Members of the Seton Hall University Chorus Jason C. Tramm, Director of Choral Activities Alexandra beliakovich, Piano Brendan McHugh, Percussion Jason Tramm, Bass Guitar Quinton Tramm, Audio/Video Engineering Recorded: April 2021

Recorded live from AfterGlow's concert "Love Is Stronger Than Hate: Remembering Charleston 2015" "Love Is Stronger Than Hate: Remembering Charleston 2015" was a very special, powerful concert AfterGlow Chorus in Oakland, CA. This very special concer...  moreRecorded live from AfterGlow's concert "Love Is Stronger Than Hate: Remembering Charleston 2015" "Love Is Stronger Than Hate: Remembering Charleston 2015" was a very special, powerful concert AfterGlow Chorus in Oakland, CA. This very special concert honored and commemorated the heart-breaking, and, ultimately, inspirational events at Mother Emanuel Church in Charleston, SC in June 2015: https://motheremanuel.com/our-story We were deeply moved and inspired by Chris Singleton's (@csingleton_2) incredible story and personal mission that "Love is stronger than hate": https://www.chrissingleton.com/chris-... Please consider making a donation to support the beautiful Emanuel Nine Memorial: https://emanuelnine.org/ Concert location: First Presbyterian Church of Oakland, Oakland, CA Date: August 6, 2023 Soloist: Justin McCoy Arranger: Robert T. Gibson (@rtg0025) Swen Ervin, Creative Director Arnold Lee, Music Director (https://www.afterglowchorus.com/)  less

Score (for the original higher voice setting in the European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus ...  moreScore (for the original higher voice setting in the European Sacred Music book) https://www.sheetmusicplus.com/title/4422853?aff_id=175705 Lotti's 8 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

the most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 this video took a l...  morethe most beautiful thing in the world, is the world itself http://www.facebook.com/share.php?u=http://www.youtube.com/watch?v=q5hG3Xovjiw Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 this video took a lot of hard work. I started this almost immediately after my first choral video went up. I love these choral multitracks but they are very tedious to edit and very long to record. just so you know, because I know people are going to ask, the soprano solo at the beginning is in the box in the top-left corner as always there is no autotune used. so because of all my hard work I think it would be wonderful if you would all like, subscribe, comment and share it with your friend. it would mean a lot to me :) --Composed by Eric Whitacre--  less

Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] the original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] the original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). the words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less