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video:
A Wet Sheet and a Flowing Sea
Sep 14, 2022 SAINT John
Saint John Men's Chorus
Kelly Galbraith: Director & Producer
Rebecca Burrill: Accompanist
John Higgins - Tenor soloist
video:
John Rutter: The Importance of Choir
http://www.jwpepper.com/Johnrutter
The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his bel... morehttp://www.jwpepper.com/Johnrutter
The importance of music in our schools can not be overstated. No one understands this more and has more background on the topic first hand than John Rutter. For Music In Our Schools Month, John Rutter shares his beliefs on why choral music "is not one of life's frills" and why more people should take note.
Watch John's Other Interviews with JW Pepper here:
https://www.youtube.com/playlist?list=PLZQqNNHsg4fDl5YNCJm3qBFmmHnut_XPt
http://www.Johnrutter.com/
video:
Wayfaring Stranger
This video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins.
It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing.
Kelly G... moreThis video is made in memory of Mr. Jay Brown, first tenor in the Saint John Men's Chorus. It is donated by fellow first tenor John Higgins.
It was performed live on May 10, 2022 at Portland United Church with masks and physical distancing.
Kelly Galbraith is the director
https://www.facebook.com/sjmenschorus
Twitter - Saint John Men's Chorus @SaintChorus
video:
Johann Sebastian Bach: Johannes-Passion, BWV 245
Ruht Wohl
maestro Uroš Lajovic, conductor
Ivana Lazar, soprano
Bernarda Fink, alto
Dejan Vrbančič, tenor
Martin Sušnik, tenor
Kay Stiefermann, baritone
Berislav Puškarić, bass
Edin Karamazov, lute
Smiljan Mrčela, cello
Domen Marinčič, viola da g... moreRuht Wohl
maestro Uroš Lajovic, conductor
Ivana Lazar, soprano
Bernarda Fink, alto
Dejan Vrbančič, tenor
Martin Sušnik, tenor
Kay Stiefermann, baritone
Berislav Puškarić, bass
Edin Karamazov, lute
Smiljan Mrčela, cello
Domen Marinčič, viola da gamba
Pavao Mašić, harpsichord
Mario Penzar, organ
Zagreb Philharmonic Orchestra
Academic choir Ivan Goran Kovačić
04.04.2012.
Vatroslav Lisinski Concert Hall
video:
John Hanson Community Choir
We have recently launched the John Hanson Community Choir. Open to all ages across the community of Andover and beyond. Come and join us and join in with the fun and love of singing together. Every Thursday evening 6-8 pm at John Hanson Community School - Andover
video:
In Flanders Fields by John McCrae (May 1915)
Join us on facebook : https://www.facebook.com/fanclubAndantino
The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army
McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag... moreJoin us on facebook : https://www.facebook.com/fanclubAndantino
The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army
McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe)
Stadhuis Vilvoorde 10/11/2014
Andantino (Vilvoorde België olv Peter De Waele)
In Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
“In Vlaanderens velden bloeien de kl... less
video:
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
Weep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internat... moreWeep, O Mine Eyes - John Bennet (Tenor's Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
Weep, O Mine Eyes - John Bennet (Bass' Guide)
Weep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internatio... moreWeep, O Mine Eyes - John Bennet (Bass' Guide)
“Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”.
Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare.
More Information, contact us:
guide4score@gmail.com less
video:
John Saw Duh Numbuh 3 13 2016
#Aliceis90
Alice Parker's arrangement of "John Saw duh Numbah."
Congregational Church of Batavia, IL.
Sunday, 3/13/16.