CROSSING THE BAR music: Nilo Alcala poem: Alfred, Lord Tennyson WINNER: IGNITE Composition Commissioning Competition 2017-18 performed by: C4: The Choral Composer/Conductor Collective “Water Music” concert conducted by: Benjamin Arendsen solo...  moreCROSSING THE BAR music: Nilo Alcala poem: Alfred, Lord Tennyson WINNER: IGNITE Composition Commissioning Competition 2017-18 performed by: C4: The Choral Composer/Conductor Collective “Water Music” concert conducted by: Benjamin Arendsen soloists: Soloists: Artemisz Polonyi and Maya Webne-Behrman recording: Noriko Okabe Recorded live June 9, 2018 Church of St. Luke in the Fields, Manhattan, NY  

The Czestochowa Philharmonic Choir Collegium Cantorum Maciej Zagórski – piano Janusz Siadlak - conductor Joseph Haydn - Abendlied zu Gott Hob.XXV c:9 Joseph Haydn - Wider den Übermut Hob.XXV c:7 Hugo Wolf - Im stillen Friedhof IHW38 Johannes Bra...  moreThe Czestochowa Philharmonic Choir Collegium Cantorum Maciej Zagórski – piano Janusz Siadlak - conductor Joseph Haydn - Abendlied zu Gott Hob.XXV c:9 Joseph Haydn - Wider den Übermut Hob.XXV c:7 Hugo Wolf - Im stillen Friedhof IHW38 Johannes Brahms - Vier Quartette op. 92 Gabriel Faure - Madrigal op.35 Gabriel Faure - Les Djinns op.12 Gabriel Faure - Cantique de Jean Racine op.11  

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Somerville College Chapel, Oxford 25 November 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

The Choir of Somerville College, Oxford Robert Pecksmith (piano) David Crown (conductor) Memorial Service for Dr Olive Sayce Somerville College Chapel, Oxford 25 May 2013 Website: http://www.somervillechoir.com Facebook: http://www.facebook.c...  moreThe Choir of Somerville College, Oxford Robert Pecksmith (piano) David Crown (conductor) Memorial Service for Dr Olive Sayce Somerville College Chapel, Oxford 25 May 2013 Website: http://www.somervillechoir.com Facebook: http://www.facebook.com/somervillechoir Accompanist's Website: http://www.robert-smith.org.uk  

He Wishes for the Cloths of Heaven Text by William Butler Yeats, music by Desmond Earley Marie Woulfe (mezzo-soprano solo) Geraldine O’Doherty (harp) Desmond Earley (conductor) UCD Choral Scholars 2014-2015 Sound Recording Andrew Mellor Zucca Films...  moreHe Wishes for the Cloths of Heaven Text by William Butler Yeats, music by Desmond Earley Marie Woulfe (mezzo-soprano solo) Geraldine O’Doherty (harp) Desmond Earley (conductor) UCD Choral Scholars 2014-2015 Sound Recording Andrew Mellor Zucca Films Recorded on Friday 20th March 2015 in the college chapel at Castleknock College, Dublin, Ireland. This video (c) and (p) UCD Choral Scholars 2015 Twitter: @UCDChoral  

No. 2 The Succession of Four Sweet Months from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-...  moreNo. 2 The Succession of Four Sweet Months from Five Flower Songs, Op. 47 by Benjamin Britten CorISTAnbul Chamber Choir Dir.: Arda Ardaşes Agoşyan Lecture-Concert: "Stanford to Britten: A Musical Lineage" britten100.org British Consulate-General Istanbul Pera House / Ball Room December 14, 2013  

"The Joy of the New Year: New Year Song" from "The Seven Joys of Christmas" by Kirke Mechem. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Lyric Choir ensemble of the Girl Choir of South...  more"The Joy of the New Year: New Year Song" from "The Seven Joys of Christmas" by Kirke Mechem. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Lyric Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Harpist: Charlene Conner. When night's shadows fly New Year's dawn floods all the sky; And joyful voices sound, joyful voices sound. Branches of the fragrant pine Hang ev'rywhere around, ev'rywhere around Leaves so dainty fine Freshly gathered, dewy shine, And glitter in the light, glitter in the light. From Kadusa's lofty pinetree Waving, on the height, on the height.  less

Benjamin Britten (1913-1976) A Ceremony of Carols op. 28 per coro femminile e pianoforte Balulalow Complesso Vocale di Nuoro Pianoforte Caterina Denti Soprano Paola Sotgiu Direttore Franca Floris Nuoro -- Cattedrale S. Maria della Neve

"The Secret of Life" by Santiago Veros Lyrics by Matthew Silver East Central University Chorale perform the world premiere of "The Secret of Life" by Santiago Veros live in concert on November 19, 2018 under the direction of Dr. Steven Walker. Musi...  more"The Secret of Life" by Santiago Veros Lyrics by Matthew Silver East Central University Chorale perform the world premiere of "The Secret of Life" by Santiago Veros live in concert on November 19, 2018 under the direction of Dr. Steven Walker. Music Copyright ©2019 Santiago Veros Recording Copyright ©2019 Santiago Veros Purchase scores here: http://bit.ly/2J46RHx *for interest in commissioning, please contact the composer at contact@santiagoveros.site  

Weep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less