Demo/Rehearsal recording for our Concert "Cold Hands Warm Hearts"

La Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant Choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus...  moreLa Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant Choral à Séoul en 2014. Arirang est la chanson traditionnelle et folklorique de la musique coréenne la plus connue et la plus populaire aussi bien en Corée qu'à l'étranger, arrangée ici par Adnane Matrone.  

Moments from some recent Choralairs Concerts

The Embro Thistle Singers or ETS is a group of community members who joined togeTher in February of 2010 to have fun with Choral music. The Embro area is well known for having very talented people and we have added to The Embro talent with people from Wo...  moreThe Embro Thistle Singers or ETS is a group of community members who joined togeTher in February of 2010 to have fun with Choral music. The Embro area is well known for having very talented people and we have added to The Embro talent with people from Woodstock, Ingersoll, Thamesford, Cambridge, London. Our goal is to make a great Choral sound by learning and working togeTher. We sing both The classics and The fun songs but our chief goals are that we have FUN while being of service to our communities!!!  less

Ensamble Tomás Luis de Victoria in Concert, San Ignacio Church, December 6th, 2017.

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to The beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In The first section, The Choral texture is homo-rhythmic and in The se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to The beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In The first section, The Choral texture is homo-rhythmic and in The second section, The voices are set into a simple counterpoint. “I Never Saw” closes on The dominant chord creating a feeling of suspension that enhances The concept of faith expressed by Dickinson.  

Stabat Mater Mvt 1 by Giovanni Battista PergolesiCantores Celestes Women's Choir LIVE in Concert May 4, 2019 Celebrating 30 years Kelly Galbraith, director Stephen Boda, organ Emperor Quartet Ryan Harper, recording engineer Kelly Galbraith, producer

Part of Arthur Honegger`s last composition "Une cantate de noël" from 1952 - Finale The live recording shows The Monteverdi Choir Würzburg with its conductor Matthias Beckert at Their Concert in The Neubaukirche of Würzburg, Germany on December 8, 200...  morePart of Arthur Honegger`s last composition "Une cantate de noël" from 1952 - Finale The live recording shows The Monteverdi Choir Würzburg with its conductor Matthias Beckert at Their Concert in The Neubaukirche of Würzburg, Germany on December 8, 2007. For more information please visit http://www.Monteverdi-Choir.com (german)  

A children's nonsense clapping song in The Ashanti language: "Sorry old man, The little boy has made you fall over. Sorry." This is from The OK Chorale's second public Concert in March 2013 at St. Mary's Church, Woodbridge, Suffolk, UK.

From our August 11, 2013, Concert, "From Darkness Into Light"