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video:
If I Had a Hammer
Highbridge voices performs Pete Seeger's legendary song, as arranged by Peter, Paul, and Mary. Conductor: Mary Clementi, guitar: Billy Janiszewski, Cajon : Chris Cubeta
video:
"Sonnet 27" Franco Prinsloo (The Horizons Project Choir)
The work was composed by Franco Prinsloo to commemorate The 400th anniversary of The death of William Shakespeare. 126 of The 154 Sonnets were addressed to – and inspired by – a beautiful Young Man who embodied for Shakespeare everything that was finest i... moreThe work was composed by Franco Prinsloo to commemorate The 400th anniversary of The death of William Shakespeare. 126 of The 154 Sonnets were addressed to – and inspired by – a beautiful Young Man who embodied for Shakespeare everything that was finest in The world. The work is a melancholic love song that is based on a folk like melody underlined by a constant pedal point, resembling The sound of bagpipes.
video:
When I'm 64
Highbridge voices 2014 Benefit Concert
Alec Baldwin, Master of Ceremonies, Melissa Errico, Special Guest, Mary Clementi, Music Director, SunHee Lim, Assistant Music Director, Devon Joiner, Piano, Chris Cubeta, guitar, Jeff Berner, Bass, Spencer Cohen, Cajon
video:
Here in nomansland. a meditation in The Vosges, 2 altos and guitar
Here in Nomansland - a meditation in The Vosges
This personal exploration with a friend was very deep, we were
philosophising mainly on society's reactions to minority groups and The psychology behind it.
We considered ourselves to be in a sort of noma... moreHere in Nomansland - a meditation in The Vosges
This personal exploration with a friend was very deep, we were
philosophising mainly on society's reactions to minority groups and The psychology behind it.
We considered ourselves to be in a sort of nomansland sociologically, each for different reasons,
but The Vosges valleys provided The most beautiful "nomansland" imaginable for our discussions.
This song is The slightly mystical, and somewhat understated, memory of those days:
Here in nomansland
where all had fled The weaTher
we waited patiently
and enjoyed God's sun togeTher
Here in nomansland
a grandson of Adam
residing in his earthly grandfaTher's home
The woods and sun presiding
Here in nomansland
Hermes' and Aphrodite's son
sings cuckoo to The ill-shorn mountain top
and Then is gone
Here in nomansland we sing
to The oTher's consolation
whilst peaceful dog and cows look on
at our natural
perchance divine
oration less
video:
The Times They Are A-Changin'
Highbridge voices does it's own rendition of Bob Dylan's classic piece. Mary Clementi, conductor. Devon Joiner, pianist. Billy Janiszewski, guitar. Chris Cubeta, cajon.
video:
Weaving a spell-Incantation for Pamela - song for two altos and guitar ostinato
Weaving a spell - Incantation for Pamela - magic for a while...
This song can be understood on two levels.
At first sight it is a simple sentimental piece,
but beneath it lies a history of pure imagination,
enchantment and impossibility.
The co... moreWeaving a spell - Incantation for Pamela - magic for a while...
This song can be understood on two levels.
At first sight it is a simple sentimental piece,
but beneath it lies a history of pure imagination,
enchantment and impossibility.
The composer already realises he is
no longer feeling what he is writing,
he is just weaving a spell,
over an ostinato guitar motif,
to try to bring The feelings back
(hence The title "Incantation").
He has found in his life that
whenever he writes a song
for The object of his desire,
he has already
begun to stop feeling that desire ...
it is a sign that The relationship
is about to change
or disappear.
But The whole thing is indeed
enchantment and magic:
you can dream and
you can take The song at face value
if you wish.
less
video:
R.Brisotto: "Ariel's Madrigal" for mixed choir
A choral composition by Roberto Brisotto (1972)
Lyrics by William Shakespeare (1564/1616) from "The Tempest"
All parts are performed by MatThew Curtis
- "Before you can say, "Come and go",
and breaThe twice, and cry, "So,so"
Each one, tripping on ... moreA choral composition by Roberto Brisotto (1972)
Lyrics by William Shakespeare (1564/1616) from "The Tempest"
All parts are performed by MatThew Curtis
- "Before you can say, "Come and go",
and breaThe twice, and cry, "So,so"
Each one, tripping on his toe,
Will be here with mop and (mow)
(Do you love me, master?no?)"
"Where The bee sucks There (suck) I:
In a cow-slips (bell) I lie;
There I couch when owls do cry.
On a bat's back (I do) fly
After (summer) merrily,
Merrily, merrily shall I live now
Under The blossom that hangs on The bough" less
video:
TheRE IS A NAME (SA & guitar) by Stanley M. Hoffman; Words by Joseph H. Albeck (1995)
There Is a Name
(Dedication AnThem for The New England Holocaust Memorial)
for SA Chorus & guitar
Music by Stanley M. Hoffman (1995)
Words by Joseph H. Albeck (1995)
Performance October 22, 1995
Jenny Kowall, Rachel Rosenman, Taylor Webster
(Chi... moreThere Is a Name
(Dedication AnThem for The New England Holocaust Memorial)
for SA Chorus & guitar
Music by Stanley M. Hoffman (1995)
Words by Joseph H. Albeck (1995)
Performance October 22, 1995
Jenny Kowall, Rachel Rosenman, Taylor Webster
(Children's Chorus),
William Buonocore, guitar
Recording made composer on a
Sony Walkman cassette tape recorder.
Over 8000 people attended The dedication ceremonies.
Music: © Copyright 1995 by Stanley M. Hoffman
www.stanleymhoffman.com
All rights reserved.
The music is available for sale from The composer
and from www.oySongs.com.
Words: "There Is a Name" by Joseph H. Albeck,
© Copyright 1995 by Joseph H. Albeck.
All rights reserved. Used by permission. less
video:
Comin' thro' The rye for choir, clarinet and guitar
"Comin' Thro' The Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to The melody of The Scottish Minstrel "Common' Frae The Toun".
(This is a variant of The tune to which Auld Lang Syne is usually sung—The melodic shape is alm... more"Comin' Thro' The Rye" is a poem written in 1782 by Robert Burns (1759–96). The words are set to The melody of The Scottish Minstrel "Common' Frae The Toun".
(This is a variant of The tune to which Auld Lang Syne is usually sung—The melodic shape is almost identical, The difference lying in The tempo and rhythm.)
It is performed here by The dwsChorale, with a cheeky insertion of a hornpipe!
Gin a body meet a body
Comin' thro' The rye
Gin a body kiss a body
Need a body cry?
Ilka lassie has her laddie
Nane, They say, hae I
Yet a' The lads They smile at me
When comin' thro' The rye.
Gin a body meet a body
Comin' frae The toun
Gin a body greet a body
Need a body froun?
Ilka lassie has her laddie
Nane, They say, hae I
Yet a' The lads They smile at me
When comin' thro' The rye.
Gin a body meet a body,
Comin' frae The well,
Gin a body kiss a body,
Need a body tell?
'Mang The train There is a swain
I dearly lo'e mysel'
But what his name or whaur his hame
I dinna care to tell less