My musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would lik...  moreMy musical re-imagining of the Nativity story, with a surprise in the 2nd verse. Dedicated to my dear cousin, Madeleine Shaw. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

Dedicated to Awegechew Teshome, Melaku Worede and John Martin -- my three biodiversity mentors -- who introduced me to the "radical" idea that farmers, seed-saving farmers, have been humanity's ingenious plant breeders and nurturers of biodiversity from t...  moreDedicated to Awegechew Teshome, Melaku Worede and John Martin -- my three biodiversity mentors -- who introduced me to the "radical" idea that farmers, seed-saving farmers, have been humanity's ingenious plant breeders and nurturers of biodiversity from time immemorial. I would like to thank my Ottawa singing friends in the "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. I would also like to acknowledge the a capella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 27 years. And I would like to acknowledge the Boston-based Blue Heron Ensemble for introducing me to the haunting music of Guillaume Dufay, which served as a major inspiration for this piece. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey. NB: choirs interested in obtaining copies of the score can contact me ...    less

An SATB arrangement of Victor Hugo's remarkable poem "La coccinelle" -- the narrator looks back on a moment in time when, as a teenager, he was preparing to kiss a girl. Unfortunately, a ladybug lands on her neck, however, which distracts him. He then rem...  moreAn SATB arrangement of Victor Hugo's remarkable poem "La coccinelle" -- the narrator looks back on a moment in time when, as a teenager, he was preparing to kiss a girl. Unfortunately, a ladybug lands on her neck, however, which distracts him. He then removes the ladybug, but sadly the kiss flies off forever! If you enjoy this musical trip down memory lane, then I invite you to consider making a donation to the Alzheimer's Society of Canada or an Alzheimer's support group in the area where you live. Thank you! https://alzheimer.ca/ Sincere thanks to Matthew Curtis (ChoralTracks.com) for recording "La coccinelle", which is dedicated to Emma. NB: choirs interested in obtaining copies of the score can contact me at rain@magma.ca. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their inval...    less

Dedicated to my dear cousins Gigi and Raven. Since first singing the medieval song "All and Some" in the mid 1990s, I fell in love with the Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: ...  moreDedicated to my dear cousins Gigi and Raven. Since first singing the medieval song "All and Some" in the mid 1990s, I fell in love with the Middle English and Latin lyrics, and one day I got inspired to create my own setting of this poetic gem. NB: choirs interested in obtaining copies of the score can contact The Leading Note at info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 25 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less

"There Will Come Soft Rain" by Jonathan Adams for SSAATTBB Chorus. Performed by Matthew Curtis.

Score video of THE FERVID HOKEY POKE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Jeff Brechlin. Audio recording by Matt Curtis (Choral Tracks). Jeff Brechlin won The Washington Post's Style Invitational in March 2003 with his poem T...  moreScore video of THE FERVID HOKEY POKE, Greg Bartholomew's setting for mixed choir (SATB) of the poem by Jeff Brechlin. Audio recording by Matt Curtis (Choral Tracks). Jeff Brechlin won The Washington Post's Style Invitational in March 2003 with his poem The Hokey Poke. The competition asked readers to rewrite some banal instructions in the stvle of a famous writer. Brechlin chose to rewrite one verse of the traditional dance song The Hokey Pokey as if written by William Shakespeare, for which he won the prize of a shotgun shell salt and pepper shaker. His poem is used with permission. For more information visit www.gregbartholomew.com/hokeyindex.html  less

"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had serv...  more"Da pacem Domine" is dedicated to two of my dear relatives named James. I felt the inspiration to start this piece in the weeks leading up to the 100th anniversary of the end of World War I, in which my dear grandfather Jimmy Rain (1895-1974) had served in the Canadian forces, in one of the most dangerous roles, as a runner in northwestern France. This song honours his memory and the love that he showed me as a boy and a young man growing up. Shortly after starting this piece, I then learned that my dear cousin Jamie Shaw (1959-2019) was gravely ill and with his permission, I have dedicated this piece to him as well. Jamie's courage, good spirit and humour throughout his illness was an inspiration to all of us who knew him. "Da pacem Domine" is a musical search for peace: both external peace, between individuals, groups, societies, nations; and internal peace, to find a restful spot within the soul, amidst the serious tensions and conflicts seemingly inherent in the human stream of existence. It explor...    less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less

I have dedicated this song to health care workers and other courageous COVID-19 workers around the world. THANK YOU! "Where then could pain find a hold?" is a musical plea for reconciliation addressed to those (individuals, groups, nations) who find t...  moreI have dedicated this song to health care workers and other courageous COVID-19 workers around the world. THANK YOU! "Where then could pain find a hold?" is a musical plea for reconciliation addressed to those (individuals, groups, nations) who find themselves in conflict. I would like to acknowledge pianist Fred Hersch whose magical playing of Billy Joel's "And so it goes" in the middle of an Ottawa winter inspired me to start working on this piece. I would like to thank my Ottawa singing friends in the "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. I would also like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 27 years. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey. NB: choirs interested in obtaining copies of the score can conta...    less

This song is a wedding present for my daughter Salima and my son-in-law Tarik Talundzic. As a boy chorister I can remember singing Healey Willan's setting of "Rise up, my love", a true gem. The beautiful imagery of this text drew me to write my own s...  moreThis song is a wedding present for my daughter Salima and my son-in-law Tarik Talundzic. As a boy chorister I can remember singing Healey Willan's setting of "Rise up, my love", a true gem. The beautiful imagery of this text drew me to write my own setting. Sincere thanks to Matthew Curtis (ChoralTracks.com) for recording "Rise up, my love, my fair one." If you would like to obtain the sheet music for this song, please contact: info@leadingnote.com. I would like to acknowledge the a cappella choir that I sing in, The Stairwell Carollers, and our director Pierre Massie, for their musical inspiration these past 26 years. I would also like to thank my friends in our "Ad hoc Chorale" for testing out this piece in one of our informal workshops and offering valuable comments. And with deepest appreciation to my brother Adam Rain and my friend Geneviève Lajoie for their invaluable support throughout my composing journey.  less