Companion Resources Listener's Guide video - a 67-minute spoken backgrounder on the Project's cultural context and creative process. View at • Listener's Guide - Snewíyalh tl’a Staḵw (... Squamish Language Pronunciation Guide video - featuring R...  moreCompanion Resources Listener's Guide video - a 67-minute spoken backgrounder on the Project's cultural context and creative process. View at • Listener's Guide - Snewíyalh tl’a Staḵw (... Squamish Language Pronunciation Guide video - featuring Rebecca Duncan of the Squamish Nation. View at • Squamish Language Pronunciation Guide - Sn... Written performance information for choral conductors on the Elektra website (https://elektra.ca). Snewíyalh tl’a Staḵw (Teachings of the Water) music video performed and produced by Elektra; music by T. Patrick Carrabré (https://tpatrickcarrabre.com); words in the Squamish language by Rebecca Duncan. Videography by Mike Southworth (https://mikesouthworth.myportfolio.co..., Collide Entertainment. Project concept and co-curator, Dr. Jeanette Gallant (https://www.jeanettegallant.com).  less

This choir is part of Community Development by Hope Citadel Health Care and the Salvation Army Eden Project in Fitton Hill Oldham. It is open to all no matter what musical background, if any you may have. We "sing for the the sheer joy of it&...  moreThis choir is part of Community Development by Hope Citadel Health Care and the Salvation Army Eden Project in Fitton Hill Oldham. It is open to all no matter what musical background, if any you may have. We "sing for the the sheer joy of it" and do local concerts. Recently we have sung at a large church inter-denominational christmas gathering and the highlight of the year to sing at a wedding at the request of the Bride and Groom.  

http://igg.me/at/stpeterssingers One Equal Music: St Peter's Singers of Leeds, directed by Simon Lindley, are running an innovative Project this summer to bring inspirational cathedral music to the exceptional acoustics and setting of that secular cathedr...  morehttp://igg.me/at/stpeterssingers One Equal Music: St Peter's Singers of Leeds, directed by Simon Lindley, are running an innovative Project this summer to bring inspirational cathedral music to the exceptional acoustics and setting of that secular cathedral of commerce, the fabulous Victoria Quarter in Leeds. http://igg.me/at/stpeterssingers Impromptu appearances during shopping hours will be followed by a live concert at 8.00pm on Sunday July 6. However, we also hope to raise sufficient funds to record this so that it can become more widely available, and are appealing to as many people as possible to participate in the Project by giving whatever they would like, in return for a reward or perk. It's quite a good way of pre-ordering the CD ! If you feel inspired to contribute please go to: http://igg.me/at/stpeterssingers More information about St Peter's Singers, including details of forthcoming concerts, recitals and services, can be found on on the choir's website http://www.stpeters-singers.org...    less

“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home Project. The score blossomed during a fel...  more“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home Project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line. "The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text." Trevor Shaw, Inversion Ensemble AD  less

Stellenbosch University Choir, conducted by world renowned André van der Merwe, was recently crowned as Champions of the 2012 World Choir Games in the categories Musica Sacra and Mixed Choirs. They shared their music with Choirs from around the world. Thi...  moreStellenbosch University Choir, conducted by world renowned André van der Merwe, was recently crowned as Champions of the 2012 World Choir Games in the categories Musica Sacra and Mixed Choirs. They shared their music with Choirs from around the world. This video encapsulates the journey.  

AppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions Project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. A...  moreAppleChor commissioned this piece from composer Greg Bartholomew of Seattle, WA as part of the ChoralNet Composers of Choral Music Community first time commissions Project. The piece is written on a text by Jack Senzig adapted by Greg Bartholomew. AppleChor is an auditioned 4th and 5th grade school choir at Red Apple Elementary In Racine, WI. Red Apple is a STEAM School. Luigi Enriquez accompanied on piano. More works by Greg bartholomew can be found on his website: http://gregbartholomew.com/  less

Lojze Lebič: From the Immemorial... Music about time Vocal theatre Where are we when we were, Where will we be when we no longer are? (G. Strniša, From Time Immemorial) Author and conductor: Karmina Šilec Director: Jernej Lorenci Choir of Na...  moreLojze Lebič: From the Immemorial... Music about time Vocal theatre Where are we when we were, Where will we be when we no longer are? (G. Strniša, From Time Immemorial) Author and conductor: Karmina Šilec Director: Jernej Lorenci Choir of National opera and ballet in Maribor Choir Carmina Slovenica Ballet of National opera and ballet in Maribor Instrumental ensemble of National opera and ballet in Maribor Light designer: David Orešič for more info visit: http://www.zbor-carmina-slovenica.si  less

Heal The World Acapella SATB by Çokfonik Choir. The Project made at home with remote recordings. SATB Arrangement, Mix and 8D Mastering by Fatih Kozan #stayhome

Being a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging t...  moreBeing a Non Profit Organization, a part of our mandate is to explore different avenues of gospel music and introduce our members to different musical environments. This Project we did gave some of our members the studio experience while also challenging them in an area of music they were not used to! In this case, the areas we wanted to expose our members to were the ins and outs of recording in the studio, learning a technical piece using the written score and learning how to be aware of our presence while on video. We hope to provide more experiences like this to our members on NGGC. Enjoy!  less

This brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background...  moreThis brand new version of Good King Wenceslas is dedicated to my uncle Duncan Shaw of Vancouver. His "retirement Project" - developing his own theory of gravity - has been a huge inspiration in my own compositional journey late in life. Some background: I have sung the traditional version of Good King Wenceslas since I was a kid. I fell in love with the lyrics and the story, but have always been puzzled by the way it was arranged, in particular the way that the "las" of Wenceslas lands on the downbeat. When I was young, I thought the lyrics were actually "Good King Wences last looked out!" All to say that I got inspired to create a totally different version. I used the 19th century poem by John Mason Neale, but I wanted to create a different "feel" to the story, to take it back in time to its origins in the Middle Ages - hence the medieval feel to much of the piece. I also felt that since the Wenceslas story is all about a journey, a setting in 3/4 time would create a better sense of that feeling, ra...    less