Thomas Rossin conducts the Exultate Chamber Choir & orchestra in Samuel Barber's Agnus Dei / Adagio for Strings.

Under the sea, sung by a multitrack one-man choir Kirby Shaw's Choral arrangement of Under the Sea, from The Little Mermaid, sung by a multitrack one-man choir

ore">The Seton Hall University Chorus sings two beloved spirituals, introduced by 2021 Grammy Award winning soloist Kenneth Overton. Keep Your Lamps Arr. Andre Thomas Hush Somebody's Callin' My Name B. Dennard Kenneth Overton, Baritone Soloist Jas...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">The Seton Hall University Chorus sings two beloved spirituals, introduced by 2021 Grammy Award winning soloist Kenneth Overton. Keep Your Lamps Arr. Andre Thomas Hush Somebody's Callin' My Name B. Dennard Kenneth Overton, Baritone Soloist Jason C. Tramm, Director of Choral Activities Dec. 2020  

ore">Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less

ore">Chai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. They wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-T...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Chai-Town was formed at the University of Illinois, when a group of young men came together with their love for music. They wanted to show how two seemingly different cultures can fuse together to produce something great. This vision has grown into Chai-Town A Cappella. Last year we performed at the a cappella competition Anahat, in Berkeley, CA, as a guest act at the dance competition Naach Nation, in New York, NY, and across the Midwest. As 2012 approaches, our group will be reaching its 10th anniversary and putting out our THIRD studio album! Chai-Town is a completely student-run, non-profit group of 16 members, each of whom has a passion for music. We love sharing this passion with our friends and family, our community, and the world.  less

ore">sung (transposed down a bit) by the multitrack one-man choir dwsChorale Chi la gagliarda donna vo imparare, Venit' a nui che simo, mastri fini, Che de ser' e de matina Mai manchiamo, di sonare: Tan tan tan tarira, ra ti ru ra. Chi la gagliarda d...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">sung (transposed down a bit) by the multitrack one-man choir dwsChorale Chi la gagliarda donna vo imparare, Venit' a nui che simo, mastri fini, Che de ser' e de matina Mai manchiamo, di sonare: Tan tan tan tarira, ra ti ru ra. Chi la gagliarda donna vo imparare, sotto lo mastro elle sotto lo mastro el bisognia stare Che de ser' e de matina Mai manchiamo di sonare: Tan tan tan tarira, ra ti ru ra. My English translation: Whoever wants to learn the galliard, lady, Come to us, who are shrewd masters, We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra. Whoever wants to learn the galliard, lady, Must stay under the master We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra.  less

Media Vita by Kerensa Briggs is included on voices of Concinnity's debut album on Navona Records label called "Awaiting Golden Light"

ore">"Sanctus" from the oratorium "Tree of tenderness" (Ømhetens tre) by Magnar Åm. (Published by Cantando Musikkforlag. www.musikkforlaget.no) Performed by: Chamber choir Vox Humana (Oslo) Åge Kvalbein, cello Audun Sandvik, cello Erlend Habbestad, ce...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">"Sanctus" from the oratorium "Tree of tenderness" (Ømhetens tre) by Magnar Åm. (Published by Cantando Musikkforlag. www.musikkforlaget.no) Performed by: Chamber choir Vox Humana (Oslo) Åge Kvalbein, cello Audun Sandvik, cello Erlend Habbestad, cello Ole Eirik Ree, cello Dag Jansson, conductor Sound production: Ove Aasmund Berg, Nordic Sound Video production: Oda Hveem Location: Sinsen T-banestasjon (Sinsen metro station, Oslo)  

Wheaton College men's Glee Club Mary Hopper conductor excerpt from the Choral Showcase Concert Wheaton College Women's Chorale & men's Glee Club Mary Hopper, conductor Wheaton College Concert Choir John William Trotter, conductor April 17, 2021

ore">Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  ore_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreore" style="display:none;">Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.