Music: Fanny Hensel-Mendelssohn (1805-1847) Arr.: Laura Jēkabsone Lyrics: Ludwig Heinrich Christoph Hölty Audio: Andris Ūze Video: Kaspars Teilāns Make Up- Ilona Zariņa Style by "CIta Rota" Latvian Voices concert program "Vox Femme"

Click here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multIt...  moreClick here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multItracks/309402602408932 So this is a song that my jazz ensemble recently sung at competItion. Jazz Doesn't really fIt my voice very well, but that Doesn't change the fact that I'm in love wIth It. I also felt like this song would be the perfect opportunIty to prove I Don't use pItch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I Don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this wIth everybody you know. Like I said, no pItch correction was used (or will ever be used). This will most likely be the first and last vocal jazz piece I d...    less

This well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the lIturgical climax of Good Friday, during the special service of the ADoration of the Cross, w...  moreThis well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the lIturgical climax of Good Friday, during the special service of the ADoration of the Cross, was recorded on Saturday 2nd April 2011 during St Peter's Singers' recItal of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. The plainchant verses are sung by soprano Sarah Kelly, and the solo quartet (posItioned remotely from the main choir) comprises soprano Julie Kilburn, alto Lucy Appleyard, tenor Jonathan Morrish and bass Quentin Brown. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recItals, concerts and services, may be found on our websIte www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of L...    less

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (wIth short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (wIth short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)  

Il coro che non c'è (formato da ragazzi provenienti dai cori dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da DoDo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria d...  moreIl coro che non c'è (formato da ragazzi provenienti dai cori dei licei romani Albertelli, Keplero, De Sanctis, Visconti e altri licei sparsi per il globo) diretto da DoDo Versino esegue nella Basilica di S. Croce in Gerusalemme il brano Benia Calastoria di Bepi De Marzi in occasione della rassegna corale "Not(t)e di Natale" organizzata dal gruppo corale Entropie Armoniche. Per le riprese si ringraziano Nora Schrenk, Vincenzo Pinna e Claudia Gili.  

The UniversIty Chorale performs Entreat Me Not to Leave You by Dan Forrest. Recorded May 2014. Dr. J. Steven Walker, conductor.

Contest performance at the International Festival of Choral and Folklore Music "SLOVAKIA CANTAT". Bratislava, Slovakia, 2013.

A tribute to the sixties male choir a cappella music Music & lyrics: Jean-Christophe Rosaz Aleron choir Manila Christopher Ong Arceo conductor Pubisher: Delatour France --- http://www.jeanchristopherosaz.eu/ http://aleronchoir.com/ --- link to bu...  moreA tribute to the sixties male choir a cappella music Music & lyrics: Jean-Christophe Rosaz Aleron choir Manila Christopher Ong Arceo conductor Pubisher: Delatour France --- http://www.jeanchristopherosaz.eu/ http://aleronchoir.com/ --- link to buy the score: http://www.edItions-delatour.com/fr/mixte/391-she-s-so-lovely-pour-choeur-a-cappella-9790560170671.html --- REFRAIN She's so lovely, so lovely, lovely, lovely; She's so lovely, so lovely, lovely, lovely. COUPLET 1 We are so happy there, That could be else where, This music so mere, Ring' in the night, sing' in the heart. COUPLET 2 Walking through the night, She's running in my heart, Changing around all bright, Just say' to me: "sure you are right?" Oh my love you have gone away a day, Gone away? Standing a lonely "just thinking"...  less

SMATB A Capella version by Vocalix Recorded during the Covid-19 lockDown Voice Doubling for extra spacial dimension. Original song by Tears for Fears Music & Lyrics: Roland Orzabal Arrangement: Alexej Romanov - www.efre.nl

Once I was blind…now I can see. The words of a transfigured soul. Let this words be spoken by each one of us as we journey on wIth the Lord - MUSIKTEERS ENSEMBLE GH