A gospel Song, celebrating Pentecost and recorded by the choir in their homes during the Covid-19 lockdown of Spring Summer 2020. The Song premiered on London's Wandsworth Prison Radio on 31st May 2020 is dedicated to the staff and prisoners there.
DID YOU KNOW THAT SINGING CHANGES YOUR BRAIN? You’re invited to experience the joy, freedom and inspiration of Song at your local With One Voice choir! Neuroscience proves singing makes people happier, healthier, smarter and more creative. Creat... more
This commission was done to support the students, musicians, choral singers, and ensembles in Belarus who were forcibly silenced during the turmoil and protests in 2020. We sing in solidarity with them, raising our voices to the "Song of Belarus," while t... more
We are more than 50 voices. We began our journey in the 90s. Our repertoire is varied (Gregorian, Renaissance, Baroque, American standards, popular Spanish Song, Opera, Gospel, etc..) We actively participate in cultural life of the towns of our influen... more
A setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 20... more
Handog Concierto The San Nicolas 2nd Chorale with Band 31
Hljómeyki Chamber Choir sings Carol, by Benjamin Britten. Song from the Sacred and Profane Song cycle. Concert in the Nordic House, Reykjavík. Conductor Marta G. Halldórsdóttir.
A joint performance of Amavolovolo - a traditional African Song. Performed live in concert on Wednesday 27 August 2014 with the Kärntner Landesjugendchor and the proTON Vokalensemble.
Highbridge Voices performs Pete Seeger's legendary Song, as arranged by Peter, Paul, and Mary. Conductor: Mary Clementi, Guitar: Billy Janiszewski, Cajon : Chris Cubeta
Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ... more