Finding Wonderland from "Wonderland" by Frank Wildhorn arr. Jason Krigas solo Candy Kresmery 2018 Chicagoland Voices Winter Concert Sunday, January 21, 2018 Jason Krigas, Director Kathryn Polyack, Accompanist
The only reason we have been turned down for anything was because we are too passionate and joyful! We are a true community Choir that supports each oTher in life and our passion for singing.
[this is a version of a post which first appeared on my blog From The Front of The Choir] Nat started his Choir four years ago. He has slowly built The numbers up to a fairly stable 35 or so, but thinks it’s time for a change. &n...
[A version of this article first appeared as a post on my blog From The Front of The Choir] It can be tough joining a new Choir, especially if you’re an under-confident singer. Painting ("Little little girl 29") by susie mendelss...
[A version of this article first appeared as a post on my blog From The Front of The Choir] This post is part of a series of occasional Questions and Answers. Just use The contact form if you want to submit a question. Philippa writes: ...
[A version of this article first appeared as a post on my blog From The Front of The Choir] I read an article in The latest Sounding Board (The journal of community music from Sound Sense) about The University of Sunderland’s new BA in...
The Marion Consort performs "Laetamini et exultate" by Adriano Banchieri on Saturday March 3, 2012 Concert at Resurrection LuTheran Church in Chicago. The Marion Consort, under The artistic direction of Amy Bearden, is a primarily a cappella ensemble s... more
Christmas Concert - Festive tales 2023. Vocal Ensemble Quadrivia and friends Aleksandar Alić -flute and percussion Andrej Kukuruzar - violin
Performance of youth female Choir Oriana on II KRAKOW Advent & Christmas Choir Festival, December 2011. http://www.christmasfestival.pl/ G.Palestrina "Ave Regina Coelorum", conductor Galina Shpak.
Setting by David W Solomons for three part Choir and piano of a poem by Audrey Vaughan Versions are available for men's voices (AAT) and women's voices (SMezA)