This recording uses a 360° image and Ambisonic sound. We recommend playing with your smartphone and headphones via the YouTube application. Thanks to this, you will be able to experience the interactive, immersive sound and vision in the best way. YouTube...  moreThis recording uses a 360° image and Ambisonic sound. We recommend playing with your smartphone and headphones via the YouTube application. Thanks to this, you will be able to experience the interactive, immersive sound and vision in the best way. YouTube platform only supports 1st order Ambisonics (1OA), which means low spatial resolution of the auditory image. The recording was also posted on the HOAST platform, where you can find the version with the 4th order Ambisonics (4OA); we warmly invite you to check that version as well! https://hoast.iem.at/channel/cxzT43bTN8EJIdgw/ This recording was created at the time when many people got vaccinated for COVID-19, thus the restrictions were loosened enough so the Academic Choir of Gdańsk University of Technology could return to rehearsals. This was after a long break, during which the choir practiced singing in a remote manner. In order to celebrate the possibility of regular, normal rehearsing, two-day weekend choral workshops were carried out. This was very e...    less

Join us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag...  moreJoin us on facebook : https://www.facebook.com/fanclubAndantino The famous poem done as a song taken from from Lieutenant Colonel John McCrae, MD (1872-1918) Canadian Army McCrae maakte tijdens de Eerste Wereldoorlog als frontarts in 1915 de Tweede Slag van Ieper mee. Daar ontstond zijn beroemde gedicht. McCrae's graf in het Frans-Vlaamse Wimereux (vroeger Wimmerrewe of Wimerreuwe) Stadhuis Vilvoorde 10/11/2014 Andantino (Vilvoorde België olv Peter De Waele) In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved, and were loved, and now we lie In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. “In Vlaanderens velden bloeien de kl...    less

Macquarie Singers is an unauditioned community choir from Epping, NSW, Australia. This is our first virtual choir, created October-December 2020 on Dharug, Eora and Kuring-gai land. After performing Ola Gjeilo's 'The Ground' in our final concert in 2019, ...  moreMacquarie Singers is an unauditioned community choir from Epping, NSW, Australia. This is our first virtual choir, created October-December 2020 on Dharug, Eora and Kuring-gai land. After performing Ola Gjeilo's 'The Ground' in our final concert in 2019, we were preparing it again for our 'Indomitable Spirit' concert in May 2020. Then, Covid-19 arrived. Like many choirs, we kept going online, or outdoors when permitted. This film is a record of our year, made to remind ourselves that joy and connection are still available to us, despite distance and change. Macquarie Singers & Macquarie Chamber Orchestra Conductor: Sarah Penicka-Smith Piano: Josephine Allan Violin 1: Tess Duflou Violin 2: Sagar Nagaraj Viola: Kathryn Ramsay Cello: Marc Valpiani Video engineer: Connor Malanos Audio engineer: Joshua Winestock Supported with a community grant from Epping Community Bank (Bendigo Bank).  less

This performance of Palestrina's double-choir setting of Jacopone da Todi's famous 13th-century hymn telling of the sorrows of the Blessed Virgin Mary was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passi...  moreThis performance of Palestrina's double-choir setting of Jacopone da Todi's famous 13th-century hymn telling of the sorrows of the Blessed Virgin Mary was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recitals, concerts and services, may be found on our website http://www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of Leeds'. https://www.facebook.com/groups/111143267532/  less

Stellenbosch University Choir performing Ave Maria by Sergey Khvoschinsky (1957, USA) at the Hugo Lambrechts Auditorium, Parow, South Africa. Hail Mary, full of grace, the Lord is with thee: blessed art thou among women, and blessed is the fruit of t...  moreStellenbosch University Choir performing Ave Maria by Sergey Khvoschinsky (1957, USA) at the Hugo Lambrechts Auditorium, Parow, South Africa. Hail Mary, full of grace, the Lord is with thee: blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.  

A part of the choir's winning performance at 54th Croatian Youth Music Festival held in May 2011 in Varaždin.

Musica Vocal Ensemble Robert Feguš, art. director https://www.petje.pro/ensemble/welcome.html

Performance of "O Pray for the Peace of Jerusalem" by Patrick O'Shea (2010). The work was written for His Eminence John Patrick Cardinal Foley, Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem, and was premiered on the March 2011 t...  morePerformance of "O Pray for the Peace of Jerusalem" by Patrick O'Shea (2010). The work was written for His Eminence John Patrick Cardinal Foley, Grand Master of the Equestrian Order of the Holy Sepulchre of Jerusalem, and was premiered on the March 2011 tour of the Saint Mary's University Chamber Singers to Rome. This performance is from the choir's homecoming concert, March 17, 2011, with the composer conducting.  

A setting of a poem by Nicholas Vachel Lindsay (obit 1931). Though Magi Kings are dead, my star will still lead me to the place where I can kiss the Infant's haloed head. The setting by Irish composer David Monks, iis sung by Alzonne Choir. The perfor...  moreA setting of a poem by Nicholas Vachel Lindsay (obit 1931). Though Magi Kings are dead, my star will still lead me to the place where I can kiss the Infant's haloed head. The setting by Irish composer David Monks, iis sung by Alzonne Choir. The performance was given in the Collegiale St. Michel, Castelnaudary, 9 December 2011. Your comments are welcomel. Un arrangement d'un poème de Nicolas Vachel Lindsay (obit 1931). Bien que les rois mages soient morts, mon étoile va encore me conduire à l'endroit où je peux embrasser la tête auréolée de l'Enfant. L'arrangement par David Monks, compositeur irlandais, est chanté par le Choeur d'Alzonne. La représentation a été donnée dans la Collégiale Saint-Michel, Castelnaudary, 9 Décembre 2011. Vos commentaires sont bienvenusl.  less

Performed and Recorded Live by Voices of Concinnity October 24, 2021 “Sweetheart of the Sun" Composed by Eric William Barnum Text from “Ruth” by Thomas Hood Text: She stood so fair amid the corn Clasped by the golden light of morn Like the swe...  morePerformed and Recorded Live by Voices of Concinnity October 24, 2021 “Sweetheart of the Sun" Composed by Eric William Barnum Text from “Ruth” by Thomas Hood Text: She stood so fair amid the corn Clasped by the golden light of morn Like the sweetheart of the sun Who many a glowing kiss had won   On her cheek an autumn flush Deeply ripened;—such a blush In the midst of brown was born Like red poppies grown with corn   Round her eyes her tresses fell Which were blackest none could tell But long lashes veiled a light That had else been all too bright And her hat, with shady brim Made her tressy forehead dim;— Thus she stood amid the stooks Praising God with sweetest looks:—   Sure, I said, heaven did not mean Where I reap thou shouldst but glean Lay thy sheaf adown and come Share my harvest and my home VOICES OF CONCINNITY Sarah Kaufold, Artistic Director Singers: Bruce Barger, Erin Bartram, Liz Bologna, Chris Hartel, Kara Hart, Brian Jones, Sarah Kaufold, Michael McAvaney, Da...    less