Imagine your Choir’s voices rising beneath the arches of Montserrat’s basilica — a place where music has echoed for centuries, where faith and art meet, and where the world-famous boys’ Choir Escolania de Montserrat has sung for generations. For 15 yea...  moreImagine your Choir’s voices rising beneath the arches of Montserrat’s basilica — a place where music has echoed for centuries, where faith and art meet, and where the world-famous boys’ Choir Escolania de Montserrat has sung for generations. For 15 years, the Golden Voices of Montserrat festival has been more than just a competition. It is a celebration of harmony, culture, and unity — a gathering of Choirs from across the globe who share a passion for singing.  

Actuación de la Coral Santiago Apóstol junto al cantante Carlos Vargas en la semifinal de la 7ª edición del concurso "A tu vera", emitida en Castilla La Mancha TV el domingo 3 de mayo de 2015 María La Portuguesa. (de Carlos Cano, arr. coral Pepe Blasco) ...  moreActuación de la Coral Santiago Apóstol junto al cantante Carlos Vargas en la semifinal de la 7ª edición del concurso "A tu vera", emitida en Castilla La Mancha TV el domingo 3 de mayo de 2015 María La Portuguesa. (de Carlos Cano, arr. coral Pepe Blasco) Director: Mariano García ----- CORAL SANTIAGO APOSTOL de Casarrubuelos (Madrid) www.coralsantiagoapostol.com www.facebook.com/coralsantiagoapostol twitter: @CSApostol coral@coralsantiagoapostol.com Teléfono: (+34) 656161440 CORO ENCANTO de Casarrubuelos (Madrid) www.coroencanto.com www.facebook.com/coroencantocasarrubuelos twitter: @Coro_Encanto info@coroencanto.com Teléfono: (+34) 656161440  less

Voici notre contribution à l'AfriCOP27, la Conférence sur le changement climatique, à travers le cover de "Baba Yetu" (Notre Père) de Christopher Tin, en collaboration avec la Fondation Friedrich Ebert Stiftung Madagascar. Ensemble, pour un avenir meille...  moreVoici notre contribution à l'AfriCOP27, la Conférence sur le changement climatique, à travers le cover de "Baba Yetu" (Notre Père) de Christopher Tin, en collaboration avec la Fondation Friedrich Ebert Stiftung Madagascar. Ensemble, pour un avenir meilleur. ICanto, more than a Choir.  

Bogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of Choirs and choral music lovers all over the world. This is a MUST HEAR piece,...  moreBogoroditse Devo is a contemporary Russian setting of the classic Hail Mary text. The piece was commissioned by The Rose Ensemble in 2009. It has quickly become a favorite of Choirs and choral music lovers all over the world. This is a MUST HEAR piece, and if you're a mixed Choir, a MUST PERFORM piece too!  

BSRU Concert Choir, College of Music, Bansomdejchaopraya Rajabhat University, Bangkok Thailand, Conductor : Dr Casey Broadway

Jakarta Festival Chorus Annual Concert, 1 August 2015, GKY Pluit.

From the Chorale Symphony, "In Repentance". Conducted by Peter Hendrickson.

CANTUS Festival Orchestra Franz Miguel Ramirez, conductor

Tenía que quedar un registro de este concierto realizado el 27 de Abril de 2013 en el Ex-Convento de Santo Domingo de Garachico, Tenerife, Islas Canarias, dentro del VIII Ciclo de "Los Caprichos Musicales de La Isla Baja", porque para nosotros resultó me...  moreTenía que quedar un registro de este concierto realizado el 27 de Abril de 2013 en el Ex-Convento de Santo Domingo de Garachico, Tenerife, Islas Canarias, dentro del VIII Ciclo de "Los Caprichos Musicales de La Isla Baja", porque para nosotros resultó memorable; nuestro deseo se ha hecho realidad de la mano de Eduardo Ruiz y este "Hallelujah" en el que actúan como solistas José Jaime Martín y Pedro San blas. Infinitamente agradecidos, amigo. El arreglo corresponde al compositor y arreglista danés Jens Johansen, Director del Coro "Vocal Line". Canción enormemente versionada, siempre ha habido alrededor de ella, un debate sobre la religiosidad de su letra que fue primando en las sucesivas versiones pero que no parece estar en el original de Leonard Cohen donde la religiosidad se pone al servicio de la poética y no al revés. Usando como metafora la historia del Rey de David, Cohen nos cuenta que, aun con sus reveses y sinsabores, la vida merece que cantemos por ella un "Aleluya". "HALLELUJAH" Now I've heard...    less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less