[this is a version of a post which first appeared on my blog From the Front of the Choir]   I found myself last week arranging a bunch of songs to teach at the weekend. As usual, I’d left it far too late and was feeling rushed.   &nb...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Once upon a time you could only hear your favourite song if you travelled to a live performance. It was a special, one-off, shared experience.   ...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   It always seems to be the basses who forget their part. I used to think it was a bloke thing, but now I realise that there are good reasons why it’s h...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   For many of us, this time of year is just one concert after another. It’s great to be doing so much singing, but it can have its downsides. &n...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   There is often a mismatch between how good you think you are as a singer and what your abilities really are.     Some people vastly ov...

The Lassus Scholars, named after the great Renaissance composer Orlande de Lassus, seek to achieve excellence in expression and interpretation in all musical styles from the 16th century to the present day.

The fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows ...  moreThe fundamental connection between music and scenic performance – this will be the intent with which CHOREOS wants to produce a new quality of musical scenic performances. The long-term experience of scenic choreographic work with different choirs shows us that singing or experiencing music is always connected to a primal impulse to movement. This primal impulse is unfolded our production, connect it to space and light and bring it all together in our performance. The result is a new musical work in a physical wholesomeness in which sound and movement do not compete but complement and enhance each other in fruitful ways. We are not interested in creating pictures for the music – we enhance the uncompromising sound to another level of perception, we heighten and amplify the body consciousness of our singing performers. We use the knowledge about the space and the powerful energies therein for our performances of choir singing. The dialogue between the perception of the inside and outside, the area of tension ...    less

Say No ! is an international project for choirs and small musical ensembles. Together we sing ‘No to War’. Our song is a tribute to deserters and war objectors. This hymn is also a call to FleeTheFrenzy: say 'No' to the madness of weaponry and war.

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Occasionally I give questionnaires to choir members in order to get feedback on how people are finding the weekly sessions, what songs they like best, how ...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I’m probably preaching to the converted here as I guess most of you reading this already sing regularly.   photo by T Sundup   So ho...