In Hora Sexta was born as a Chamber Choir in 2002. From the beginning our intention was to establish a dialog between ancient vocal music from the Renaissance and Baroque periods and contemporary music from the 20th and 21st centuries. As the vocal requir...  moreIn Hora Sexta was born as a Chamber Choir in 2002. From the beginning our intention was to establish a dialog between ancient vocal music from the Renaissance and Baroque periods and contemporary music from the 20th and 21st centuries. As the vocal requirements of this aim are very important, we pay special attention to the musical and technical preparation of our programmes, in order to provide high quality performances. Our repertory includes ancient and contemporary music and works from composers such as Claudio Monteverdi, William Byrd, Heinrich Schütz, Tomás Luis de Victoria, Thomas Tallis, Vicente Goicoechea, Darius Milhaud, Francis Poulenc, Vytautas Miskinis, Zoltán Kodaly, Samuel Barber, Benjamin Britten, Astor Piazzolla and Marcos Leite. In Hora Sexta has regularly taken part in the musical series of concerts organized by Madrid town council and other Spanish institutions since 2003. We have been on tour in Canarias, Barcelona, Valencia, Toledo or La Granja de San Ildefonso. We have also taken par...    less

Bach Badinerie Medley (Johann Sebastian Bach Badinerie suite No2, Toccata & Fugue Re-Minor) - «Жарт» Йоганна Себастьяна Баха, у виконанні Академічного камерного хору «Хрещатик», у сучасному перекладі а-капела – композитор Євген Петриченко, диригент - Павл...  moreBach Badinerie Medley (Johann Sebastian Bach Badinerie suite No2, Toccata & Fugue Re-Minor) - «Жарт» Йоганна Себастьяна Баха, у виконанні Академічного камерного хору «Хрещатик», у сучасному перекладі а-капела – композитор Євген Петриченко, диригент - Павло Струць, хормейстер – Оксана Дондик, режисер - Наталія Бегма, солісти: Наталія Бегма, Констянтин Мозговий, Ольга Романенко, Дмитро Сьомкін, Ігор Пашинський, Марина Сусько, аудіо, відео - Віктор Бондаренко, 2021. Joke by Johann Sebastian Bach performed by the Khreschatyk Academic Chamber Choir . The modern arrangement for Choir of the a cappella by Eugene Petrichenko, conductor -Paulo Struts, Choirmaster- Oksana Dondyk, director - Natalia Begma, soloists: Natalia Begma, Konstantin Mozgovy, Olga Romanenko, Dmitry Semkin, Igor Pashinsky, Marina Susko, video, audio - Victor Bondarenko, 2021. #бахжарт #бахшутка #бахвсовременнойобработке #хорбахмузика #класикавсучаснійобробці #вокальнамузикаслухати #bach #bachjoke #chorusbachmusic #classicalinmodernsounding ...    less

Senfl's complex madrigal about joining in the dance performed here by the dwsChorale (multitracking one-man Choir) Lyrics (English translation below) Mit Lust tret ich an diesen Tanz, ich hoff, mir werd ein schöner Kranz von einem schön Jungfrä...  moreSenfl's complex madrigal about joining in the dance performed here by the dwsChorale (multitracking one-man Choir) Lyrics (English translation below) Mit Lust tret ich an diesen Tanz, ich hoff, mir werd ein schöner Kranz von einem schön Jungfräuelein darum will ich ihr eigen sein. So tret ich hie auf einen Stein: Gott grüss mirs zart Jungfräuelein! Und grüss euch Gott allsamt geleich, sie seien arm oder reich, Gott grüss euch all in einer G’mein, darzu auch die klein! So ich ein grüss, die ander nit, so wär ich kein rechter Singer nit! Right pleased am I to join this dance, I hope a beautiful young maiden will give me a garland Then I will be her own So I step up here upon a stone Tender maiden may God greet you and may God greet all here the same, be they poor or rich God greet everyone together here, even the little ones! Because if I greet one and not the other, I would not be a true singer!  less

Robert Ramsey’s O vos omnes is a haunting 17th-century masterpiece that blends late-Renaissance polyphony with the bold, expressive dissonances of the early English Baroque. This five-voice setting uses poignant word-painting to bring the "sorrow of sorro...  moreRobert Ramsey’s O vos omnes is a haunting 17th-century masterpiece that blends late-Renaissance polyphony with the bold, expressive dissonances of the early English Baroque. This five-voice setting uses poignant word-painting to bring the "sorrow of sorrows" from the Book of Lamentations to life. It remains one of the most intimate and emotionally raw works in the sacred choral repertoire.  

World Premiere performance at the CMEA Conference in Colorado Springs on January 27, 2012) ----- English Poetic Translation: Hurry up, walk quickly! Lift your feet up so you won't miss it, Wake up, take advantage, The Tap-Tap is warming up! ...  moreWorld Premiere performance at the CMEA Conference in Colorado Springs on January 27, 2012) ----- English Poetic Translation: Hurry up, walk quickly! Lift your feet up so you won't miss it, Wake up, take advantage, The Tap-Tap is warming up! If your legs are short, get a head start; The best time is now, Don't say you didn't know, Those who are wise are those who lead. Don't let time pass you by, It's time for you to get on board, The Tap-Tap is leaving now, It's time for us to go! Hurry up, walk quickly! Lift your feet up and don't miss it, The Tap-Tap is taking off! Don't fool around, get on! Don't wait, don't stare, Don't joke around, get on! The Tap-Tap might just leave you! Get up! Stand proud! Those of you who know what you want, Those of you with your minds made up, Don't miss a great opportunity To do something for the nation! Listen, don't miss a great opportunity to do something, Get up, stand proud, don't sit around and wait! Get up! Let's...    less

Acalanes High School has a 74 year tradition of choral excellence. Our program consists of 5 Choirs; Chorale, Women's Ensemble, Concert Choir, Bella Voce and Chamber Singers. We also have C.A.P. (Contemporary A Cappella Project), Women's Octet, and the In...  moreAcalanes High School has a 74 year tradition of choral excellence. Our program consists of 5 Choirs; Chorale, Women's Ensemble, Concert Choir, Bella Voce and Chamber Singers. We also have C.A.P. (Contemporary A Cappella Project), Women's Octet, and the Innuendos. The last three are co-curricular and the last two are student directed.  

A short clip from the first movement of the Requiem by Nathaniel J. S. Barnes as performed by the Orlando Chamber Singers in May, 2008, under the direction of Gregory Ruffer