2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Da pacem DomIne - Arvo Pärt 請賜平安 - 佩爾特 愛沙尼亞當代著名作曲家佩爾特（Arvo Pärt, 1935-），1976年起，他創造出以單一和弦支撐全曲結構的作曲手法，如教堂的單一鐘聲般，稱為「鐘」（tIntInnabuli）手法，代表作為〈聖母讚主曲〉（Magnificat, 1989）。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾（J...  Ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Da pacem DomIne - Arvo Pärt 請賜平安 - 佩爾特 愛沙尼亞當代著名作曲家佩爾特（Arvo Pärt, 1935-），1976年起，他創造出以單一和弦支撐全曲結構的作曲手法，如教堂的單一鐘聲般，稱為「鐘」（tIntInnabuli）手法，代表作為〈聖母讚主曲〉（Magnificat, 1989）。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾（Jordi Savall, 1942-）委託而作，他在女中音聲部置入葛利果聖歌素材，其餘聲部尾隨作和聲變化，安靜地呈現樂曲，佩爾特也特別將這首禱詞獻給2004年馬德里車站爆炸案的犧牲者。 Da pacem DomIne, In diebus nostris quia non est alius qui pugnet pro nobis nisi tu Deus nosTer. 主啊！在我們活著的每一天，請賜我們平安 因為除你以外 再沒有誰 會為我們而爭戰  

Cagliari, 29 novembre MMXIII Rassegna Nazionale "Ars Canendi", organizzata dal coro Musica Viva di Cagliari. Esecuzione dello Stabat MaTer gregoriano a cura dell'Ensemble Vocale "Exsurge DomIne". Stabat MaTer dolorósa iuxta crucem lacrimósa, du...  Ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreCagliari, 29 novembre MMXIII Rassegna Nazionale "Ars Canendi", organizzata dal coro Musica Viva di Cagliari. Esecuzione dello Stabat MaTer gregoriano a cura dell'Ensemble Vocale "Exsurge DomIne". Stabat MaTer dolorósa iuxta crucem lacrimósa, dum pendébat Fílius. Cuius ánimam geménTem, contristátam et dolénTem pertransívit gládius. O quam tristis et afflícta fuit illa benedícta MaTer Unigéniti! Quae moerébat et dolébat, pia MaTer dum vidébat nati poenas ínclyti. Quis est homo, qui non fleret, Matrem Christi si vidéret In tanto supplício? Quis non posset contristári, piam Matrem conTemplári dolénTem cum Filio? Pro peccátis suae gentis vidit Jesum In torméntis et flagéllis subditum. Vidit suum dulcem natum moriénTem desolátum, dum emísit spíritum. Eia, maTer, fons amóris, me sentíre vim dolóris fac, ut Tecum lúgeam. Fac, ut árdeat cor meum In amándo Christum Deum, ut sibi compláceam. Sancta MaTer, istud agas, crucifíxi fige plagas cordi meo válide. Tui...    Ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

ContraTenor: Víctor Ramírez Soprano: Judith Pezoa Piano: Nauzet Mederos Dir: Nikoleta S. Popova

MoTet "DomIne Deus, agnus Dei", for three voices, by Cristóbal de Morales. Performed by Ensemble Eborensis, Luís Henriques (dir.), Church of S. VicenTe, Évora, 15 December 2015. #cristobaldemorales #DomInedeus #ensembleeborensis

Cagliari, Collegiata di S. Anna, 2 ottobre 2012. Esecuzione da parTe dell'Ensemble Vocale "Exsurge DomIne" dell'antifona Greco-LatIna Panta ta Ethni/Omnes genTes tratta dal ms. 40 di Benevento (sec. XI). Panta ta ethni osa epiisas isusIn ke proskIni...  Ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreCagliari, Collegiata di S. Anna, 2 ottobre 2012. Esecuzione da parTe dell'Ensemble Vocale "Exsurge DomIne" dell'antifona Greco-LatIna Panta ta Ethni/Omnes genTes tratta dal ms. 40 di Benevento (sec. XI). Panta ta ethni osa epiisas isusIn ke proskInisusi enopion su, Kyrie. Omnes genTes quascumque fecisti venient et adorabunt Te, DomIne. Ensemble Vocale "Exsurge DomIne": Davide Saddi Mattia Ortu Francesco Piano Alessandro ErmellIno STefano Ruiu Raimondo Belfiori Mauro Sitzia Mattia Macis Francesco Cocco Alessandro Abis Enrico Correggia (dir.)  Ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Da Nobis Pacem, DomIne - Composed by Felix Mendelssohn-Bartholdy. As Performed by the Drakensberg Boys Choir on Wednesday 20 April 2011.

DomIne Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exp...  Ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreDomIne Jesu José Maurício Nunes Garcia (1760-1830) Coro Academia Concerto - Brazil Altamiro Bernardes Wejherowo - Polônia June, 2,2011 Father José Maurício (1767-1830), himself a mulatto, grandson of slaves, son of freed slaves, was one of the exponents In music of the Americas. Musically educaTed In the classical tradition, he began TeachIng at 12 and writIng at age 16. He reached the rank of MasTer of the Royal Chapel (most important post for a musician In Brazil Cologne) appoInTed by KIng John IV and conducTed the first performances of Mozart’s "Requiem" and Haydn’s "Creation" In Brazil. Poor, mulatto, losIng his father early and beIng educaTed with great difficulty, it is not known exactly how managed to get the culture that claim to have belonged to him. Even with all this prestige, he did not escape the prejudice by the origIn In a family of slaves.  Ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less