Cat.No: TKM705. Peter Thompson's setting is a very fine Tune for Unison Group which is especially useful for Remembrance season concerts or memorial services and within the scope of all singing groups. Showcase your choir on our #youtube channel - we o...  moreCat.No: TKM705. Peter Thompson's setting is a very fine Tune for Unison Group which is especially useful for Remembrance season concerts or memorial services and within the scope of all singing groups. Showcase your choir on our #youtube channel - we offer free music and promotion in return for a recording - please contact mail@timknightmusic.com for more info! See what other specialist services we offer (including commissions, singing holidays, choir and concert management workshops and composition courses) at www.timknightmusic.com. In the UK, all Tim Knight Music is distributed by and can be ordered through Spartan Press quoting the catalogue number on 01528 544770 http://www.spartanpress.co.uk/ or via www.timknightmusic.com shop page. Some pieces are also available via https://www.musicroom.com/. Those without a ‘TKM’ prefix can be ordered directly from the publisher’s website – please contact mail@timknightmusic.com if you are having trouble sourcing this piece. In the USA and overseas, you can o...    less

My quartet Rendezvous had the pleasure of recording a 7 song EP in October of 2009 here in Toronto. "Drive By" is an original Tune by the a cappella group "The Blenders". Danny and I transcribed it in the fall of 2008 and it has become one of our favo...  moreMy quartet Rendezvous had the pleasure of recording a 7 song EP in October of 2009 here in Toronto. "Drive By" is an original Tune by the a cappella group "The Blenders". Danny and I transcribed it in the fall of 2008 and it has become one of our favourite songs to sing in the quartet. Bass : Calvin Frank Baritone : Andrew Kesler Lead : Brodie Cuff Tenor : Danny Fong Produced by: Andrew and Sarah Kesler Mixed by: Tristan Henderson and Andrew Kesler  

[A version of this article first appeared as a post on my blog From the Front of the Choir]   You’re learning a song in four-part harmony and you think you’ve nailed your harmony part.   © Copyright Basher Eyre and li...

http://keystoneacappella.com http://facebook.com/KeyStoneVocals We filmed this Tune as a possible inclusion in our VCN 2012 Opener Submission video. Still a few spots that are not quite "off book", but it sounds good anyway, so we wanted to share. ...  morehttp://keystoneacappella.com http://facebook.com/KeyStoneVocals We filmed this Tune as a possible inclusion in our VCN 2012 Opener Submission video. Still a few spots that are not quite "off book", but it sounds good anyway, so we wanted to share. Written by Tim Lopez Arrangement by Tom West Lead Vocal: Josh Schrager KeyStone purchases the mechanical rights for all covers they distribute in any format. http://keystoneacappella.com http://twitter.com/KeyStoneVocals http://www.facebook.com/KeyStoneVocals http://reverbnation.com/keystoneacappella Demand us! http://eventful.com/performers/keystone-a-cappella-/P0-001-000249430-9/demand  less

Old German Tune, harmonised by J S Bach words based on the translation by Percy Dearmer 1 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from heaven to mortal ken, Equal to be with us poor men, O littl...  moreOld German Tune, harmonised by J S Bach words based on the translation by Percy Dearmer 1 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from heaven to mortal ken, Equal to be with us poor men, O little one sweet, O little one mild. 2 O little one sweet, O little one mild, thy Father's purpose thou hast fulfilled; thou cam'st from Him, from heaven's domain, to bring men comfort in their pain, O little one sweet, O little one mild. 3 O little one sweet, O little one mild. in thee Love's beauties are all distilled; then light in us thy love's bright flame, that we may give thee back the same, O little one sweet, O little one mild. 4 O little one sweet, O little one mild. Help us to do as thou hast willed Lo, all we have belongs to thee Ah, keep us in our fealty. O little one sweet, O little one mild.  less

Performance on 25th June 2011 in the Moselle Room in Tottenham Town Hall. Visit www.tottenhamsingers.com for more information on the choir.

Founded in 1962, the A Cappella Choir continues the tradition of choral excellence built by Dr. Edgar J. Thompson. The 40-80 member A Cappella Choir offers freshman and sophomore singers the opportunity to perform works for larger choirs and to fine-Tune ...  moreFounded in 1962, the A Cappella Choir continues the tradition of choral excellence built by Dr. Edgar J. Thompson. The 40-80 member A Cappella Choir offers freshman and sophomore singers the opportunity to perform works for larger choirs and to fine-Tune the art of choral singing through exposure to music from the Renaissance through the 21st century. In daily rehearsals, choir members hone musicianship skills such as rhythm, sight-reading and the understanding of complex scores. They develop an understanding of the intricacies of vocal production, including pitch and how to blend individual voices together into a unified, beautiful sound. Finally, members learn how to sing in an ensemble and to successfully meld as a team. The choir frequently performs with other School of Music ensembles, including the Utah Philharmonia orchestra, the Wind Ensemble, the Chamber Choir and Women’s Chorus. A Cappella Choir members leave with the solid choral music foundation that has distinguished the University of Utah thr...    less

Tallis: How Shall I Sing - The Waldorf Students Choir, conductor: László Bencze. Recorded on 10. 04. 2011. in the BTM Castle Museum, Budapest. The melody is a version of the third Tune from the Nine Tunes for Archbishop Parker's Psalter "Why Fum'th In ...  moreTallis: How Shall I Sing - The Waldorf Students Choir, conductor: László Bencze. Recorded on 10. 04. 2011. in the BTM Castle Museum, Budapest. The melody is a version of the third Tune from the Nine Tunes for Archbishop Parker's Psalter "Why Fum'th In Fight" (Psalm 2) and also known as "third mode melody". The text is from John Mason (1645--1694) a parish priest of St. Giles.  

This classic Motown Tune was a hit at Chor Leoni's Bard Boyz performances (June 2011). The arrangement is by Keith Sinclair (who is also in the backup dance quartet) and the soloist is second tenor, Jordan Back.

It all began with the idea one morning that the "other Tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other Tunes got added, resulting in ...  moreIt all began with the idea one morning that the "other Tune" for Nahum Tate's carol "While shepherds watched" is, of course, the Yorkshire ditty "On Ilkley moor bar t'hat". Well, as the day progressed to afternoon, other Tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing "On Ilkla Moor", the Este psalter Tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano also gets some sly references to "Sing a song of sixpence" and "Scotland the brave". I sang it in G (ATBB) on this video, to fit my multitrack range, but mixed choir versions are also available on musicaneo: in C (SATB) (fairly high for the sopranos) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196258 and in Bflat (SATB) (fairly low for the basses) http://www.musicaneo.com/sheetmusic/sm-196257_while_shepherds_watched_-_in_various_melodies.html#196257  less