This setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the City. The oratorio was...  moreThis setting of the 98th Psalm (Sing a new song to the Lord for he has worked wonders.) comes originally from my cantata “The Manchester Magnificat”, based on Audrey Vaughan’s poems about the religious and social history of the City. The oratorio was first performed in Manchester Cathedral in 1994. This psalm forms the climax of the whole cantata and provides an expression of optimism after the tragedies of the previous sections. In this “extracted” version, the tragic surroundings of the history remain in the background and the purebubbling joy of the psalm itself shines forth. Enjoy the complex rhythms and let your hair down! This performance by Daniel Shaw's Composer's Choir (based in Connecticut) is a brilliant rendition of the piece and will, I hope, encourage other church choirs and concert choirs to consider including it in their repertoire.  less

THALITAS vocal ensemble was first created in 1996 as an activity of the “APOLLON” Music Club by Giorgos Kaloutsis. Its first members were students of the Club's Music School and many of them participated in the Youth Choir of the City of Heraklion, under ...  moreTHALITAS vocal ensemble was first created in 1996 as an activity of the “APOLLON” Music Club by Giorgos Kaloutsis. Its first members were students of the Club's Music School and many of them participated in the Youth Choir of the City of Heraklion, under the direction of Mrs. Katerina Tzagkaraki. The name of the ensemble originates from Thalitas, an ancient cretan composer and legislator, after whom a street in Heraklion is named; in this street the first rehearsals of the ensemble took place. The ensemble's primary goal was to acquaint its members with the a cappella (“in the chapel”, without church organ accompaniment) vocal music of the renaissance period. THALITAS began by studying and performing works of renowned composers of that era (e.g. Josquin des Prez, G. P. da Palestrina, Orlando di Lasso) to assist the learning process of its members' musical studies. After a while, the ensemble's repertoire was enriched with choral works from other eras, from the antiquity to the present, as well as with adaptat...    less

A Choral Suite in 4 movements. Music and Text by Kentaro Sato (Ken-P) based on the text by L. C. F. Lactantius (c.250 - c.325)

Final Year Recital for Conducting Major, (Bachelor of Theology, concentration in Church Music program). Performed in Peter Wongso Auditorium, SEABS Campus, Malang City, East Java, Indonesia. Oct. 2nd. 2015. Malang Motet Choir, conducted by Richard S. ...  moreFinal Year Recital for Conducting Major, (Bachelor of Theology, concentration in Church Music program). Performed in Peter Wongso Auditorium, SEABS Campus, Malang City, East Java, Indonesia. Oct. 2nd. 2015. Malang Motet Choir, conducted by Richard S. Awuy. Richte Mich Gott (Mendelssohn), a Capella. F. Mendelssohn費利克斯·門德爾松·巴托爾迪 | “Richte mich, Gott” 詩篇 43. 神啊，求你申我的冤，向不虔誠的國為我辨屈， 求你救我脫離詭詐不義的人！ 因為你是賜我力量的神。為何丟棄我呢？ 我為何因仇敵的欺壓時常哀痛呢？ 求你發出你的亮光和真實，好引導我，帶我到你的聖山，到你的居所。 我就走到神的祭壇，到我最喜樂的神那裡。 神啊，我的神，我要彈琴稱讚你。 我的心哪，你為何憂悶？為何在我裡面煩躁？ 應當仰望神，因我還要稱讚他，他是我臉上的光榮，是我的神。  less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I went to see a concert by Village Harmony this week. It was over an hour long and included an amazing variety of Songs from around the world: Georgi...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of Songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of Songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of Songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of Songs from traditions across th...

[The views expressed in this blog are from my personal experiences from 25 years of leading non-auditioned community choirs in the UK, as well as adult singing workshops. My focus is on teaching by ear using a repertoire of Songs from traditions across th...