Randall Stroope's setting of the W B Yeats poem "The Cloths of Heaven" Sung by Bournemouth Male Voice Choir

Antonín Rejcha: Te Deum - live recording April 20, 2011 - Church of the Assumption of the Virgin Mary, Hradec Kralove The Czech Boys Choir, Jakub Martinec - artistic director The Hradec Králové Philharmonic Orchestra Andreas Sebastian Weiser - condu...  moreAntonín Rejcha: Te Deum - live recording April 20, 2011 - Church of the Assumption of the Virgin Mary, Hradec Kralove The Czech Boys Choir, Jakub Martinec - artistic director The Hradec Králové Philharmonic Orchestra Andreas Sebastian Weiser - conductor Antonín Rejcha: Te Deum - živý záznam koncertu 20. dubna 2011 - kostel Nanebevzetí Panny Marie, Hradec Králové Český chlapecký sbor, Hradec Králové , Jakub Martinec - umělecký vedoucí Filharmonie Hradec Králové Andreas Sebastian Weiser - dirigent  less

Noctis Chamber Choir performing at Longleat Safari Park during their 'Jubilee Jestival'. Fine Knacks for Ladies - John Dowland Greensleeves - Henry VIII www.noctisChoir.com

part of the members of Corale Zumellese sing in this Virtual Choir - Salve Regina by Manolo Da Rold

[this is a version of a post which first appeared on my blog From the Front of the Choir]   “I love singing, but I haven’t sung for years and I really miss it.”     So why haven’t you joined a Choir or co...

The idea for our Vocal Group goes back to the musical notions and ideas that we learned over the years as part of the Choir of the Liceo “A. Mariotti”, Perugia. The school Choir itself has, over the years, gone from strength to strength despite the need ...  moreThe idea for our Vocal Group goes back to the musical notions and ideas that we learned over the years as part of the Choir of the Liceo “A. Mariotti”, Perugia. The school Choir itself has, over the years, gone from strength to strength despite the need for constant renewal caused by the inevitable “turnover” as new students took the places of those who left. However, after this experience, which has included many Concerts in the region, participations in Choir Festivals in Italy and artistic exchanges with youth Choirs from Germany, Hungary, Spain, Denmark and the Czech Republic, our desire to continue singing and, of course, the joy which singing together gave us all made it obvious that the time had clearly come to establish a group which could allow us to continue our musical journey together. Thus, once formed, the joy of singing together stimulated our vocal group to initiate a musical journey of exploration of study which, we hope, will lead us on to ever more emotional musical experiences while, of cou...    less

ENCORE! is a small, auditioned group of Twin Cities Women’s Choir. Members bring their gift of song to the larger community by performing at venues or events too small for the entire Choir.

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Many Choirs will be starting back soon after a long break.   photo by velkr0   This is the perfect time to shake things up a bit if y...

We are a traditional Welsh Male Choir singing classical Male Voice pieces, welsh and film and show numbers. Visit our YouTube channel to see us in action

The Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by T...  moreThe Graduate Choir NZ and NZ Barok perform JS Bach's Easter Oratorio, BWV 249. Conductor: Terence Maskell Soloists: Jayne Tankersley (soprano), Dean Sky-Lucas (countertenor), David Hamilton (tenor), Chalium Poppy (bass) --- This performance by The Graduate Choir NZ exploits with delight the wonderful collaboration with NZ Barok who provide the gamut of instrumental colour using original instruments (or modern copies of originals) and with specialist players from Auckland, Wellington, Sydney, Melbourne and Perth. This performance is further enhanced by the use of "Baroque pitch" - the nearest equivalent to the pitch used in Germany at the start of the 18th century where A = 415, a semitone lower than our modern pitch. In keeping with these stylistic demands, the size of the Choir is reduced to 3-5 voices per part. In these ways, every effort is made to preserve and re-create as far as possible the "Affekt" of the music, aligning this performance as closely as possible with what may have been expe...    less