You have an extraordinary voice, see the stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.

Miserere miseris - from the Dublin Troper, c. 1360, arranged Michael McGlynn - The Waldorf Students Choir, conductor: László Bencze. Recorded on 20. 06. 2015. on The Night of Museums in the Hungarian National Gallery Budapest

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I don’t know what it’s like in other parts of the world, but here in the UK it’s notoriously difficult to get any kind of review of a con...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   When I was much younger I used to think that once you knew everything and were vastly experienced, only then would you become confident.   photo ...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   To make singing as accessible as possible, I don’t use sheet music when I teach. This often freaks out people who are used to having a score in their...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Last time I wrote about whether it’s better to be over-rehearsed or under-prepared. I talked about people who like to spend a long time working on on...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Over the years I have run choirs and singing groups all based on the same principles, but in different locations. The general mix of genders, ages, backgro...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I have to admit that I’m not really a lyric person. I might have been listening to a particular pop song in English for years when I suddenly realise...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   Last weekend I ran a singing workshop for 40 strangers. As always everyone worked well together (no prima donnas!) and we produced a wonderful sound at the...

I. A WATER WHEEL TURNS Inside water, a water wheel turns. The star circulates with the moon. We live in the Night ocean wondering, What are these lights? Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. ...  moreI. A WATER WHEEL TURNS Inside water, a water wheel turns. The star circulates with the moon. We live in the Night ocean wondering, What are these lights? Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director. Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling seas, and the ocean's gifts and singing. Its images, from 800 years ago, speak to us with both vivid immediacy and transcendence. The idea for the piece originated with the Mellon Elemental Arts Initiative, which proposed funding activities that would involve students in ar...    less