We started in October 2019 as a one off Black History Workshop! But the attendees enjoyed it so much they wanted it to become a regular thing. So now, 2 and a bit years later we are now a weekly session! We sing anything from Richard Smallwood, Kirk Fr...  moreWe started in October 2019 as a one off Black History Workshop! But the attendees enjoyed it so much they wanted it to become a regular thing. So now, 2 and a bit years later we are now a weekly session! We sing anything from Richard Smallwood, Kirk Franklin, Jonathan Nelson and even Kanye! We meet every Wednesday evening from 7:30pm in Enfield, London, UK  

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and Music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and Music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

"ECO E SOGNI" for male Choir composed by Davide Riva (TTBarB) A composition commissioned and performed by "Coro Stelvio", Bormio - ITALY Music by Davide Riva Choir conductor: Matteo Bertolina Performance: August 23th 2022 in Bormio Text based on ...  more"ECO E SOGNI" for male Choir composed by Davide Riva (TTBarB) A composition commissioned and performed by "Coro Stelvio", Bormio - ITALY Music by Davide Riva Choir conductor: Matteo Bertolina Performance: August 23th 2022 in Bormio Text based on the poem "Digapoli" by Giulio Pedranzini. "Digapoli" was the name of the small village where the workers who built the Cancano dam lived. The Cancano dam is located in Valtellina, in norther Italy. DIGAPOLI (Cancano-Valdidentro) è il nome della piccola cittadina che si era formata per ospitare i lavoratori durante la costruzione delle dighe di Cancano (Diga-Polis) Fuggì la notte a passi di cerbiatta e già in cantiere urla la sirena. Canta, operaio, canta a gola piena, che non abbiamo galli per destarci, non abbiamo campane. ​Se la tua voce sa di vino ancora (bevuto a tarda notte alla taverna) è lieta la tua voce, l'eco chiara nell'aria sgombrata dai sogni. Forse quest'alpe che la mina strazia altri inni non ha che la tua frusta canzonacci...    less

Agrupación formada a fines de 2010 por la inquietud de jóvenes estudiantes de distintas universidades de Santiago por formar un grupo coral experimental, presentándose por primera vez en el mes de diciembre de ese año en el Centre Catalá. En 2011 reanu...  moreAgrupación formada a fines de 2010 por la inquietud de jóvenes estudiantes de distintas universidades de Santiago por formar un grupo coral experimental, presentándose por primera vez en el mes de diciembre de ese año en el Centre Catalá. En 2011 reanuda su actividad presentándose en el “I Encuentro de Música Sacra”, organizado por el Coro de ex alumnos de la UC. Además participa en la “V Temporada oficial Coral del Centre Catalá”, en el lanzamiento de la fundación coral “Alejandro Pino”, en la “VII temporada Coral de Codelco” y en la “V Temporada Coral de la Universidad Santo Tomás.” En 2012, junto al Coro de Estudiantes, Fact. Ingeniería y Orquesta UC, interpretan el Oratorio “Cristo en el Monte de los Olivos” de Ludwig van Beethoven, bajo la dirección general del maestro Víctor Alarcón., se presentan en la VI Temporada oficial Coral del Centre Catalá”. La agrupación es dirigida por el Sr. Manuel Suazo Pavez, titulado de la Universidad de Concepción de Pedagogía en Educación Musical, con post título e...    less

European Church Music Festival Schwäbisch Gmünd 2019 in the Münster of Schwäbisch Gmünd, 18 July 2019. The concert with John Rutter & Chamber Choir of Europe, conducted by Nicol Matt (Germany) in MÜNSTER of Schwäbisch Gmünd was a huge success! John Rutter...  moreEuropean Church Music Festival Schwäbisch Gmünd 2019 in the Münster of Schwäbisch Gmünd, 18 July 2019. The concert with John Rutter & Chamber Choir of Europe, conducted by Nicol Matt (Germany) in MÜNSTER of Schwäbisch Gmünd was a huge success! John Rutter received the prestigious European Church Music Prize 2019 for outstanding contributions to church Music.  

