Presentamos un nuevo vídeo con audio grabaDo en directo y proveniente de nuestro último concierto en Sevilla. "O Dolce nomen" de Étienne Mouliné es una de las bellas piezas del barroco francés temprano que se puDo escuchar el caluroso 24 de junio en el Or...  morePresentamos un nuevo vídeo con audio grabaDo en directo y proveniente de nuestro último concierto en Sevilla. "O Dolce nomen" de Étienne Mouliné es una de las bellas piezas del barroco francés temprano que se puDo escuchar el caluroso 24 de junio en el Oratorio de la Escuela de Cristo.  

Sung by us at a singing course in nottingham in 1977 First, April, she with mellow showers Opens the way for early flowers, Then after her comes smiling May In a more rich and sweet array, Next enters June and brings us more Gems than those two th...  moreSung by us at a singing course in nottingham in 1977 First, April, she with mellow showers Opens the way for early flowers, Then after her comes smiling May In a more rich and sweet array, Next enters June and brings us more Gems than those two that went before, Then (lastly,) July comes and she More wealth brings in than all those three; April! May! June! July!  

The history of the Benedictine Choir dates back to the early 1900. It was Mr. Bonnie Fonseka, a distinguished Old Boy, who's vision soon came to be a Benedictine tradition, by forming a musical club. This prompted the birth of the first College Choir. The...  moreThe history of the Benedictine Choir dates back to the early 1900. It was Mr. Bonnie Fonseka, a distinguished Old Boy, who's vision soon came to be a Benedictine tradition, by forming a musical club. This prompted the birth of the first College Choir. The Choir acquired a reputation for top class singing and in addition often invited to perform at important national events such as to perform with other schools when princess Elizabeth visited Ceylon in 1952. Since Mr. Bonnie Fonseka’s retirement there were many dedicated young musicians who undertook the responsibility and uphill task of training the Choir. Some of them were Mr. Robert Joseph, Mr. Francis De Almeida, Mr. Nicholas Johnpulle, Rev Bro. Augustine and Mr. Ravein George. Mr. Ravein George revived the Choir in 1996 and guided them to reach the height of success as being cited as a Classical Choir. The Choir won the all island singing competition in the year 1999. The Choir of recent times is being Directed by a student of Ravien George and current...    less

Do you love to sing? Cantores Celestes Maritimes, The Saint John Men's Chorus and conductor Kelly Galbraith are welcoming new choristers. The repertoire is chosen from the finest music from the 11th to 21st century that is inspiring and relevant. You will...  moreDo you love to sing? Cantores Celestes Maritimes, The Saint John Men's Chorus and conductor Kelly Galbraith are welcoming new choristers. The repertoire is chosen from the finest music from the 11th to 21st century that is inspiring and relevant. You will sing with some of Southern NB's finest musicians. An exciting 2023-2024 season planned! cantorescelestes@hotmail.com saintjohnmenschorus@gmail.comCantores Celestes Maritimes Saint John Men's Chorus Director Kelly Galbraith Accompanist: Dr. Kevin Langford Accompanist: Rebecca Burrill www.cantorescelestes.com Facebook: Cantores Celestes Twitter: @Cantores_Choir YouTube: Kelly Galbraith cantorescelestes@hotmail.com  less

Nuevo vídeo que realizamos con el audio grabaDo en directo: "Ecce Virgo concipiet" de Cristóbal de Morales, perteneciente a "Mar Océana, relato y música de la primera vuelta al munDo", nuestro último programa estrenaDo el pasaDo 27 de junio en Espacio San...  moreNuevo vídeo que realizamos con el audio grabaDo en directo: "Ecce Virgo concipiet" de Cristóbal de Morales, perteneciente a "Mar Océana, relato y música de la primera vuelta al munDo", nuestro último programa estrenaDo el pasaDo 27 de junio en Espacio Santa Clara, Sevilla. Maria Jesús Pacheco - Soprano Raquel Batalloso - Soprano Teresa Martínez - Alto Julio López - Tenor Alejandro Ramírez - Bajo Juan González Batanero - Órgano www.a5vocalensemble.com Pieces of video autor: Cottonbro https://www.pexels.com/es-es/@cottonbro Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org licenses/by/3.0/us/)  less

www.wisemanproject.com Text & Music by Kentaro Sato (Ken-P)

LonDon acapella group Kitsch in Sync sing the classic 80s song It's a Sin - arranged by our fellow group member Mark moys. Performance in The Gladstone pub, Borough, LonDon www.kitschinsync.co.uk

Grabación en directo del concierto celebraDo en Madrid, el pasaDo 15 de diciembre de 2018, para el II Ciclo EL Canto de Polifemo Video autor: Graham Uhelski Author webpage: https://vimeo.com/mankindfilms Licence: ATTRIBUTION LICENSE 3.0 (http://crea...  moreGrabación en directo del concierto celebraDo en Madrid, el pasaDo 15 de diciembre de 2018, para el II Ciclo EL Canto de Polifemo Video autor: Graham Uhelski Author webpage: https://vimeo.com/mankindfilms Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org/licenses/by/3.0/us/)  

Based in Manchester's iconic Band on the Wall venue we are an open access mixed choir. No auditions and no need to read music. We sing a mix of world, gospel pop and folk music often with a left leaning theme. We attend annual Sing for Water events in Lon...  moreBased in Manchester's iconic Band on the Wall venue we are an open access mixed choir. No auditions and no need to read music. We sing a mix of world, gospel pop and folk music often with a left leaning theme. We attend annual Sing for Water events in LonDon and Manchester and Street Choirs Festival. Very welcoming and all ages.  

www.facebook.com/emacadiz www.emacadiz.es The "plena" is an early 20th century Afro-Puerto Rican rhythm from the southern part of the island. The "plena" became very popular among sugar-cane workers at plantations in the coastal regions. Th...  morewww.facebook.com/emacadiz www.emacadiz.es The "plena" is an early 20th century Afro-Puerto Rican rhythm from the southern part of the island. The "plena" became very popular among sugar-cane workers at plantations in the coastal regions. This arrangement reflects a more modern interpretation of the plena with the use of the piano as accompaniment, taking rhythmic motives from salsa rythm, and the voices in the interlude imitating the trumpets and Double bass from a salsa band.