【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 鋼琴/ 楊郁雯 《At The Twilight Hour》 《蒼茫時刻》 詞：余光中 (Kwang-Chung Yu) 曲 : 林京美 (Ching-Mei Lin) Mild Evening, Graceful Evening, When all the eyes are touring to the west When sunset, before his sea-...  more【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 鋼琴/ 楊郁雯 《At The Twilight Hour》 《蒼茫時刻》 詞：余光中 (Kwang-Chung Yu) 曲 : 林京美 (Ching-Mei Lin) Mild Evening, Graceful Evening, When all the eyes are touring to the west When sunset, before his sea-burial Under a sky of crimson splendor, Say good-bye to this our old world Like a tenor trailing his last aria. Not even the dike, now, all its length Can retain the shimmer on the tide Nor bid that lonely freight not To set out at this twilight hour. 溫柔的黃昏啊唯美的黃昏 當所有的眼睛都向西凝神 看落日在海葬之前 用滿天壯麗的霞光 像男高音為歌劇收場 對我們這世界說再見 即使防波堤伸得再長 也挽留不了滿海的餘光 更無法叫住姑獨的貨船 莫在這蒼茫的時候出港 林京美繼2013年發表《望海》之後，今年再度以高雄港的景色作為靈感，延伸創作了《蒼茫時刻》；相對於《望海》的張力堆砌，《蒼茫時刻》一曲較著重於描寫孤獨惆悵的情感。 《蒼茫時刻》原詩為余光中教授於1998年所寫，描述高雄港壯麗而淒美的落日，縱有千萬不捨，卻終須一別。樂曲中鋼琴如波浪般的音型，宛若海洋充滿著情感的內心獨白；合唱男聲的高音域，呈現出透明澄澈的水波光影；全曲最後以溫暖的旋律收尾，表述了夕陽無限好，卻稍縱即逝的惆悵傷感。 《蒼茫時刻》由高雄室內合唱團委託創作，於2014年9月20日由朱如鳳老師指揮高雄室內合唱團，於高雄市大東文藝中心演藝廳首演。 (林京美) (2014 © Kaohsiung Chamber Choir. Do not use these information without permission...    less

Cor Ariadna de l'Agrupació Cor Madrigal - Concert d'estiu 2011 - Les Corts - Barcelona

Sung by us at a singing course in Nottingham in 1977 Broom, broom There was an old man lived out in the wood, And his trade was a-cutting of broom, green broom, He had but one son without thought without good Who lay in his bed till 't was noon, ...  moreSung by us at a singing course in Nottingham in 1977 Broom, broom There was an old man lived out in the wood, And his trade was a-cutting of broom, green broom, He had but one son without thought without good Who lay in his bed till 't was noon, bright noon. The old man awoke one morning and spoke, He swore he would fire the room, that room, If his John would not rise and open his eyes, And away to the wood to cut broom, green broom. So Johnny arose and slipp'd on his clothes And away to the wood to cut broom, green broom, He sharpen'd his knives, and for once he contrives To cut a great bundle of broom, green broom. When Johnny pass'd under a Lady's fine house, Pass'd under a Lady's fine room, fine room, She call'd to her maid: "Go fetch me," she said, "Go fetch me the boy that sells broom, green broom!" When Johnny came into the Lady's fine house, And stood in the Lady's fine room, fine room, "Young Johnny" she said, "Will you give up your trade And marry a lady in bloom, full ...    less

Coro COMPACTO - Soneto - Musica: Javier Bustos. Letra: Pablo Neruda

Thomas Rossin Conducts The Passion according to St. Matthew, The introduction

Святый (Svyati) by John Tavener, performed on 15 January 2017. Music Director: Apollo Wong Cello: Chu Ka Yi

Muzaria showcase their Disney selection in this 2018 showreel. Copyright DMB MUSIC 2000-2018 www.muzaria.com www.dmbmusic.co.uk

Vytautas Miskinis [*1954] - Tota Pulchra Es OFFICINA CORALE STEFANO PURI, direttore Live recording - 24/05/2015 - Abbazia di Fossanova FB Page: https://www.facebook.com/pages/OFFICINA-CORALE/151511058228887?ref=bookmarks

It is Christmas time and we all want to sing, dance and celebrate. 'Furahia' is a Swahili word that means 'Be Happy'. The song is an original composition and the lead single off of @Kenyan Boys Choir 's Christmas EP with the same Title. It boasts of a...  moreIt is Christmas time and we all want to sing, dance and celebrate. 'Furahia' is a Swahili word that means 'Be Happy'. The song is an original composition and the lead single off of @Kenyan Boys Choir 's Christmas EP with the same Title. It boasts of an enthusiastic and joyous celebration of the birth of Christ. It is inviting everyone to celebrate and enjoy the festive season. The song is sang in Swahili, Luhya and Luo languages. Written and Arranged by : Fredrick Masambaya Audio Recorded at: Wex Media Studio Lyric Video By: Wilberforce Amwayi Get The 'FURAHIA' album on Apple Music: https://music.apple.com/us/album/furahia-ep/953281734  less

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.