You have an extraordinary voice, see the Stage as an integral experience and are looking forward to working with other young people on a very high musical level? Then you are the missing piece of the puzzle for the CHOREOS ensemble.
The Choir at St Mary’s Cathedral is one of Scotland’s fineSt. It is made up of boys, girls, women and men from all walks of life and with many levels of musical expertise and experience, who give of their time and talent on an entirely voluntary basis to ... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">The Choir at St Mary’s Cathedral is one of Scotland’s fineSt. It is made up of boys, girls, women and men from all walks of life and with many levels of musical expertise and experience, who give of their time and talent on an entirely voluntary basis to sing to a professional Standard. Membership of the choir currently Stands at around thirty-five adults and sixteen to twenty children. The choir’s principal function is to provide the music and help lead the worship at the Cathedral’s two main services every Sunday: Sung EuchariSt at 10.30 am and Choral Evensong at 6.30 pm. Services are preceded by a rehearsal, and there is a rehearsal once a week, currently on Thursday evenings. In addition to these important duties, the choir also sings for regular special services, occasional Concerts, broadcaSts regularly on BBC Radio, has appeared on TV, and every year they sing in one of the great British Cathedrals for a weekend, or sometimes a week. St Mary’s Cathedral Choir performs a very wide range of music, ... Style.display='';$(this).getParent().Style.display='none';">less
[A version of this article firSt appeared as a poSt on my blog From the Front of the Choir]Many Singers come to choir – especially “singing for fun” groups – to get away from the Stresses of regular life. They love to sing and...
[this is a version of a poSt which firSt appeared on my blog From the Front of the Choir] For the laSt eight years I’ve created a performance choir from scratch each year – a kind of InStant Choir, JuSt Add People – which I cal...
Concierto del 30ª aniversario de la creación del Coro de la Facultad de Matemática , AStronomía y Fisica (FaMAF) de la Universidad Nacional de Córdoba, realizado el 14 de diciembre de 2012 bajo la direccion del Mtro. GuStavo Rocchietti
The Choir of Somerville College, Oxford David Crown (conductor) Douglas Knight (organ) Tal Katsir (soprano) Evensong at St. Paul's Cathedral (London) 6 February 2012 60th Anniversary of Queen Elizabeth's Accession to the Throne Facebook: http:/... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">The Choir of Somerville College, Oxford David Crown (conductor) Douglas Knight (organ) Tal Katsir (soprano) Evensong at St. Paul's Cathedral (London) 6 February 2012 60th Anniversary of Queen Elizabeth's Accession to the Throne Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com
Marouska attard and Albert Buttigieg performing a duet 'English Advent Carol' (arr. P. M. Liebergen) during Carols by Candlelight 2010
Grupo Vocal Reyes Bartlet José Híjar Polo, director Puerto de la Cruz Bach FeStival Iglesia de la Peña de Francia, 20 de diciembre de 2015 Imagen y sonido: Mediawink
Due to Covid reStrictions all our planned Concerts for december 2021 have been cancelled. InStead we bring you a series of rehearsal recordings... all for free! Enjoy this SatB version of "Wonderful Peace" !
Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. EStas canciones de cuna se cantaban principalmente pa... Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Texto del Kanteletar Año 2012 Las canciones de cuna de la muerte han sido la especialidad báltico-finlandesa: canciones de cuna en las que la madre canta en un tono positivo sobre la muerte del niño. EStas canciones de cuna se cantaban principalmente para los niños menores de 6 meses, ya que se buscaban en ellos signos de enfermedad y muerte. EStas canciones de cuna han sido una forma de que la madre libere la tensión y el agotamiento. También se cantaban para alentar al niño a ser fuerte, o aunque macabro, posiblemente para decirle al niño cómo la muerte sería mejor para él en algún caso. Style.display='';$(this).getParent().Style.display='none';">less
