The Choir of Somerville College, Oxford Douglas Knight, organ David Crown, conductor This is the first track from their CD - ADVENT CALENDAR (Stone Records 5060192780338).

Cantorion and John Daniel launched their first ever Choral Workshop at Llanrwst Leisure Centre on Sunday, April 17th 2011. It was an open invitation for men who wanted the informal experience of singing within the ranks of a Welsh Male Vocie Choir and it...  moreCantorion and John Daniel launched their first ever Choral Workshop at Llanrwst Leisure Centre on Sunday, April 17th 2011. It was an open invitation for men who wanted the informal experience of singing within the ranks of a Welsh Male Vocie Choir and it proved to be a huge success. Several guests turned up for the experience and were treated to the full basics of vocal production and singing within the Choir by John Daniel. The demand is such that John and the committee will be arranging a second workshop soon. Please visit http://www.cantorioncolinjones.co.uk/guestbook  less

Game of Thrones - Choir a cappella Version Season 3 3x10 Mhysa final All rights reserved HBO, all images and video are promotional material by HBO or recorded by Vox Canora. No copyright infringement intended. All audio and visual belongs to its respect...  moreGame of Thrones - Choir a cappella Version Season 3 3x10 Mhysa final All rights reserved HBO, all images and video are promotional material by HBO or recorded by Vox Canora. No copyright infringement intended. All audio and visual belongs to its respectful owners. https://www.facebook.com/Vox-Canora-Ensemble-Vocale-342990585877778/ https://www.instagram.com/voxcanoraensemble/ Composer: Ramin Djawadi Arrangers: Monica Lodesani Choir: Vox Canora Ensemble Vocale Percussion: Fabio Gandolfi Recorded live 06/12/2018 with Zoom H2 Outside Yunkai the crowd begins to chant "Mhysa", which Missandei tells Daenerys is Ghiscari for "Mother". Davanti alla città di Yunkai la folla inizia a cantare "Mhysa", Missandei spiaga a Daenerys che in Ghiscari significa "Madre".  less

Recorded on November 18, 2015, at the Church of Our Lady of Good Health in Split, Croatia. camera operator: Karlo Hiržin recording and production: Bernard Kahle - b.kahle@yahoo.com www.facebook.com/BKrecordings

Music for Soprano and Choir with Orchestra. In this music, the composer wanted to express Mary's feelings of love and worry for her newborn, Son of God. Solo by Cheryl Oie.

A medley of two beautiful liturgical hymns one in ibibio language the other in English Language. Arranged and performed by the Golden Voices Choir STACC FUTO

Singkronies on the stage of the Tolosa 2008 International Choral Competition (Spain), conducted by Dr Johann van der Sandt (the founding conductor of the Choir).

Performed by Sandnes musikkskoles ungdomskor (SMUK) in a CD recording from 1995 labelled "Feel good med SMUK". The Choir has since then changed it's name to today's VIVA, Sandnes Kulturskolekor corresponding to the school changing it's name.

Lux Aeternam is the 5th movement of the Requiem Aeternam Pacem 9/11 composed by Diana Rutherford © 2011 Choir Aahs SATB, Oboe, Violin and Cello. Please visit my website DianaRutherford.com for sheet music and contact information.

Click here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+Choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multit...  moreClick here if you love vocal jazz: http://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DI-h0XcnqVVk%26feature%3Dshare&t=Eleanor+Rigby+one-man+Choir Like me on Facebook! http://www.facebook.com/pages/Dan-Wright-multitracks/309402602408932 So this is a song that my jazz ensemble recently sung at competition. Jazz doesn't really fit my voice very well, but that doesn't change the fact that I'm in love with it. I also felt like this song would be the perfect opportunity to prove I don't use pitch correction. There is an awful lot of reverb on this song (more than I normally would use), but I figured since there are a few solos you would clearly be able to hear that I don't use any correction software (especially on the 2 soprano solos haha) It would really make my day if you would like, subscribe, and share this with everybody you know. Like I said, no pitch correction was used (or will ever be used). This will most likEly be the first and last vocal jazz piece I d...    less