Alexandrian Voices at Meet Mozart Οι Αλεξανδρινές Φωνές στο "Συναντήστε το Μότσαρτ" Πληροφορίες: http://www.choirs.gr/2015/07/oi-alexandrines-fwnes-sto-meet-mozart/ Info: http://www.choirs.gr/2015/07/alexandrian-Voices-meet-mozart-in-salzburg/ Facebo...  moreAlexandrian Voices at Meet Mozart Οι Αλεξανδρινές Φωνές στο "Συναντήστε το Μότσαρτ" Πληροφορίες: http://www.choirs.gr/2015/07/oi-alexandrines-fwnes-sto-meet-mozart/ Info: http://www.choirs.gr/2015/07/alexandrian-Voices-meet-mozart-in-salzburg/ Facebook: https://www.facebook.com/events/1692301271002486/ Google+: https://plus.google.com/u/0/b/108065264916578562768/events/cmi516o3ho3bgglm7e82e7jp4s4 Ο Εφιάλτης της Περσεφόνης (Μουσική: Μάνος Χατζιδάκης, Στίχοι: Νίκος Γκάτσος, Επεξεργασία Παντελής Τερεζάκης) ==================================== Persephone's Nightmare (Music: Manos Hadjidakis, Lyrics: Nikos Gatsos, Arrangement: Pantelis Terezakis) ==================================== Διεύθυνση: Ελένη Θεοδωρίδου Καλλιτεχνική Διεύθυνση: Γρηγόρης Σαββόπουλος Πιάνο Κώστας Παντελίδης Conductor: Eleni Theodoridou Art Director: Grigoris Savvopoulos Piano: Kostas Pantelidis ==================================== Στίχοι: Εκεί που φύτρωνε φλισκούνι κι άγρια μέντα κι έβγαζε η γη το πρώτο της κυκλάμινο ...    less

EOC is an international experimental Project choir. The choir consists of participants in workshop weeks, which are offered twice a year in different European countries. Overtone singing is a new vocal technique that allows for singing two tones simul...  moreEOC is an international experimental Project choir. The choir consists of participants in workshop weeks, which are offered twice a year in different European countries. Overtone singing is a new vocal technique that allows for singing two tones simultaneously. EOC sings compositions with written overtones as well as choir improvisations and contemporary music. The effect of controlled overtones on the timbre of classical choir compositions is explored with special ear training.  

Traditional African-American spiritual This concert was the culmination of a six-week Project which creates a choir from scratch for one night only. Each winter and summer, Chris Rowbury gathers a random bunch of singers from in and around Ipswich. The...  moreTraditional African-American spiritual This concert was the culmination of a six-week Project which creates a choir from scratch for one night only. Each winter and summer, Chris Rowbury gathers a random bunch of singers from in and around Ipswich. There are no auditions and all songs are taught and learnt by ear. Usually eight songs are learnt in six two-hour sessions and in the winter are performed at St. Peters by the Waterfront, Ipswich. http://chrisrowbury.com  

Inno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of ...  moreInno per I'Anno Sancto della Misericordia (Hymn for the Holy Year of Mercy) “Misericordes sicut Pater,” is the official Latin theme of the Year of Mercy and translates to “Merciful Like the Father"; by the English Composer Paul Inwood and the text of the hymn in Latin and Italian was written by Jesuit Father Eugenio Costa. . The title is drawn from John 6:36, Misericordes sicut Pater (English: Be Merciful, As Your Father Is). Inwood's composition was the winner in an international competition sponsored by the Pontifical Council for the Promotion of the New Evangelization. The hymn has now been released in Italian, French, and English, with a Latin antiphon and refrains. . This video recording by the Golden Voices Choir STACC FUTO was transposed on key G Major. This beautiful male choir arrangement captures in it's very essence the richess of God's divine mercy. That no matter how busy our modern lives are, God's hands are ever present to guide us. We are safe in the hollow of his hands. May God's mercy c...    less

Performed by Voices: The Chapel Hill Chorus. Direction by Dr. Stephen Futrell, solo by Kim Kingsley, and accompaniment by Joy Rust. Composed by Jan Garrett, JD Martin, and Lisa Aschmann, arranged by Larry Nickel. Synch licensing obtained from Cypress...  morePerformed by Voices: The Chapel Hill Chorus. Direction by Dr. Stephen Futrell, solo by Kim Kingsley, and accompaniment by Joy Rust. Composed by Jan Garrett, JD Martin, and Lisa Aschmann, arranged by Larry Nickel. Synch licensing obtained from Cypress Choral Music, Inc. To learn more and support our organization please visit: https://www.Voiceschapelhill.org/ https://www.gofundme.com/f/mbpp7s-fall-fundraiser?qid=e1db53c45cf81aed4ac48221fb1e41cf This Project was supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. www.NCArts.org During the fall semester, Voices embarked on rehearsing and preparing 4 selections to be audio recorded and produced with video. For this piece, “Space In Between Us,” it occurred to me that as the community chorus of Chapel Hill, it seemed appropriate to feature images of familiar spaces/places in and around Chapel Hill. We wanted to give deference to St. Thomas More and University Methodist, as they have been so gen...    less

The Concordia Choir and The King's Singers collaborate on a performance and recording Project during their time on the Concordia College campus located in Moorhead, Minnesota.

    We are pleased to publish our interview with Mr Jeffrey Wynn Davies who is going to be the Head of our Jury for the Fesival The Golden Voices of Barcelona 2017!         Mr Jeffrey Wynn Davies   ...

Performed by Highbridge Voices at the 2013 Benefit Concert in NYC, Tres Cantos Nativos dos Indios Krao takes us on a journey to the Amazon Rainforest. This incredible piece was arranged by Marcos Leite. Mary Clementi, conductor. Devon Joiner, percussion.

Delicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to lar...  moreDelicate, hushed, and suspenseful, this perfectly captures the expansive and meditative feeling of Whitman’s poignant poetry. This is great for any sized choir, though the long lines, slow pace, and lush harmonies will lend itself particularly well to large ensembles. Four part mixed chorus Audio Credit: The First Recordings Project – J. David Moore, Conductor  

Photo by Gordon Smith