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video:
Voices of Light - Paul Halley
Cantores Celestes Women's Choir
Kelly Galbraith ~ Director
Stephen Tam - Flute
Kate Carver - Piano
Matthew Coons ~ Organ
Emperor Quartet: The Emperor Quartet
Jef ten Kortenaar & Clare Pellerin, violins
Kathleen Kajioka, viola
Stephen Buck, cel... moreCantores Celestes Women's Choir
Kelly Galbraith ~ Director
Stephen Tam - Flute
Kate Carver - Piano
Matthew Coons ~ Organ
Emperor Quartet: The Emperor Quartet
Jef ten Kortenaar & Clare Pellerin, violins
Kathleen Kajioka, viola
Stephen Buck, cello
www.cantorescelestes.com
Dec 2, 2017
video:
Mors & Vita - Gounod (extrait I.3a)
Extrait du concert du 12 Avril 2015, à Cannes
Liesel Jürgens, soprano
Esther Dean, mezzo
Frédéric Diquero, ténor
Ioan Hotenski, baryton
Choeur de Notre-Dame de Bon Voyage
Orchestre Ad vitam aeternam
Direction: Stéphan Nicolay
video:
My Lord Willoughby's Welcome home for double choir
This is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland.
Composed and performed (in the men's choir version with... moreThis is a double choir setting (with optional [unscored] percussion) of the popular Elizabethan song "My Lord Willoughby's welcome home", based partly on the lute duet on the tune by John Dowland.
Composed and performed (in the men's choir version with added percussion) by David W Solomons
video:
Notte - Camilla Andrea Piovano
"Notte"
for mixed choir
by Camilla Andrea Piovano (1993)
Lyrics by Nicolò Machiavelli (1469-1527)
performed by
Ensemble InContrà
conductor:
Roberto Brisotto
Audio recording: Flavio Sgubin
Audio editing and mixing: Diego Ceruti
Video shoo... more"Notte"
for mixed choir
by Camilla Andrea Piovano (1993)
Lyrics by Nicolò Machiavelli (1469-1527)
performed by
Ensemble InContrà
conductor:
Roberto Brisotto
Audio recording: Flavio Sgubin
Audio editing and mixing: Diego Ceruti
Video shooting: Hermes Bottecchia, Paolo Tonus
Video editing: Paolo Tonus
Recorded in "Sala degli affreschi", Palazzo Ragazzoni - Sacile (PN) - ITALY
18.12.2023
Contact us:
www.contràcamolli.com
/ ensembleincontra
/ roberto.brisotto
"Oh dolce notte, oh sante
ore notturne e quete
ch'i disiosi amanti accompagnate;
in voi s'adunan tante
letizie, onde voi siete
sole cagion di far l'alme beate."
"O sweetest night, o blessed
hours of calm and darkness,
the boon companions of desire-filled lovers;
in you there gather all
the pleasure that make you
the single source of our blessedness."
("La Mandragola" - excerpt from the song after the fourth act)
translation by Neride Newbigin less
video:
Laudate dominum (Ch.F.Gounod) - Poznańskie Słowiki
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Fragment koncertu ,,Druh i Jego Przyjaciele" z okazji 70-cio lecia chóru Poznańskie Słowiki.
video:
For As Often As You Eat of This Bread - Davison/Lupinsky
East Central University Chorale performing "For As Often As You Eat of This Bread" With Dr. Steven Walker, Conducting.
A Communion hymn written in 2010 by local composers Tori Davison and Rudy Lupinsky. The pair have composed over 50 different choral w... moreEast Central University Chorale performing "For As Often As You Eat of This Bread" With Dr. Steven Walker, Conducting.
A Communion hymn written in 2010 by local composers Tori Davison and Rudy Lupinsky. The pair have composed over 50 different choral works debuted and performed by the ECU Choral department.
Flute Solo by Rebekah Unruh.
Performed December 2nd, 2010 at St. Joseph Catholic Church in Ada, OK
video:
Anthony O'Daly from Reincarnations, Op. 16: Samuel Barber (J. Tramm/MidAtlantic Chamber Choir)
The second piece in Samuel Barber's Reincarnations, Op. 16
Anthony O’Daly was a member of the Whiteboys, a group that resisted encroachments on peasants’ rights to their land with a mixture of rent strikes and violence. In 1820, Daly was wrongfully acc... moreThe second piece in Samuel Barber's Reincarnations, Op. 16
Anthony O’Daly was a member of the Whiteboys, a group that resisted encroachments on peasants’ rights to their land with a mixture of rent strikes and violence. In 1820, Daly was wrongfully accused of shooting at a local landowner and condemned to hang. Although the local population acclaimed him as a hero and attempted to help him escape the gallows, he went quietly to his death.
"Anthony! Since your limbs were laid out, the stars do not shine! The fish leap, not out in the waves! On our meadows, the dew does not fall in the morn, for O’Daly is dead!"
Barber’s song feels like a huge public outpouring of grief. It begins with the basses repeating Anthony’s name on a drone whilst the upper voices sing a keening melody, and the piece builds to hysteria as the sopranos and altos take over the chanted name. There are also suggestions that Raftery’s poem is not a lament but a traditional poet’s curse, calling down retribution in response to Raftery’s... less