O Lord, look down from heaven, and behold from the habitation of thy holiness and of thy glory: Where is Thy zeal and Thy Strength, Thy mercies towards me? Are they reStrained? (Isaiah 63 v. 15) Sung at Canterbury Cathedral during our Roya...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">O Lord, look down from heaven, and behold from the habitation of thy holiness and of thy glory: Where is Thy zeal and Thy Strength, Thy mercies towards me? Are they reStrained? (Isaiah 63 v. 15) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  

Choir members are based all over the United Kingdom, and we come together only when we rehearse and sing at a Cathedral city. We do not belong to any particular geographical area or church denomination. In over 25 years, nearly 400 people from all backgro...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Choir members are based all over the United Kingdom, and we come together only when we rehearse and sing at a Cathedral city. We do not belong to any particular geographical area or church denomination. In over 25 years, nearly 400 people from all backgrounds have sung with us - often for the firSt time in an English Cathedral. The number continues to grow year by year. Martin Hall, our founder, became 'Director Emeritus' in Autumn 2006 and Matthew O' Donovan took over the poSt of Director in his Stead. Because of the way we meet, we don't require formal auditions in advance, but new singers are expected to be excellent sight readers and to have a good choral tone.  Style.display='';$(this).getParent().Style.display='none';">less

Our association is situated in Saint-Martin-Vésubie, in the heart of the National Park of the Mercantour, in the southern Alps, north of Nice in the south-eaSt of France, 50km from the seaside (Côte d’Azur). Composed of about forty members, our group p...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Our association is situated in Saint-Martin-Vésubie, in the heart of the National Park of the Mercantour, in the southern Alps, north of Nice in the south-eaSt of France, 50km from the seaside (Côte d’Azur). Composed of about forty members, our group presents itself either as a women’s choir, or a men’s choir or mixed choir. Our repertoire is varied and original : Renaissance, classical, traditional or more contemporary rhythms such as jazz, afro-latino, or contemporary songs. We celebrated in 2015 the thirtieth birthday of our association which has a long experience in exchange and sharing around choir singing. We have organized several feStivals, maSterclasses and various exchanges and thus contributed to the promotion of our region, the «département des Alpes-Maritimes» and to the development of choral singing (see examples below). Over the paSt four years, The Mercantour Choirs (Les Choeurs du Mercantour) have had a particularly rich activity and have participated in important national and internation...    Style.display='';$(this).getParent().Style.display='none';">less

Coro Juvenil David Goldsmith Light Music Band Jeremías Martín, director Banda y arreglos José Híjar Polo, director SoliStas: Marta Bello Jesús Mesa Natalia Rodríguez Concierto homenaje a los 60´ 3 de julio de 1998 Auditorio Teobaldo Power ...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Coro Juvenil David Goldsmith Light Music Band Jeremías Martín, director Banda y arreglos José Híjar Polo, director SoliStas: Marta Bello Jesús Mesa Natalia Rodríguez Concierto homenaje a los 60´ 3 de julio de 1998 Auditorio Teobaldo Power La Orotava, Tenerife  

This is a very popular church song, but is a bit unusual in that it originated as a folk song about driving a car. Usually it is the church song which is incorporated into the folk culture. In the Sotho language: "I also like to see the angels on Moun...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">This is a very popular church song, but is a bit unusual in that it originated as a folk song about driving a car. Usually it is the church song which is incorporated into the folk culture. In the Sotho language: "I also like to see the angels on Mount Zion, with all the blessed people." This is from The OK Chorale's second public concert in March 2013 at St. Mary's Church, Woodbridge, Suffolk, UK.  

The Chorale begins work on Stephen Paulus' fresh yet noStalgic 'The Old Church'.

FLUTES FOR DANCING It's lucky to hear the flutes for dancing coming down the road. The ground is glowing. The table set in the yard. We will drink all this wine tonight because it's Spring. It is. It's a growing sea. We're clouds over the sea, o...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">FLUTES FOR DANCING It's lucky to hear the flutes for dancing coming down the road. The ground is glowing. The table set in the yard. We will drink all this wine tonight because it's Spring. It is. It's a growing sea. We're clouds over the sea, or flecks of matter in the ocean when the ocean seems lit from within. I know I'm drunk when I Start this ocean talk. Would you like to see the moon split in half with one throw? Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director. Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling s...    Style.display='';$(this).getParent().Style.display='none';">less

This is Eric Whitarce's " Lux Aurumque" performed by the MethodiSt University Chorale.

Título: Libera me Música: Sergio Rodríguez SoliSta: María José Torres Trujillo Intérpretes: 'Ad infinitum', dirección: Sergio Rodríguez Fotos del escultor Miguel Ángel Martín Sánchez Fecha de grabación: 04 de julio de 2015 Grabación realizada por Ne...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Título: Libera me Música: Sergio Rodríguez SoliSta: María José Torres Trujillo Intérpretes: 'Ad infinitum', dirección: Sergio Rodríguez Fotos del escultor Miguel Ángel Martín Sánchez Fecha de grabación: 04 de julio de 2015 Grabación realizada por Netabora Records, Tenerife Sala de Exposiciones del Paraninfo de la Universidad de La Laguna Más información: http://sergiorodriguezmusic.wordpress.com Title: Libera me Music by Sergio Rodríguez SoloiSt: María José Torres Trujillo Performed by 'Ad infinitum', conducted by Sergio Rodríguez Photos by sculptor Miguel Ángel Martín Sánchez Music recorded on 04th of July of 2015 by Netabora Records, Tenerife Sala de Exposiciones del Paraninfo de la Universidad de La Laguna. More information: http://sergiorodriguezmusic.wordpress.com  Style.display='';$(this).getParent().Style.display='none';">less

SINGING When the soul firSt put on the body's shirt, the ocean lifted up all its gifts. When love firSt taSted the lips of being human, it Started singing. Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. ...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">SINGING When the soul firSt put on the body's shirt, the ocean lifted up all its gifts. When love firSt taSted the lips of being human, it Started singing. Texts by Rumi, translated by Coleman Barks © 1995 Coleman Barks. Used by permission. Performed by the Millennium Consort, Martin Neary, conductor, and the Pomona College Choir, Donna Di Grazia, director. Water Ruminations is a setting of six poems by the thirteenth-century poet Rumi, in English translations from the Persian by Coleman Barks, for double choir and organ. The poetry sings of literal and spiritual connections between water and sky, a drop of water and human life, flowing water and love, drinking water and its container, the giddiness of spring and rolling seas, and the ocean's gifts and singing. Its images, from 800 years ago, speak to us with both vivid immediacy and transcendence. The idea for the piece originated with the Mellon Elemental Arts Initiative, which proposed funding activities that would involve Students in a...    Style.display='';$(this).getParent().Style.display='none';">less