Sing your way into The weekend with a smile by joining Ben every Friday at 2pm GMT on Homechoir's YouTube channel. We learn a new song every Friday and Sing some fantastic favourites, from jazz to music hAll, and even original songs written especiAlly for...  moreSing your way into The weekend with a smile by joining Ben every Friday at 2pm GMT on Homechoir's YouTube channel. We learn a new song every Friday and Sing some fantastic favourites, from jazz to music hAll, and even original songs written especiAlly for Homechoir.  

The Metropolitan Youth Orchestra of New York Nassau Symphonic Choir ~ Louise O'Hanlon, Music Director Adelphi University Performing Arts Center Sunday, March 20, 2016 If I Can Sing, I Still Am Free composer: Rich Campbell ©2014 Pay The Band Music u...  moreThe Metropolitan Youth Orchestra of New York Nassau Symphonic Choir ~ Louise O'Hanlon, Music Director Adelphi University Performing Arts Center Sunday, March 20, 2016 If I Can Sing, I Still Am Free composer: Rich Campbell ©2014 Pay The Band Music used by permission Available in print at Swirly Music: http://www.swirlymusic.org/music/choral-music/rich-campbell-if-i-can-Sing-i-still-am-free/  

Magnificat and Nunc Dimittis (Book of Common PraYer version 1662) set to music for six part mixed Voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of The Little Bear) comes from The origin of The melodies: Many Years ago I wrote a...  moreMagnificat and Nunc Dimittis (Book of Common PraYer version 1662) set to music for six part mixed Voices SAT-SAT) The title of this work (Canticula Ursae Minoris/Songs of The Little Bear) comes from The origin of The melodies: Many Years ago I wrote an "Oratorio" based on Winnie The Pooh (The Expotition to The North Pole) and gave each character little melodic leitmotifs, such as "Sing ho for The life of a bear" (which becomes "to be a light to lighten The Gentiles" in The Nunc Dimittis), "They All went off to discover The pole" (which is The initial Theme of The Magnificat) and "What I say, said Eeyore, is that it's unsettling" (which becomes The "Glory be to The FaTher" section at The end of each canticle) The original and much simpler "oratorio" work, cAlled Poohratorio of course, may be published once AA Milne goes into public domain (2031).  less

The Choir of Somerville College, Oxford Robert Pecksmith (organ) David Crown (conductor) Somerville College Chapel, 29 April 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

CoMA Voices is based in London. We meet for specific performance projects and workshops. We are open to All Singers with no auditions and previous experience of contemporary music is not needed. We work mainly, though not exclusively, from music, some of ...  moreCoMA Voices is based in London. We meet for specific performance projects and workshops. We are open to All Singers with no auditions and previous experience of contemporary music is not needed. We work mainly, though not exclusively, from music, some of which is unconventionAlly notated. Most of our work is a capella and The focus is on ensemble Singing. One objective is to expand The contemporary amateur vocal repertoire, which is less developed than The instrumental repertoire. We work with composers and students, commissioning works and showcaSing material for use by oThers.  less

Two love Songs par les Canterbury Voices en concert à Ris Orangis sous la direction de Kerry Boyle

Live performance at The Raue Center for The Arts in Crystal Lake, IL on May 18th, 2015

Live performance at The Raue Center for The Arts in Crystal Lake, IL on May 18th, 2015

Do You Hear The People Sing? choir performing Somebody to Love in rehearsal http://www.doyouhearThepeopleSing.net/

St Helen's church in Hollinfare celebrated its 500th anniversary in 1997 and invited The gentlemen of Manchester CaThedral Voluntary Choir to Sing at The celebratory service. The service included a Jubilate, which I wrote especiAlly for The purpose as a...  moreSt Helen's church in Hollinfare celebrated its 500th anniversary in 1997 and invited The gentlemen of Manchester CaThedral Voluntary Choir to Sing at The celebratory service. The service included a Jubilate, which I wrote especiAlly for The purpose as a psalm chant.