In Paradisum is the 9th movement of the Requiem Aeternam Pacem 9/11 composed by Diana Rutherford © 2011 Choir Aahs SATB, Flute, Oboe, Violin and Cello. Please visit my website DianaRutherford.com for sheet music and contact information.
"Eu e Você", Brazilian folk song, arr. J. Edmund Hughes, piano accomp. Mary Ellen Loose. Recorded live on Friday, May 17, 2013, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. Performed by the Chamber Singers ensemble of the ... more
Alberto Schiavo - STABAT MATER for male Choir (excerpts/estratti) I - Stabat Mater dolorosa 0:00 II - Quis non posset contristari 3:49 III - Fac me tecum 7:30 Amen 14:12 World premiere 24th May 2017. Budapest (Hungary) - Marble Hall of Hungarian ... more
Wor (Morinkim and Kankarem) traditional Biak (Papua) choral arrangement by Budi Susanto Yohanes ITB Cultural Tour 2009 Pre-Competition Concert live recording at Usmar Ismail Hall June 12, 2009
Ely Choral Society is a flourishing mixed voice community Choir of over 120 voices conducted by Andrew Parnell, one of the UK's foremost choral conductors. Concerts are held in Ely Cathedral and other venues locally with professional soloists and orch... more
East Rand Male Symphony was established in August 1990 by the members of the then Kenneth Masekela SSS Boys Choir after winning the TUATA National School Choir Competition in the category of Boys Choirs for the 4th successive year. They were under the tu... more
Ottawa Choir, The Stairwell Carollers, perform “ In vernali tempore” from Piae Cantiones, a collection of late medieval Latin songs first published in 1582. Thanks to all who attended the PREMIERE of our second Stairwell Carollers Virtual Choir Video for... more
Mercury/Fontenelle: Love of My Love - Live recoding of the Waldorf Students Choir, conductor: László Bencze. Recorded on 24. 05. 2014. at the Night of the Choirs, Budapest, Hungary
By popular demand - Fly to Paradise! As performed by the Drakensberg Boys Choir on Wednesday 11 June 2014 - Live in concert. Conducted by: Charlotte Botha