Cantores Celestes Women's Choir Kelly Galbraith ~ Director Stephen Tam - Flute Kate Carver - Piano Matthew Coons ~ Organ Emperor Quartet: The Emperor Quartet Jef ten Kortenaar & Clare Pellerin, violins Kathleen Kajioka, viola Stephen Buck, cel...  moreCantores Celestes Women's Choir Kelly Galbraith ~ Director Stephen Tam - Flute Kate Carver - Piano Matthew Coons ~ Organ Emperor Quartet: The Emperor Quartet Jef ten Kortenaar & Clare Pellerin, violins Kathleen Kajioka, viola Stephen Buck, cello www.cantorescelestes.com Dec 2, 2017  

Extrait du concert du 12 Avril 2015, à Cannes Liesel Jürgens, soprano Esther Dean, mezzo Frédéric Diquero, ténor Ioan Hotenski, baryton Choeur de Notre-Dame de Bon Voyage Orchestre Ad vitam aeternam Direction: Stéphan Nicolay

Выйду ночью в поле с конем (музыка Игоря Матвиенко, слова Александра Шаганова, обработка для мужского хора Иона Брэтеску).

This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with...  moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland. Composed and performed (in the men's choir version with added percussion) by David W Solomons  

"Notte" for mixed choir by Camilla Andrea Piovano (1993) Lyrics by Nicolò Machiavelli (1469-1527) performed by Ensemble InContrà conductor: Roberto Brisotto Audio recording: Flavio Sgubin Audio editing and mixing: Diego Ceruti Video shoo...  more"Notte" for mixed choir by Camilla Andrea Piovano (1993) Lyrics by Nicolò Machiavelli (1469-1527) performed by Ensemble InContrà conductor: Roberto Brisotto Audio recording: Flavio Sgubin Audio editing and mixing: Diego Ceruti Video shooting: Hermes Bottecchia, Paolo Tonus Video editing: Paolo Tonus Recorded in "Sala degli affreschi", Palazzo Ragazzoni - Sacile (PN) - ITALY 18.12.2023 Contact us: www.contràcamolli.com / ensembleincontra / roberto.brisotto "Oh dolce notte, oh sante ore notturne e quete ch'i disiosi amanti accompagnate; in voi s'adunan tante letizie, onde voi siete sole cagion di far l'alme beate." "O sweetest night, o blessed hours of calm and darkness, the boon companions of desire-filled lovers; in you there gather all the pleasure that make you the single source of our blessedness." ("La Mandragola" - excerpt from the song after the fourth act) translation by Neride Newbigin  less

Dołącz do nas nas na Facebooku https://www.facebook.com/poznanskieslowiki Join us at Facebook https://www.facebook.com/poznanskieslowiki Fragment koncertu ,,Druh i Jego Przyjaciele" z okazji 70-cio lecia chóru Poznańskie Słowiki.

East Central University Chorale performing "For As Often As You Eat of This Bread" With Dr. Steven Walker, Conducting. A Communion hymn written in 2010 by local composers Tori Davison and Rudy Lupinsky. The pair have composed over 50 different choral w...  moreEast Central University Chorale performing "For As Often As You Eat of This Bread" With Dr. Steven Walker, Conducting. A Communion hymn written in 2010 by local composers Tori Davison and Rudy Lupinsky. The pair have composed over 50 different choral works debuted and performed by the ECU Choral department. Flute Solo by Rebekah Unruh. Performed December 2nd, 2010 at St. Joseph Catholic Church in Ada, OK  

The second piece in Samuel Barber's Reincarnations, Op. 16 Anthony O’Daly was a member of the Whiteboys, a group that resisted encroachments on peasants’ rights to their land with a mixture of rent strikes and violence. In 1820, Daly was wrongfully acc...  moreThe second piece in Samuel Barber's Reincarnations, Op. 16 Anthony O’Daly was a member of the Whiteboys, a group that resisted encroachments on peasants’ rights to their land with a mixture of rent strikes and violence. In 1820, Daly was wrongfully accused of shooting at a local landowner and condemned to hang. Although the local population acclaimed him as a hero and attempted to help him escape the gallows, he went quietly to his death. "Anthony! Since your limbs were laid out, the stars do not shine! The fish leap, not out in the waves! On our meadows, the dew does not fall in the morn, for O’Daly is dead!" Barber’s song feels like a huge public outpouring of grief. It begins with the basses repeating Anthony’s name on a drone whilst the upper voices sing a keening melody, and the piece builds to hysteria as the sopranos and altos take over the chanted name. There are also suggestions that Raftery’s poem is not a lament but a traditional poet’s curse, calling down retribution in response to Raftery’s...    less

This lovely Lententide motet was performed at the Parish Church of St Michael and All Angels, Thornhill, West Yorkshire, as part of the Singers' recital of Passiontide Polyphony and organ solos given on Sunday 2nd April 2017. Dr Simon Lindley, the choir...  moreThis lovely Lententide motet was performed at the Parish Church of St Michael and All Angels, Thornhill, West Yorkshire, as part of the Singers' recital of Passiontide Polyphony and organ solos given on Sunday 2nd April 2017. Dr Simon Lindley, the choir's Music Director since its foundation in 1977, directed and also played the organ solos. Thomas Morley 1557/8-1602 Nolo mortem peccatoris Nolo mortem peccatoris; haec sunt verba Salvatoris.[I desire not the death of a sinner; these are the words of the Saviour.] Father, I am thine only Son, sent down from heav’n mankind to save.Father, all things fulfilled and done according to thy will, I have.Father, my will now all is this: Nolo mortem peccatoris.Father, behold my painful smart, taken for man on ev’ry side;Ev'n from my birth to death most tart, no kind of pain I have denied,but suffered all, and all for this: Nolo mortem peccatoris. Thomas Morley’s contribution to British music was inestimable and included the publication of England’s first musi...    less

University of Utah A cappella Choir sings "A Prayer of the Middle Ages" by Howard Hanson in the Libby Gardner Concert hall for their Fall 2012 Concert, Directed by Doctoral Student Sonja Sperling