Latin “con” +“spirare” = “to breathe together.” We sing life. Conspirare was founded in 1991 to present a summer classical music festival in Austin, Texas. Since then, the organization has grown rapidly to become an internationally recognized, profess...  moreLatin “con” +“spirare” = “to breathe together.” We sing life. Conspirare was founded in 1991 to present a summer classical music festival in Austin, Texas. Since then, the organization has grown rapidly to become an internationally recognized, professional choral organization that combines outstanding vocal artistry with innovative programming. Led by renowned founding artistic director Craig Hella Johnson, Conspirare is comprised of two adult ensembles and two youth choirs. The five-time Grammy-nominated chamber choir Conspirare, with extraordinarily talented singers from around the country, is presented in an annual concert series in Austin and other Texas communities, tours in the U.S. and abroad, and records on the Harmonia Mundi label. The Conspirare Symphonic Choir of both professional and volunteer singers performs at least one large choral/orchestral work annually in Austin and often collaborates with the Austin Symphony and other performing organizations. The Conspirare Youth Choirs is an educat...    less

Recording: Nathaniel Dett Chorale Brainerd Blyden-Taylor, Conductor. Kendrew Heriveaux, solo - - - ( Traducción al Español abajo ) - - - Score available at: http://sydneyguillaumemusic.com/portfolio-items/ayiti-1-lesklavaj - - - English Tr...  moreRecording: Nathaniel Dett Chorale Brainerd Blyden-Taylor, Conductor. Kendrew Heriveaux, solo - - - ( Traducción al Español abajo ) - - - Score available at: http://sydneyguillaumemusic.com/portfolio-items/ayiti-1-lesklavaj - - - English Translation: 1- Slavery I come from Africa, the land of my father. From the French, Hispanic and English ships, I landed in the Americas, the unfamiliar land. This is Haiti, this is my story. I come from Africa with my strong religion, With banbous, drums, with all my soul. Right when I debarked, the villains muted me. They swore a thousand times they would convert me. They did all they could to make me lose my mind, To forget my ancestors who are still in Africa. Thus I cut the chords with words of Liberty, Words of Equality, words of Dignity. I spent three hundred years under the chains of slavery; Night and day I struggled with work, Carrying loads on my head, loads on my shoulders, For others to rejoice in the metropolitan lands. Slave...    less

La Chorale CasaSawt sous la direction de son chef de chœur Adnane Matrone, chante lors de sa participation au dixième Symposium Mondial de chant choral à Séoul en 2014. "Khlili" est un chant arrangé par Adnane Matrone

The Cascadian Chorale, under the direction of Gary D. Cannon, perform "And the Wind," a choral setting by Greg Bartholomew of the poem by Fletcher LaVallee Bartholomew. For more information visit www.gregbartholomew.com And the Wind There is an awe...  moreThe Cascadian Chorale, under the direction of Gary D. Cannon, perform "And the Wind," a choral setting by Greg Bartholomew of the poem by Fletcher LaVallee Bartholomew. For more information visit www.gregbartholomew.com And the Wind There is an awesome beauty found in sailing Through black of night upon the open sea, Your vessel mauled by unseen waves and trailing Her phosphorescent wake, as steadily, She plows into the darkness, And the wind.  

Recording of premiere performance October 2011 by Corpus Christi Chorale, conducted by Dr. Ross C. Bernhardt (composer and artistic director). The work sets a poem by Tom Barrett

The University of South Florida Collegiate Singers and conductor James Bass perform Ethan McGrath's "When lilacs last in the dooryard." Note that the the canonic repetition of the opening line, which lasts for about the first 35 seconds or so of this perf...  moreThe University of South Florida Collegiate Singers and conductor James Bass perform Ethan McGrath's "When lilacs last in the dooryard." Note that the the canonic repetition of the opening line, which lasts for about the first 35 seconds or so of this performance, was added by the performers, and is not actually written in the score -- just for your information.  

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