Lass="view_more">The Festival Statesmen was formed in April 2009 by Musical Director and Educator Jonathan Bligh. Based in Adelaide, South Australia, the Chorus exists to provide a platform for young male Adelaide singers to explore ensemble music making and the performin...  Lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLass="view_more" style="display:none;">The Festival Statesmen was formed in April 2009 by Musical Director and Educator Jonathan Bligh. Based in Adelaide, South Australia, the Chorus exists to provide a platform for young male Adelaide singers to explore ensemble music making and the performing arts through a cappella singing. Membership ranges from middle School through to young adults. Among the ranks of singers are several small ensembles. Conductor: Jonathan Bligh Soloist: James Moffatt Recording by MKM Productions at Christ Church, North Adelaide, South Australia.  Lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Lass="view_more">As an organiser of international #Choral #festivals and #competitions, #Fiestalonia appeared as a result of our enthusiastic work, constant search for new ideas and the desire to replace the traditional #festivals with more perfect and comfortable ones. ...  Lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLass="view_more" style="display:none;">As an organiser of international #Choral #festivals and #competitions, #Fiestalonia appeared as a result of our enthusiastic work, constant search for new ideas and the desire to replace the traditional #festivals with more perfect and comfortable ones. The exceptionally High quality of the festivals is guaranteed by the promise given by the team of Fiestalonia. Our company is strong thanks to our employees, each of whom is a Highly qualified professional and a positive person. We create our festivals as stunning and emotionally charged events that invariably remain in memory as the most vivid life impressions. We realise that, as a #flagship of the industry of organisation of festival events, we have the opportunity to influence the established models of festivals through the introduction of the Highest standards and #innovations. We focus on quality, we think it is the most important and intrinsic value. We have achieved the position that Fiestalonia festivals personify the refinement #embodying the best tra...    Lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Date: 7 - 10 July 2017Location: SingaporeOrientale Concentus, conceptualised in 2008 with the purpose of promoting international arts and cultural exchange and youth Choral music development, has seen a successful run across China, Taiwan and South Kore...

O Danny Boy by Coimbatore Chamber Chorale (CCC)

Lass="view_more">Choral music is currently going through a renaissance with hundreds of professional and amateur choirs singing all across the world. But what makes the sound, and in particular the sound of a professional group, so appealing? In this essay, I look at the ...  Lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLass="view_more" style="display:none;">Choral music is currently going through a renaissance with hundreds of professional and amateur choirs singing all across the world. But what makes the sound, and in particular the sound of a professional group, so appealing? In this essay, I look at the science behind the notes to find out why Choral music sounds so good. ▶ Support my channel: https://www.patreon.com/listeningin ▶ Subscribe: https://bit.ly/2PlVaMS ____________________ ▶ Website: http://www.barnabymartin.com ▶ Twitter: https://twitter.com/BarnabyMartin FURTHER READING Choral Phonetics - when vowels control the intonation [Wolfgang Saus]: https://www.oberton.org/wp-content/uploads/ws-Choral-Phonetics-vh-2.pdf CHOIRS FEATURED IN THIS VIDEO Tenebrae Choir: https://www.tenebrae-choir.com/ Voces8: https://voces8.com/ Illuminare Choir: https://www.youtube.com/watch?v=LnDCENlgvXo The Choir of Westminster Abbey: https://www.westminster-abbey.org/worship-music/music/the-abbey-choir-and-musicians/the-choir The Kingdom Choir: https://ki...    Lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Music composed by Kim André Arnesen Improvised piano by Toni Arnold Shreve

Lass="view_more">"evening morning day" by David Lang. Text from the Book of Genesis 1. Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University. Director: Beth Willer. ...  Lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLass="view_more" style="display:none;">"evening morning day" by David Lang. Text from the Book of Genesis 1. Recorded live on March 16, 2015, at First Presbyterian Church in Fort Lauderdale, Florida. Performed by the Radcliffe Choral Society of Harvard University. Director: Beth Willer. The composer writes: "I wanted to make a piece about the creation story but I didn't want to Highlight one religion's or culture's narrative over another." "It was important for me to try to find something universal, something present in all stories, or common to all cultures. I hit upon the idea of making a kind of checklist of everything that needed to be created to get the world to this point, without each individual culture's stories or myths or exoticisms. I went back to the first chapter of Genesis, to see what I could get out of my own culture's story, and I stripped away all the descriptions, adjectives, connectors and motivators. All that is left of Genesis in my text are the nouns, leaving a dispassionate list of everything created, in the order in ...    Lass="view_less_link" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

Kantorei Choral Ensemble in rehearsal. Tristis Est Anima Mea by Juan Gutierrez de Padilla. www.kantoreikc.org

The traditional tune here from our 2010 Lessons and Carols Candlelight Service. We are joined by six extras (College students from ATU and OBU).

Lass="view_more">The CWU Chamber Choir (Gary Weidenaar, director) performs the first 3 pieces in Claudio Monteverdi's Sestina. Lagrime d'Amante al Sepolcro dell' Amata. The recording takes place in the superior acoustical environment at Central Washington University's McI...  Lass="view_more_link" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLass="view_more" style="display:none;">The CWU Chamber Choir (Gary Weidenaar, director) performs the first 3 pieces in Claudio Monteverdi's Sestina. Lagrime d'Amante al Sepolcro dell' Amata. The recording takes place in the superior acoustical environment at Central Washington University's McIntyre Music Education Building Concert Hall.. The conclusion of the Sestina, sections 4-6, are found at this URL: http://www.youtube.com/watch?v=G786-GV1NT8 Follow the choir on Facebook: https://www.facebook.com/CWU.Chamber.Choir