Psalm 136:1-5 (Vulgate) A four-part canon, with each entry a modal 4th above the preceding part. Free sheet music. Please get in touch! • Facebook: david.basden.9 • Email: deebee123 [at] bigpond.com

Arrangement of an old English folk song for three voices (ATB) The keeper did a-hunting go (run away) and under his cloak he carried a bow (run away my dear) all for to shoot at a merry little doe among the leaves so green oh. Jackie boy! ...  moreArrangement of an old English folk song for three voices (ATB) The keeper did a-hunting go (run away) and under his cloak he carried a bow (run away my dear) all for to shoot at a merry little doe among the leaves so green oh. Jackie boy! Master? Sing ye well? Very well! hey down, ho down derry derry down among the leaves so green oh with a hey down down with a ho down down hey down ho down derry derry down among the leaves so-green oh The first doe he shot at and missed the second doe he trimmed he kissed the third doe went where nobody wist among the leaves so green oh Oh run away my dear!  less

Te Deum Chamber Choir www.te-deum.org Live performance, April 10, 2016 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rachel Marschke, Meredith McFarland, Sydney Seratte, Stacy Van Hoecke Alto: Joan...  moreTe Deum Chamber Choir www.te-deum.org Live performance, April 10, 2016 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rachel Marschke, Meredith McFarland, Sydney Seratte, Stacy Van Hoecke Alto: Joanna M. Davis, Mariana Farah, Rachel Gilmore, Sara Goering, Josepha Haden, Jana Hutsler, Katie Kendle, Nanette Kraus, Ann Lewis Tenor: Tom Assel, Chris Gilmore, Alex Goering, Micah Horton, Jeff Howe, Bram Wayman Bass: Eric Abney, Kyle Chamberlain, Jon Duncan, Paul Eltschinger, Nick Gillock, Riley King, Josh Maize, Ryan Occeña, Ryan Oldham Text: Conrad Ferdinand Meyer Da die Hirten ihre Herde Ließen und des Engles Worte Trugen durch die niedre Pforte Zu der Mutter mit dem Kind, Fuhr das himmlische Gesind Fort im Sternenraum zu singen, Fuhr der Himmel fort zu klingen: “Friede, Friede! auf der Erde!” Seit die Engel so geraten, O wie viele blut’ge Taten Hat der Streit auf wildem Pferde, Der geharnischte vollbracht! In wie mancher heiligen N...    less

STOKE FLEMING for unaccompanied mixed choir (SATB) by Greg Bartholomew Recording by Matthew Curtis (Choral Tracks). Sheet Music is available from J.W.Pepper: https://www.jwpepper.com/10503196.item Stoke Fleming is a small hamlet on the English...  moreSTOKE FLEMING for unaccompanied mixed choir (SATB) by Greg Bartholomew Recording by Matthew Curtis (Choral Tracks). Sheet Music is available from J.W.Pepper: https://www.jwpepper.com/10503196.item Stoke Fleming is a small hamlet on the English Channel. The text for this work is a secular meditation on the rocks and the waves written by the composer during a weekend stay there in 1978. The music was completed in January 2000 and received a reading by the Gregg Smith Singers at the Adirondack Festival of American Music in July 2000. For more information visit www.gregbartholomew.com #ComposersOfChoralMusic #ChoralMusic #AmericanMusic  less

Cantores Celestes Women's Choir LIVE in CONCERT Dec 1, 2018 Kelly Galbraith, Director Matthew Coons, Organ Emperor String Quartet Rick Harper, recording engineer Producer: Kelly Galbraith

Te Deum Chamber Choir www.te-deum.org Micah Horton, tenor Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victori...  moreTe Deum Chamber Choir www.te-deum.org Micah Horton, tenor Sora Park, pianist Live performance, October 20, 2019 Village Presbyterian Church, Prairie Village, Kansas Sopranos: Lucy Conklin, Katherine Dick, Rupal Gupta, Nicole Murray, Victoria Olson, Sydney Seratte, Sarah Sheldon Altos: Joanna Ehlers, Abby Helt, Nanette Kraus, Ann Lewis, Hilary Morton, Michaela Schenkel, Rosie Smith Tenors: Tom Assel, Josh Donaldson, Micah Horton, Jeff Jasperson, Colin Riley, Andrew Wilson Basses: Kyle Chamberlin, Andrew Cunard, Jonathan Daniel, Jon Duncan, Ken Foley, Nick Gillock I am a poor pilgrim, a pilgrim of sorrow. I’m left in this wide world, this wide world alone! Ain’t got no hope, got no hope for tomorrow. Trying to make it, make heaven my home. Sometimes I’m tossed and I’m driven, Lord. Sometimes I just don’t know which way to turn. I heard of a city, a city called heaven. Trying to make it, make heaven my home.  less

PIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additio...  morePIE JESU - by John Conahan. SATB piano (optional String Ensemble). This is an accompanied setting of both the Pie Jesu and Agnus Dei texts. In this video, you'll be able to view the complete score in tandem with a performance. More information and additional scores, visit www.johnconahan.com. (© John Conahan)  

Morgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. ...  moreMorgen! (Tomorrow!) by Richard Strauss (Voice and Piano) Arranged for SATB Chorus and Piano by Stanley M. Hoffman. Arrangement: © Copyright 2015 by Ione Press, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. Performed by The Singers Matthew Culloton, Conductor Steve Swanson, Piano Video co-produced by Stanley M. Hoffman and Naomi F. Hoffman Choral Conductors: to purchase copies of this score, the distributor is Canticle Distributing. www.canticledistributing.com Catalog No. 7774 The product page includes links to obtain an optional violin part (7774A), and a full score and parts for the version with orchestral accompaniment (full score 7775, instrumental parts 7776).  less

The Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you sta...  moreThe Song of Ruth, a setting of the most famous passage from the Book of Ruth (Ruth 1:16–17), opens with a gentle polyphonic section for the chorus. (“Do not ask me to leave you, or to stop following you; for where ever you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.”) The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.”) The tune and harmonies are borrowed from a passage in my piece Selections from “The Song of Songs” for male voice and band. That piece is dedicated to my wife, Ruth, hence the connection. If that were not enough, our daughter is named Naomi! The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a descant for it. (“May the Lord cause ill fate to befall me, and more, if anything but death separates me and you.”) Appropriat...    less

Gospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I ...  moreGospel style setting for 2 or 4 voices, 2 flutes, double bass, guitar and tambourine of my evangelical poem about Christmas. This is not typical of my usual style, but it's an interesting excursion into the evangelical music of mid-70s Oxford, where I was studying.