"there's Something About Those Candles"  is a meaningful Chanukah Song available for SATB/piano and TTB/piano choir performances as well as for solosits.   This Song focuses on how the light of each Chanukah candle can glow within our heart...

Last June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of the New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand...  moreLast June, at the Final School Year Concert of our Voces Blancas del Nalón Schools Choirs, we rehearsed and sang our interpretation of the New One Day One Choir Song. We did it so, that the 21st of September, we could join our voices to all those thousand of choirs and choral Singers that are Singing for the peace within the OneDayOneChoir initiative. El pasado junio, en el Festival de fin de curso de los Coros Escolares de Voces Blancas del Nalón, preparamos y cantamos nuestra interpretación de la pieza the New One Day One Choir Song. De esta manera, sumamos nuestras voces a las de miles de coros y coralistas del mundo que cantan el día 21 de septiembre por la paz mundial. Festival de Fin de Curso Coros Escolares de Voces Blancas del Nalón, junio 2018  less

Do You Hear the People Sing? are the multi award-winning vibrant, contemporary choir based in Bournemouth. they specialise in modern musical theatre and performance but also Sing other genres including pop and gospel. the choir's music is arranged by ch...  moreDo You Hear the People Sing? are the multi award-winning vibrant, contemporary choir based in Bournemouth. they specialise in modern musical theatre and performance but also Sing other genres including pop and gospel. the choir's music is arranged by choir leader Nicole Dawson who is a trained composer and arranger. Rehearsals are every Wednesday at 7.30pm at Priory Hall, Christchurch and the choir perform regularly all over the South Coast. New members are currently being accepted for the summer term 2016, entry is by informal, private audition. Come and join the fun!  less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I’ve always known that I’m more interested in traditional Songs, but I’ve only just realised that it’s the vocal quality that I&rs...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Do you have to be able to read music to Sing? Lots of people believe so and are put off joining choirs, or even Singing at all, as a result.   &n...

Bayede uyiNkosi yaMakhosi (Lord you are the King of Kings)

[A version of this article first appeared as a post on my blog From the Front of the Choir] Sarcastic remarks from X Factor judges. Teachers telling kids to “stand at the back and just mime”. Being made to stand up and Sing solo to get...

the Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  morethe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.”) the soprano joins the choir for the twice-repeated middle section of the piece. the music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) the tune and harmonies are borrowed from a passage in my piece Selections from “the Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! the Song of Ruth closes with a recapitulation of the music from the opening, but with New words assigned to it, and with the soprano soloist providing a descant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less

Soloists: Petra Jurič, Antonela Pilić Burić, Marijana Markotić, Lana Ćebo, Jelena Grubišić-Čabo A part of the choir's performance at the International Choral Competition of Folcloristic Music ADRIA CANTAT 2016, awarded Golden Prize and 1st Place in the r...  moreSoloists: Petra Jurič, Antonela Pilić Burić, Marijana Markotić, Lana Ćebo, Jelena Grubišić-Čabo A part of the choir's performance at the International Choral Competition of Folcloristic Music ADRIA CANTAT 2016, awarded Golden Prize and 1st Place in the respective category. Recorded on May 28, 2016, in the Croatian National theatre in Šibenik. camera operator: Monika Kasalo recording and production: Bernard Kahle - b.kahle@yahoo.com www.facebook.com/BKrecordings