Weep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internatio...  moreWeep, O Mine Eyes - John Bennet (Bass' Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

The Maid of Llanwellyn by Ruth Morris Gray Viking Man Choir Johansen High School

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (SATB's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of Madrigals in 1599. It was one of his most popular Madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

"Amor Vittorioso" was written in 1591 as part of a musical Commedia dell'arte. What could that have to do with half hour TV comedies? Well, I'll tell you. Did you know that Renaissance Madrigals helped birth Opera and Operettas? Yeah, I didn't e...

Since 2008 we have been coming together in central London to learn and perform sea-shanties, murder ballads, protest songs, work songs, love melodies, folkified non-folksongs, and good old knees-up tunes, from across the centuries and all over the world.

Uniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, Madrigals, plains...  moreUniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, Madrigals, plainsong chants, airs, anthems, and more. In their variety and beauty, they lie at the heart of Albion's inspiration. Many of the songs are hundreds of years old, but in Fraser Wilson's arrangements they are reclothed in lush contemporary colours. Working with up to twelve singers at a time, Albion performs mostly unaccompanied, allowing the purity of the human voice to sound across the centuries. The group is known for its fresh sound and vibrant energy, and for warm, wholehearted music-making.  less

A beautiful exemple of Claudio Monteverdi's Madrigals at his 7th Book. Espacio Turina (Seville, Spain) 01-29-22