PIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additio...  morePIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.johnconahan.com. (© John Conahan)  

text: anonymous, from a nordic legend (languages: english, danish, - could be translated) music: Jean-Christophe Rosaz by Le choeur d'hommes de Rouen Martine Becuwe, conductor publisher: Jean-Christophe Rosaz thanks to Eric Rayssac --- Ya vil su...  moretext: anonymous, from a nordic legend (languages: english, danish, - could be translated) music: Jean-Christophe Rosaz by Le choeur d'hommes de Rouen Martine Becuwe, conductor publisher: Jean-Christophe Rosaz thanks to Eric Rayssac --- Ya vil sugne min' éien historiE Fortèlle om' raïsseur O li(d)elser ouneur dorli vèr Ya ofte lèrte At skibeut' ouneur stormeun èr it screubeuli(t) ièmsté(d) Vèr gang min' tour kom' I dèn bitre nattevagt Oude vé skibeut stéoun Bléou feuder fannieut i frOst Torturereut è koul(d)e Mit' ièrte var plageut o angsten èrske(d)e Min' trate seuman s(h)iel ventedeu po in ièlp, som' aldri kom' But sea and mountains are all alike And once again the blood in my heart urges me on to dare the wave that calls out to me The impulse of my heart presses me again to visit once more some new lands and set in search of the Wholly Other start on yet another voyage across more distant seas ... --- french translation: Je veux chanter ma propre histoi...    less

"Bread and Music" is the second piece from the choral cycle "Memories". Text by Conrad Aiken. Live recording: Anglistenchor Heidelberg, Jan Wilke (conductor) Peterskirche Heidelberg, 16.11.17 http://www.janwilke.com #ComposersOfChoralMusic #Ch...  more"Bread and Music" is the second piece from the choral cycle "Memories". Text by Conrad Aiken. Live recording: Anglistenchor Heidelberg, Jan Wilke (conductor) Peterskirche Heidelberg, 16.11.17 http://www.janwilke.com #ComposersOfChoralMusic #ChoralMusic #ContemporaryClassical  

Setting from Alfred Lord Tennyson's "In Memoriam" by CHH Parry sung by the dwsChorale (multitracking one-man choir) There rolls the deep where grew the tree O earth, what changes hast thou seen! There, where the long street roars, hath been The sti...  moreSetting from Alfred Lord Tennyson's "In Memoriam" by CHH Parry sung by the dwsChorale (multitracking one-man choir) There rolls the deep where grew the tree O earth, what changes hast thou seen! There, where the long street roars, hath been The stillness of the central sea The hills are shadows, and they flow From form to form, and nothing stands; They melt like mist, the solid lands Like clouds they shape themselves and go But in my spirit will I dwell And dream my dream, and hold it true; For though my lips may breathe adieu I cannot think the thing farewell  less

Sung by us at a singing course in Nottingham in 1977 When once the sun sinks in the west, And dew-drops pearl the evening's breast; Almost as pale as moonbeams are, Or its companionable star, The evening primrose opes anew Its delicate blossoms to...  moreSung by us at a singing course in Nottingham in 1977 When once the sun sinks in the west, And dew-drops pearl the evening's breast; Almost as pale as moonbeams are, Or its companionable star, The evening primrose opes anew Its delicate blossoms to the dew; And hermit-like, shunning the light, Wastes its fair bloom upon the night; Who, blindfold to its fond caresses, Knows not the beauty he possesses. Thus it blooms on while night is by; When day looks out with open eye, 'Bashed at the gaze it cannot shun, It faints, and withers, and is gone.  less

On February 11th 1962, few ITB students established Paduan Suara Mahasiswa Institut Teknologi Bandung (PSM-ITB or ITB Student Choir) which was the first university-based choir in Indonesia. At the beginning, PSM-ITB sang only in campus society and subs...  moreOn February 11th 1962, few ITB students established Paduan Suara Mahasiswa Institut Teknologi Bandung (PSM-ITB or ITB Student Choir) which was the first university-based choir in Indonesia. At the beginning, PSM-ITB sang only in campus society and subsequently performed in public. However since 1973, it participated in various national choir competitions and repeatedly won the first prizes. This led PSM-ITB to become one of the most established choirs in Indonesia. In several occasions, the choir has been given the chance to perform in events attended by the President of Indonesia. It regularly performs in concerts, occasionally collaborated with other choirs and orchestras. In 1968 PSM-ITB organized the 1st ITB Choir Festival (FPS-ITB). Since then the festival is held biannually and becomes the largest national choir event in term of categories (from children to adult and folklore catagories) and participants. It has contributed to the history of choral development in Indonesia; most of Indonesian choirs ...    less

Jagdlied (Hunting Song) Sechs lieder im Freien zu singen Op. 59 No. 6 by Felix Mendelssohn-Bartholdy Music and Choral Director: Arda Ardaşes Agoşyan Assistant Director: Natali Boğosyan Concert Recording, June 9, 2012

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An excerpt from movement IV of my Requiem (2007) as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. text: Keats (from Ode to a Nightingale) Darkling I listen; and, for many a time I have been half in love with e...  moreAn excerpt from movement IV of my Requiem (2007) as performed by the Orlando Chamber Singers under the direction of Gregory Ruffer. text: Keats (from Ode to a Nightingale) Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a musèd rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain  

The Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form he...  moreThe Lover (Before my gaze she stands) for 3 altos and guitar This is the setting of a poem by my father inspired by L'Amoureuse by Paul Eluard as a hypnotic canon trio of altos over a guitar ostinato (the guitar part is played in an electronic form here), in Dorian mode. The music is the same as the piece "My love is far from here", but with the original words by my father