Cappella Musicale Corradiana, Choir & Orchestra, was born in 2007, conducted by Antonio Magarelli. They are specialized in sacred Renaissance, baroque and classical repertoire. The Orchestra is composed by professional Early music mus...  moreCappella Musicale Corradiana, Choir & Orchestra, was born in 2007, conducted by Antonio Magarelli. They are specialized in sacred Renaissance, baroque and classical repertoire. The Orchestra is composed by professional Early music musicians, who play original instruments. Cappella Musicale Corradiana wants to discover Puglia’s musical heritage to increase Naples musical tradition. They have concerts in all of Europe. They are guests of musical Festivals and shows, such as Maldon Festival of Arts in England and Anima Mea – Musiche Mondi Memorie. They were also guests of Pontificio Comitato di Scienze storiche in Santa Croce in Gerusalemme in Rome to celebrate 500 years from V Lateran Council. Among its recordings there are: Passio Domini Nostri Iesu Christi secundum Ioannem (1816), Vito A.R. Cozzoli’s Oratorio (1777-1817); Officia in feria V et VI Maioris Hebdomadae, composed by Antonio Pansini (1703-1791) for three voices and continuo in the first half of XVIII century. They are both two...    less

Down to the River to Pray - arr.: P. Lawson - The Waldorf Student Choir, conductor: Laszlo Bencze - Recorded in the Lutheran Church in Alsonana, Hungary at the 2014 Choir Camp

Beautiful Easter song

T. Tallis: If Ye Love Me - The Waldorf Student Choir, conductor: Laszlo Bencze - Recorded in the Lutheran Church in Alsonana, Hungary at the 2014 Choir Camp

I'm gonna sing - The Waldorf Student Choir, conductor: Laszlo Bencze - Recorded in the Lutheran Church in Alsonana, Hungary at the 2015 Choir Camp

Mass setting by David Warin Solomons for Choir and Orchestra performed in January 2016 (with special timpani roll in memory of the November 2015 victims in Beirut and Paris)

O, Fortuna maestro Ivan Josip Skender, conductor Dubrovnik Symphony Orchestra Zagreb Philharmonic Orchestra Academic Choir Ivan Goran Kovačić 11.07.2017. In front of St. Blaise's Church, Dubrovnik From Dubrovnik summer festival Archive

"Music Down in My Soul" by Moses Hogan. Recorded live on June 25, 2009, at Central Lutheran Church in Eugene, Oregon. Performed at the Sharing Our Songs concert during the Pacific International Children's Choir Festival (PICCFEST) by the Touring Choir ...  more"Music Down in My Soul" by Moses Hogan. Recorded live on June 25, 2009, at Central Lutheran Church in Eugene, Oregon. Performed at the Sharing Our Songs concert during the Pacific International Children's Choir Festival (PICCFEST) by the Touring Choir ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Susan Dodd.  

Bridgnorth Choral Society presented an emotional and moving performance of J H Maunder's Olivet to Calvary at their Concert of Easter Music on Saturday night. The piece depicted the last few days of Christ's life on earth, from his entry into Jerusalem an...

Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against ...  moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert. ​Text: "The silver swan, who living had no note, When death approached, unlocked her silent throat; Leaning her breast against the reedy shore, Thus sang her last, and sang no more: 'Farewell, all joys; Oh death, come close mine eyes; More geese than swans now live, more fools than wise.' " - Orlando Gibbons (1583 - 1625) Program notes: A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB Choir, and employs varied moments of imitative polyphony and homophony. This short wor...    less