 1485 -- 1558) a French composer of the Renaissance. He was one of the most famous composers of Popular chansons of the entire Renaissance. Audio: Tom Barnes. Recorded at St. Barnabas Church, Ottawa, Ontario, Canada, June 18th, 2011. Stills: Holly Massie Videographer: Zoe Hart. Editing: Pierre Massie  

"Auld Lang Syne," traditional Scottish Song, arr. Mairi Campbell and David Francis, setting by Michael Hanawalt and Justin Sansafar. Text by Robert Burns. Recorded live on December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Pe...  more"Auld Lang Syne," traditional Scottish Song, arr. Mairi Campbell and David Francis, setting by Michael Hanawalt and Justin Sansafar. Text by Robert Burns. Recorded live on December 7, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Concert Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. ORIGINAL TEXT Should auld acquaintance be forgot, and never brought to mind? Should auld acquaintance be forgot, and auld lang syne? CHORUS: For auld lang syne, my jo, for auld lang syne, we’ll tak' a cup o’ kindness yet, for auld lang syne. And surely ye’ll be your pint-stoup! and surely I’ll be mine! And we’ll tak' a cup o’ kindness yet, for auld lang syne. We twa hae run about the braes, and pou’d the gowans fine; But we’ve wander’d mony a weary fit, sin' auld lang syne. We twa hae paidl’d in the burn, frae morning sun till dine; But seas between us braid hae roar’d sin' auld lang syne. An...    less

La Rosa - an arrangement of the famous Ladino (Judeo-Spanish) Song by composer Paul Ben-Haim (1897-1984). Born in Munich in 1897, Ben-Haim had a very impressive career as a pianist, conductor and composer. He moved to Tel-Aviv in 1933, and soon became ...  moreLa Rosa - an arrangement of the famous Ladino (Judeo-Spanish) Song by composer Paul Ben-Haim (1897-1984). Born in Munich in 1897, Ben-Haim had a very impressive career as a pianist, conductor and composer. He moved to Tel-Aviv in 1933, and soon became a leading figure in the musical life of Palestine and the State of Israel (from 1948). Ben-Haim regarded his work as part of a wide-spread effort to synthesize Eastern and Western traditions. read more - http://en.wikipedia.org/wiki/Paul_Ben-Haim La rosa enflorese en el mez de May, Mi alma s'escurese sufriendo del amor. Los bilbilicos cantan sospiran del amor, Y la pasión me mata muchigua mi dolor. Más presto ven Palomba más presto ven a mí, Más presto tú mi alma que yo me vo morir. The roses bloom in the month of May, But my soul's full of gloom suffering in love. The nightingales sing and are sighing in love, The passion will kill me, multiply my pain. Come faster, oh dove, come faster to me, Come faster, my soul, because I shall die. ...    less

The concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of Popular pop music hits. During the performance we heard choral arrangements of...  moreThe concert "ACH! PG Carnivalesque" under the patronage of Prof. Krzysztof Wilde, rector of Gdańsk Tech, attracted several hundred people who listened to daring performances of Popular pop music hits. During the performance we heard choral arrangements of hits such as: "Dancing Queen", "Memory", "California Dreamin'" and "Maria". This time it was not Mozart or Bach, but ABBA, Queen and Songs from the musical West Side Story that graced the walls of the Gdansk University of Technology in carnivalesque musical artistic creations. Jazz musicians performed along with the choir, and the musical effects were accompanied by a unique lighting arrangement, which required appropriate space and audience arrangement. The more-than-hour-long performance by the Academic Choir of the Gdańsk University of Technology, conducted by Prof. Mariusz Mróz and accompanied by musicians from the Music Academy in Bydgoszcz, ended with joint singing, encores and a standing ovation.  less

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most Popular madrigals, as well as one of the most internationally famous Songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan Songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less