Coral Stma Trinidad de Valencia was founded in 1977 by its present conductor, Carmina Moreno Llabata. It is formed by children and young people from 6 to 25 years old, who are distributed in three groups. Their activities are set out for the developmen...  moreCoral Stma Trinidad de Valencia was founded in 1977 by its present conductor, Carmina Moreno Llabata. It is formed by children and young people from 6 to 25 years old, who are distributed in three groups. Their activities are set out for the development of sensibility, intelligence, memory, attention, and, at the same time, contribute to achieve the feeling of working together and mutual help and the sincerity of companionship. Likewise, they begin to know the art and culture world by the Music, not only polyphonie Music, but also popular and modern Music. During their trajectory, the Choir has offered several concerts, has participated in competitions and festivals and has done tours abroad: France, Italy, Luxemburg, Belgium, The Netherlands, Germany, Czech Republic, Denmark, England, Russia, Slovakia, Switzerland, Austria, Hungary, Slovenia... The Choir is member of the European federation of Youth Choirs. Contact us by sending an email to coralstmatrinidadvalencia@gmail.com  less

1. O Magnum Mysterium - Elektra Women's Choir (Canada) Scores Available https://Musicspoke.com/downloads/o-magnum-mysterium-santiago-veros/ 2. Galaxias - Virtual Choir (Argentina) 4:42 Scores Available https://Musicspoke.com/downloads/galaxias/ 3. T...  more1. O Magnum Mysterium - Elektra Women's Choir (Canada) Scores Available https://Musicspoke.com/downloads/o-magnum-mysterium-santiago-veros/ 2. Galaxias - Virtual Choir (Argentina) 4:42 Scores Available https://Musicspoke.com/downloads/galaxias/ 3. The Last March of Destiny - Chamber Choir St. Petersburg Serenades (Russia) 9:40 Scores Available https://Musicspoke.com/downloads/the-last-march-of-destiny/ 4. Almas De Barro - CANTALA Lawrence University Women's Choir (USA) 14:28 Scores Available https://Musicspoke.com/downloads/almas-de-barro/ 5. Incertitude - Oregon Repertory Singers (USA) 18:04 Scores Available https://Musicspoke.com/downloads/incertitude/ 6. O Crux - CANTALA Lawrence University women's Choir (USA) 21:07 Scores Available https://Musicspoke.com/downloads/o-crux-santiago-veros/ 7. La Magia del Río -Virtual Choir (All over world) 23:47 Scores Available https://Musicspoke.com/downloads/la-magia-del-rio 8. Cruxifisus - Central Bucks West Men's Choir (USA) 27:32 Scores Available https:...    less

In its 26 years, The VOCAL Octet has brought polyphonic a-cappella singing in Israel to a fine art. The ensemble has a fascinating and diverse repertoire, most of which is original arrangements written by its members, some with humorous texts. The differe...  moreIn its 26 years, The VOCAL Octet has brought polyphonic a-cappella singing in Israel to a fine art. The ensemble has a fascinating and diverse repertoire, most of which is original arrangements written by its members, some with humorous texts. The different programs also consist of traditional a-cappella arrangements. Among our different programs there are "Misa Criolla" with an authentic South American band; "Le Bouquet de Swing", rich harmonies and jumpy rhythms, well known jazz standards and new arrangements to pop songs; "American Harmony", in which the Israel Chamber Orchestra joins the octet in an American themed program; and our new program, Sgt. Pepper and the Fabulous Four. The VOCAL Octet has collaborated with Israel’s top Musicians, and has performed with the Israel Philharmonic Orchestra, the Israel Chamber Orchestra, Israel Borochov & East-West Ensemble, composers Sasha Argov, Yoni Rechter and Menachem ...    less

YANTRA is the unusual project of three singers from very different backgrounds, united by their passion of unaccompanied human voice. Born from an experimental session for BBC Radio 3’s Late Junction in 2009, YANTRA’s vocal focal point is the intersection...  moreYANTRA is the unusual project of three singers from very different backgrounds, united by their passion of unaccompanied human voice. Born from an experimental session for BBC Radio 3’s Late Junction in 2009, YANTRA’s vocal focal point is the intersection of seemingly incompatible and incomparable singing traditions. Combining the purity of a cappella with modern multi-tracking recording techniques, their rich vocal fusion explores the spiritual and folkloric Music from the traditional and ancient Musical heritage of Bulgaria, India and England.  less