[A version of this article first appeared as a post on my blog From the Front of the Choir]   I aim to please everyone in my Choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t ...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   The Choirs and workshops that I lead are run on the principle that music should be accessible to all. This means that I don’t use written music to te...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Rather than everyone singing all the time, many Choirs ring the changes by creating smaller ensembles within the larger choir or have occasional solo...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I’m always on the lookout for new songs to use with my singing workshops and Choirs.   Sara Bareilles in concert by Anirudh Koul   Th...

From July 15th to 19th 2020, Vienna, the music capital of the world, will be once again the stage for children and youth Choirs from all around the world. Under the slogan "Coming together to sing, singing for a better future", the young participants will...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Do you have to be able to read music to sing? Lots of people believe so and are put off joining Choirs, or even singing at all, as a result.   &n...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   There are times in most Choirs when a soloist or a small ensemble is required. These roles can be allocated by the MD but in many cases singers are a...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community Choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of songs from traditions across th...

The Brazilian Virtual Choir Lab in Australia - August to October 2021 Final Project Song: Desde que o Samba é Samba Composer: Caetano Veloso Arrangement: Patricia Costa e Vicente Costa Nucci Soprano Annika Wagar Corina Horstra Dea Hughes...  moreThe Brazilian Virtual Choir Lab in Australia - August to October 2021 Final Project Song: Desde que o Samba é Samba Composer: Caetano Veloso Arrangement: Patricia Costa e Vicente Costa Nucci Soprano Annika Wagar Corina Horstra Dea Hughes Helen Kolawole Kara Robinson Kim Asher Alto Cathy Symington Elizabeth Waddel Juliet Gore Leah Marlowe Sandy Clinton Alto Tenor Anna Dehne Caroline Chandler Diana May Clark Helen Davey Maree Coffman Yvonne Gora Tenor / Baritone David Stephensen John Watts Jose M Marques Justin Presser Tony Brand Vyv Rodnight Acoustic Guitar : Vicente Costa Nucci Drums and Percussion: Mila Schiavo Bass: Diego do Valle 2o QUADRO Music Director and Scriptwriter: Vicente Costa Nucci Producer and Coordinator: Mila Schiavo Host and Coordinator in Australia: Diana May Clark Sound Engineering and Video Editing: Diego do Valle Videos and Photos: Personal videos by The Brazilian Virtual Choir Lab participants and Ocean’s vid...    less

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different Choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less