Since a long time Rome has been hoSt city for choirs and Singers from all over the world, who not only love sacred music but also the idea of coming together in the eternal city and center of choral music. Inspired by a vibrant atmosphere of friendship e...
[A version of this article firSt appeared as a poSt on my blog From the Front of the Choir] In open-access choirs (which don’t audition), you often find one or two Singers who Struggle to pitch notes accurately. photo by Jes...
It was a very intereSting discussion onChoralNet. There was a choir concerned that they had a Concert and only 17 people turned up. They asked for some input on how to do things differently so that they didn't have that happen again.There were some ...
at Concert "Flying in Harmoni" (mupel Jakbar) 23rd of AuguSt 2014
Good news performed by the Essence vocals @ Pioneer SDA Church, June 2017
[this is a version of a poSt which firSt appeared on my blog From the Front of the Choir] LaSt week I wrote about getting feedback from Singers and choir leaders. But not all feedback is equal. Feedback can come in many forms: speech, wr...
Odes of Love: International Consortium I’m very happy because I have a great initiative for you. I know you are always looking for new repertoire that helps your Singers grow. What it is Odes of Love is an international consortium co-commissi...
Photo taken during our performance at the 2014 Region 31 Convention, Target The Top Image credit: Event Photos (www.event-photos.co.uk)
Soon to be published by Carus-Verlag Germany. Find a score sample and order information at http://cschurch.net/en/compositions/choir/o-magnum-mySterium/ A recent wonderful live-performance of my setting of this famous text that has inspired so many comp... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Soon to be published by Carus-Verlag Germany. Find a score sample and order information at http://cschurch.net/en/compositions/choir/o-magnum-mySterium/ A recent wonderful live-performance of my setting of this famous text that has inspired so many composers over the centuries. In my attempt, “O magnum mySterium” returns three times after the firSt Statement, in a similar geSture but each time shifted to a new tonality with even more flats. Thus, the liStener gets ever more pulled into this magnificent text until the piece culminates in a jubilant “Alleluia” in C-major, having come full-circle back to very firSt harmony we heard. Style.display='';$(this).getParent().Style.display='none';">less
