As part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, b...  moreAs part of the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, this is the third 'verse' of Karin Rehnqvist's "Natt over Jorden" for women's chorus. Written by Eric Blomberg, the poem/lyrics speak of a lonely Earth, blanketed by the dark cover of night, suspended in an ocean of stars.  

We operate in a city in the north of Iran called Gorgan, this group consists of several bands: Gorgan Grand Choir, Adak Women's Choir, Adak Children's Choir, and Adak Vocal Ensemble We held several concerts with Adak vocal ensemble in several cities of ...  moreWe operate in a city in the north of Iran called Gorgan, this group consists of several bands: Gorgan Grand Choir, Adak Women's Choir, Adak Children's Choir, and Adak Vocal Ensemble We held several concerts with Adak vocal ensemble in several cities of Iran There are many videos of our group on YouTube and Instagram: @Adakgroup  

For the 25th anniversary concert, Bell'Arte alumni joined with current choir members, with Stephen Hatfield conducting his own compositions, including "Hard Shoulder". Stephen Hatfield on Hard Shoulder: Written to honour the House of Compassion, a ...  moreFor the 25th anniversary concert, Bell'Arte alumni joined with current choir members, with Stephen Hatfield conducting his own compositions, including "Hard Shoulder". Stephen Hatfield on Hard Shoulder: Written to honour the House of Compassion, a Toronto outreach to street people, Hard Shoulder is narrated by the street people themselves. Although there is no explicit language, the reality of life on the streets is still presented in an unvarnished way that hits audiences where they didn't expect to be hit. The struggle of the homeless, and of the people who wish to help them, is presented without platitudes, without sentimentality, and without easy answers, but the final message of the piece is humanitarian with a capital H.  less

Being a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This project we did gave some of our members the studio experience while also challenging t...  moreBeing a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This project we did gave some of our members the studio experience while also challenging them in an area of music they were not used to! In this case, the areas we wanted to expose our members to were the ins and outs of recording in the studio, learning a technical piece using the written score and learning how to be aware of our presence while on video. We hope to provide more experiences like this to our members on NGGC. Enjoy!  less

Distributed and published by Santiago Veros contact@santiagoveros.site https://www.santiagoveros.site

https://www.facebook.com/corowithus/ www.corowithus.it

Ansan City Choir Park Shin - Hwa, conductor

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Gjendines bådnlåt：Gunnar Eriksson 嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森 艾瑞克森（Gunnar Eriksson, 1936─）為瑞典著名指揮家、作曲家及編曲家，師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典，並任教於哥德堡大學，並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段，相同...  more2013.5.20 北歐音畫夏季音樂會 2 大東文化藝術中心演藝廳 指揮: 科勒.漢肯 Kåre Hanken Gjendines bådnlåt：Gunnar Eriksson 嫣汀的搖籃曲(挪威民謠)- 編曲:艾瑞克森 艾瑞克森（Gunnar Eriksson, 1936─）為瑞典著名指揮家、作曲家及編曲家，師事斯德哥爾摩皇家音樂學院傳奇人物教授艾瑞克‧艾瑞克¬森。目前活躍於瑞典，並任教於哥德堡大學，並擔任哥德堡室內合唱團與萊爾克室內合唱團的指揮及領導者。本曲歌詞分為兩大段，相同的主旋律分別由女生兩部演唱，其他聲部巧妙地以分散和弦演唱著嫣汀之名，呈現出輕巧恬靜的曲趣。 Barnet legges i vuggen ned stundom greder(gråter) og stundom ler Sove nu i Jesu navn Jesus bevare barnet Min mor hun tok meg på sitt fang Danse med meg frem og tilbake Danse så med de små danse Danse så skal barnet danse 放在搖籃裡的寶寶 有時哭泣有時笑 此刻他正在耶穌的懷裡睡著 是受耶穌所保護的小孩 我的母親抱我放在她的腳上 帶著我來來回回的跳舞 跳著小巧的舞蹈 跳著屬於寶寶的舞蹈  less

Buy the CD now in the iTunes Store or on Amazon: http://www.amazon.com/Einklang/dp/B004339UP6/ref=sr_shvl_album_4?ie=UTF8&qid=1288872417&sr=301-4 molto cantabile in Concert May 2009 in the Matthäus-Church, Lucerne, Switzerland www.moltocantabile.ch ...  moreBuy the CD now in the iTunes Store or on Amazon: http://www.amazon.com/Einklang/dp/B004339UP6/ref=sr_shvl_album_4?ie=UTF8&qid=1288872417&sr=301-4 molto cantabile in Concert May 2009 in the Matthäus-Church, Lucerne, Switzerland www.moltocantabile.ch info[at]moltocantabile.ch