The Drew University Choral Union is a choral ensemble of approximately 80 voices focusing primarily on the masterworks of choral repertoire. Open to students, faculty, staff, and community members, the Choral Union performs 3-4 concerts per year with the ...  moreThe Drew University Choral Union is a choral ensemble of approximately 80 voices focusing primarily on the masterworks of choral repertoire. Open to students, faculty, staff, and community members, the Choral Union performs 3-4 concerts per year with the Drew University Festival Orchestra in the Concert Hall of the Dorothy Young Center for Arts.  

Singing is back and we can't wait to holler at the top of our voices. Why not come along and try a free taster!? Choose from either 27th September or 4th October. Whether complete beginner, shower singer or more experienced singer, this choir w...  moreSinging is back and we can't wait to holler at the top of our voices. Why not come along and try a free taster!? Choose from either 27th September or 4th October. Whether complete beginner, shower singer or more experienced singer, this choir welcomes you! There are no auditions and no requirements to read music, you just need to love to sing! This term we will be celebrating the amazing feeling of singing in, and being surrounded by harmony and, especially with the venue we'll be rehearsing in, it's set to be a good one! As ever we'll be singing classic pop and soul songs, perhaps with a curve ball surprise just for fun, no winter blues for us! Choir runs from 27th September - 13th December. 11 rehearsals, 1 dress rehearsal and a gig on Saturday 18th December. If you love your taster and decide to join for the term, the term fee is £100. Taster places are limited as are places in the choir, we advise to book early. **Please remember that coming along to a free tast...    less

Finding Wonderland from "Wonderland" by Frank Wildhorn arr. Jason Krigas solo Candy Kresmery 2018 Chicagoland voices Winter Concert Sunday, January 21, 2018 Jason Krigas, Director Kathryn Polyack, Accompanist

This Epic climax of Handel's glorious Messiah oratorio was reanimated in this uperb performance by The Golden voices Choir STACC FUTO

RSCM voices CHOIRS The Royal School of Church Music National and Regional Choirs are for those who sing regularly in their church or school and who want to expand their repertoire, learn new skills and be inspired by singing with others in spectacular sp...

voices of Gotham singing New York State of Mind at our Winter Show Take Me Back To Manhattan January 14, 2023

Highbridge voices 2014 Benefit Concert Alec Baldwin, Master of Ceremonies, Melissa Errico, Special Guest, Mary Clementi, Music Director, SunHee Lim, Assistant Music Director, Devon Joiner, Piano, Spencer Cohen, Percussion

voices of Aloha choir sing a rousing rendition of "Place in the Choir" at their 2017 Spring Concert under the direction of Mark Yasuhara.

Tomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magare...  moreTomás Luis de Victoria (1548-1611) Vespro della Beata Vergine Ricostruzione a cura di Antonio e Gaetano Magarelli Cappella Musicale Corradiana, coro e concerto degli ottoni Gaetano Magarelli, organo Antonella Parisi, viola da gamba Antonio Magarelli, direttore Registrazione live durante una prova tenuta presso la Chiesa di San Pietro in Molfetta (ottobre 2019).  

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part Mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part Mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.