from: Zalig verlangen Performed by Universitair Koor Antwerpen at a Provincial Choir Competition on March 12, 2017.

http://www.jwpepper.com/johnrutter The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his bel...  morehttp://www.jwpepper.com/johnrutter The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his beliefs on why choral music "is not one of life's frills" and why more people should take note. Watch John's Other Interviews with JW Pepper here: https://www.youtube.com/playlist?list=PLZQqNNHsg4fDl5YNCJm3qBFmmHnut_XPt http://www.johnrutter.com/  

【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 鋼琴 / 楊郁雯 Nocturnes By Morten Lauridsen 夜曲 莫頓‧勞律森 莫頓‧勞律森（Morten Lauridsen，1943─）是美國重要的當代作曲家，曾於1994至2001年擔任美國洛杉磯大師合唱團（Los Angeles Master Chorale）駐團作曲家，也在南加大音樂學院（USC Thornton School of Music）教授作...  more【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 鋼琴 / 楊郁雯 Nocturnes By Morten Lauridsen 夜曲 莫頓‧勞律森 莫頓‧勞律森（Morten Lauridsen，1943─）是美國重要的當代作曲家，曾於1994至2001年擔任美國洛杉磯大師合唱團（Los Angeles Master Chorale）駐團作曲家，也在南加大音樂學院（USC Thornton School of Music）教授作曲長達30餘年，並於2007年獲得美國國家藝術獎（National Medal of Arts）。他的音樂呈現出古典保守傳統的特質，以簡單的樂曲結構來表現合唱人聲之美，而且在此簡單與純淨的結構中，流露著歌詞豐富的內涵，與如詩如畫般的美感。 《夜曲》是一套四首的聯篇合唱作品，主體的前三個樂章完成於2005年，第四樂章則於2008年加上，其主題與第一樂章相呼應，是為跋。不同於一般的連篇歌曲，這套夜曲的歌詞並非出自同一位作者的同一套詩作，而是分別來自三個不同國籍作者的作品：第一樂章與第四樂章是德國詩人萊納．瑪利亞．里爾克(Rainer Maria Rilke，1875－1926)的法文詩，第二樂章是智利詩人巴勃魯．聶魯達(Pablo Neruda, 1904-1973)所寫之情詩，第三樂章則取材自美國作家詹姆斯．魯弗斯．艾吉 (James Rufus Agee; 1909- 1955)的詩作。作曲家勞律森精準而巧妙地掌握了它們共同的特點：夜晚、浪漫的愛情、以及神秘主義的語彙，藉著豐富的和聲色彩，使得這幾首不同來源的詩作完美地結合成為一個整體。 1. Sa Nuit d’Été他的夏夜 萊納．瑪利亞．里爾克(Rainer Maria Rilke，1875－1926)是一位重要的德語詩人，除了創作德語詩歌外還撰寫小說、劇本以及一些雜文和法語詩歌，其書信集也是里爾克文學作品的一個重要組成部分。對19世紀末的詩歌裁體和風格以及歐洲頹廢派文學都有深厚的影響。 此曲一開始，鋼琴即以不協和的音響迅速地營造了夜晚神秘而詭譎的氣氛。接著合唱一步一步地將不同詩句的主題帶進來，這些主題最後相互交織碰撞，燦爛輝煌，彷彿愛情的火花迸放！ Si je pourrais avec mes mains brûlantes f...    less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   “Great, a new song to learn.”   Photo by Michael Wu   “Oh, no, it’s in ‘foreign’. Help!”  ...

Conducted by Nelson Kwei Varisty Voices 2017: Temporis Esplanade Concert Hall

Arranged by Eke Chijindu Favour Hedges

Chor Leoni performing We Rise Again by Leon Dubinsky at the 2009 ACDA National Conference. To purchase the entire concert, please visit Via Media at http://viamediaavpro.com.

www.wisemanproject.com 4. Song for the Phoenix Music and Text by Kentaro Sato (Ken-P) based on the text by L. C. F. Lactantius (c.250 - c.325)

Regarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us h...  moreRegarded as one of the finest masterpieces of all Western Music, this passion setting brings to music the text of Matthew 26 and 27 concerning the suffering and death of Jesus Christ. The evangelist tells the story, arias convey the inner feelings of us humans as we gaze upon the Golgotha scene and choruses and chorales reflect on our own place in the drama. Bach's incredible work of art stands alone in its complete telling of the crucifixion story in a manner which stirs and moves the soul of the performer and listener. This is a mountaintop experience not to be missed.  less

A new setting of the text of di Lasso's last motet where the crucified Christ, speaking in the first person, confronts Peter's betrayal and indeed the sinfulness of all mankind. More info: http://cschurch.net/en/compositions/Choir/vide-homo/ Commission...  moreA new setting of the text of di Lasso's last motet where the crucified Christ, speaking in the first person, confronts Peter's betrayal and indeed the sinfulness of all mankind. More info: http://cschurch.net/en/compositions/Choir/vide-homo/ Commissioned and performed by the Cappella der Hofkirche Luzern and its conductor, Ludwig Wicki.