"A haunting tale, perfect for Christmas"—New York Times Kent Tritle leads the Manhattan School of Music Chamber Choir in David Lang's Pulitzer Prize-winning The Little Match Girl Passion, based on Hans Christian Andersen's pow...

Sep 14, 2022 SAINT John Saint John Men's Chorus Kelly Galbraith: Director & Producer Rebecca Burrill: Accompanist John Higgins - Tenor soloist

Combined choirs of North Sky Chorale and St Vincent's Chamber Voices. Live performance April 2024. Richard Janzen, solo Kimbal Siebert, director

http://www.jwpepper.com/Johnrutter The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his bel...  morehttp://www.jwpepper.com/Johnrutter The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his beliefs on why choral music "is not one of life's frills" and why more people should take note. Watch John's Other Interviews with JW Pepper here: https://www.youtube.com/playlist?list=PLZQqNNHsg4fDl5YNCJm3qBFmmHnut_XPt http://www.Johnrutter.com/  

This video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins. It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing. Kelly G...  moreThis video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins. It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing. Kelly Galbraith is the director https://www.facebook.com/sjmenschorus Twitter - Saint John Men's Chorus @SaintChorus  

Ruht Wohl maestro Uroš Lajovic, conductor Ivana Lazar, soprano Bernarda Fink, alto Dejan Vrbančič, tenor Martin Sušnik, tenor Kay Stiefermann, baritone Berislav Puškarić, bass Edin Karamazov, lute Smiljan Mrčela, cello Domen Marinčič, viola da g...  moreRuht Wohl maestro Uroš Lajovic, conductor Ivana Lazar, soprano Bernarda Fink, alto Dejan Vrbančič, tenor Martin Sušnik, tenor Kay Stiefermann, baritone Berislav Puškarić, bass Edin Karamazov, lute Smiljan Mrčela, cello Domen Marinčič, viola da gamba Pavao Mašić, harpsichord Mario Penzar, organ Zagreb Philharmonic Orchestra Academic choir Ivan Goran Kovačić 04.04.2012. Vatroslav Lisinski Concert Hall  

We have recently launched the John Hanson Community Choir. Open to all ages across the community of Andover and beyond. Come and join us and join in with the fun and love of singing together. Every Thursday evening 6-8 pm at John Hanson Community School - Andover

Join us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag...  moreJoin us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe) Stadhuis Vilvoorde 10/11/2014 Andantino (Vilvoorde België olv Peter De Waele) In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved, and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. “In Vlaanderens velden bloeien de kl...    less

Weep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat...  moreWeep, O Mine Eyes - John Bennet (Tenor's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less