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Brighton TubThumpers Choir
Come to Brighton Tubthumpers drop-in choir for songs of protest, passion, solidarity, in glorious uproarious harmony.
All sessions run from 1pm to 4pm, and are being held at Phoenix Community Centre, Brighton, BN2 9ND (except 08/11/2015)
I am runni... moreCome to Brighton Tubthumpers drop-in choir for songs of protest, passion, solidarity, in glorious uproarious harmony.
All sessions run from 1pm to 4pm, and are being held at Phoenix Community Centre, Brighton, BN2 9ND (except 08/11/2015)
I am running five sessions. Everyone is welcome, and no previous singing experience is necessary.
Each session will introduce new songs, as well as continuing to work on a core repertoire.
Sunday 20th September
Sunday 11th October
Sunday 8th November – with guest workshop leader Frankie Armstrong at Brighton Unitarian Church
Sunday 29th November
Sunday 20th December
Please contact me to book a place, or for more information.
Advance booking £12 full / £9 concession
On the door £15 full / £12 concession
Book for all five workshops for the £55 full or £40 concession, a possible saving of £35!
Tea & biscuits included! less
video:
Die Nachtigall - Mendelssohn/Goethe - Coro de la FAMAF
Die Nachtigall
Felix Mendelssohn (1809-1847)
Johann Wolfgang von Goethe (1749-1832)
- Die Nactigall - (El Ruiseñor)
El ruiseñor estaba lejos,
la primavera lo atrajo nuevamente.
él no ha aprendido nada nuevo
canta viejos cantos de amor
C... moreDie Nachtigall
Felix Mendelssohn (1809-1847)
Johann Wolfgang von Goethe (1749-1832)
- Die Nactigall - (El Ruiseñor)
El ruiseñor estaba lejos,
la primavera lo atrajo nuevamente.
él no ha aprendido nada nuevo
canta viejos cantos de amor
Coro de la FAMAF de la Universidad Nacional de Córdoba
(Facultad de Matemática Astronomía , Física y Computación)
Director: Gustavo Rocchietti
Sopranos:
Laura Salomón
María Alejandra Fritzsch
Romina Montivero
Natalia Di Pietro
Eugenia Roqué
Maria Elena Quiroga
Laura Anahí Bettiol
Mariana Rocchietti
Cecilia Yanina Lazarte
Cecilia Ines Cammisa
Melina Lerda
Contraltos:
Cinthia Bravo
Luciana Laurino
Carolina Toledo
Maria Paula Zeballos
Dana Angellotti
Mónica Gabriela Santos
Carolina Villalón
Tenores:
Enrique Corchero
Christian Martinez
Marcos Ariel Ramirez
Oscar Eduardo Cáserez
Bajos:
Pablo Castrillo
Tristán Osán
Walter Moyano
Marco Augusto Rocchietti
Mario Di Salvo
Juán Aznarez Carini
Pedro Ivan Vena Valencia
Andres Cabre... less
video:
Toru Takemitsu: Ashita Wa Hare Kana 明日は晴れかな、曇りかな
“Will tomorrow, I wonder, be cloudy or clear?” asks the title of this piece composed and written by eminent Japanese maestro Tōru Takemitsu. Written and composed in 1985 for the Shin-yu Kai Chorus, the song captures the moment when one finds oneself strad... more“Will tomorrow, I wonder, be cloudy or clear?” asks the title of this piece composed and written by eminent Japanese maestro Tōru Takemitsu. Written and composed in 1985 for the Shin-yu Kai Chorus, the song captures the moment when one finds oneself straddling both uncertainty and optimism while thinking about the future. Takemitsu’s signature sound, featuring rich harmonies colouring melodious refrains, shines through in this conversational and thoughtful piece.
Performed live during Musica Intimae: The Plain of Dreams 夢の広野
11 March 2018
Victoria Concert Hall
Videography by Luther Yiew Videography less
video:
The Brocal Chords - Fly Like an Eagle (Steve Miller Band)
A slideshow with photos taken at a few performances over the past year. A cover of Steve Miller Band's "Fly Like an Eagle".
Recording is taken from their performance at Drake University's Practice-A-Thon.
Soloist: Jon Edgeton
Arranger: Deke Sharon
video:
The Gate of Hell by Joseph Dillon Ford sung by David Warin Solomons
The Gate of Hell
The first of three movements by composer Joseph Dillon Ford for male chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale.
Video recreated in honour of the composer
Per me si va ne la città dolente,
per me s... moreThe Gate of Hell
The first of three movements by composer Joseph Dillon Ford for male chorus based on Dante's La Divina Commedia (L'Inferno), sung by the dwsChorale.
Video recreated in honour of the composer
Per me si va ne la città dolente,
per me si va ne l'etterno dolore,
Through me is the way to the sorrowful city,
Through me is the way to eternal sorrow,
per me si va tra la perduta gente.
Through me is the way among the lost people.
Giustizia mosse il mio alto fattore:
fecemi la divina potestate,
la somma sapienza
e 'l primo amore;
Justice moved my exalted maker
Divine power, supreme wisdom
and the first love made me
dinanzi a me non fuor cose create
se non etterne, e io etterno duro.
Before me were no created beings
Only things eternal and I continue for ever
Lasciate ogne speranza, voi ch' intrate.
Abandon all hope you who enter here. less
video:
FIELDS OF GOLD - LUMEN VOCALE (Sting a cappella cover)
Music: Sting
Solo: Andrzej Lewicki, Anna Alexandrowicz
Lumen Vocale: Joanna Klonowska, Marianna Majchrzak, Paulina Bierwagen, Julita Mańczak, Jędrzej Suchan, Witold Lewicki, Adam Kutny, Radosław Wencek
Recording and mastering: Marek Lewandowski
video:
David Rain: "How heavy lies the heart": #2 Autumn, Ottawa Four Seasons Suite (sung by Matthew Curtis
I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments.
"How heavy lies the heart" has drawn inspiration from the traditional F... moreI dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments.
"How heavy lies the heart" has drawn inspiration from the traditional French Christmas carol, "Quelle est cette odeur agréable", which John Gay also set as a boisterous drinking song in the Beggar's Opera, "Fill every glass, for wine inspires us!" In addition, the song draws inspiration from Josquin's Missa Pange Lingua.
In early 2018, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted.
"How heavy lies the heart" was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful.
I would also like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre M... less