CoMA Singers is a new group of experienced singers based in London. We aim to establish a strong group of singers who rehearse and perform regularly, predominantly a cappella choral works but sometimes with instruments and including some solo/small ens...  moreCoMA Singers is a new group of experienced singers based in London. We aim to establish a strong group of singers who rehearse and perform regularly, predominantly a cappella choral works but sometimes with instruments and including some solo/small ensemble repertoire. We will be commissioning new works as well as exploring established repertoire and pieces by CoMA composers and associates. The group will reinforce as well as supplement the established CoMA Voices programme. Singers are expected to be confident singers with some sight reading experience, be prepared to tackle unusual vocal techniques and unconventional pieces. Singers are expected to work and prepare themselves between rehearsals  less

concert at Palma de Mallorca (Spain) in Greek Orthodox Basilica of St. Francis, on 25 and 26 February 2012, with a capella greek church Music compositions. Η εμφάνιση της Χορωδίας Αγίου Αλεξάνδρου εκτός Ελλάδος πραγματοποιήθηκε στις 25 και 26 Φεβρουαρίο...  moreconcert at Palma de Mallorca (Spain) in Greek Orthodox Basilica of St. Francis, on 25 and 26 February 2012, with a capella greek church Music compositions. Η εμφάνιση της Χορωδίας Αγίου Αλεξάνδρου εκτός Ελλάδος πραγματοποιήθηκε στις 25 και 26 Φεβρουαρίου 2012 στην Palma de Mallorca της Ισπανίας, όπου και έδωσε ένα κονσέρτο a capella εκκλησιαστικής μουσικής με ορθόδοξες συνθέσεις Ελλήνων μουσικών στη Βασιλική του Αγίου Φραγκίσκου, και τέλεσε την Αρχιερατική Λειτουργία στον Ναό της Γεννήσεως του Σωτήρος, χοροστατούντος του Σεβασμιότατου Μητροπολίτη Ισπανίας και Πορτογαλίας και Εξάρχου Μεσογείου Θαλάσσης κ.κ. Πολυκάρπου  less

A beautiful contemporary classical hymn to crown the Easter celebration. Based on the biblical text in revelation 5:12, Pepper Choplin sets this powerful words of Adoration into Music that would endure for all ages

PoliRock; It is Turkey's first rock Choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus&quo...  morePoliRock; It is Turkey's first rock Choir. Its name, consisting of the words Poly (Polyphonic) and Rock, means "Polyphonic Rock Chorus", that is, "Polyphonic Rock Chorus". As a Corporate Motivation product, Tolga Gülen has been working with companies on PoliPop since 2011. Deciding to offer PoliPop outside of corporate participation, it was implemented within the body of "Kadıköy Municipality Volunteer Counseling and Training Center". PoliRock, together with PoliPop, became Turkey's second modular Chorus project. There is no notation and exam system in PoliRock. Tolga Gülen has been using his own song learning technique that he developed during his work with corporate companies for years. PoliRock is open to the participation of anyone who wants to sing. "PoliRock" is a Tolga Gülen and Imelda Amber Gülen project.  less

Final Year Recital for Conducting Major, (Bachelor of Theology, concentration in Church Music program). Performed in Peter Wongso Auditorium, SEABS Campus, Malang City, East Java, Indonesia. Oct. 2nd. 2015. Malang Motet Choir, conducted by Richard S. ...  moreFinal Year Recital for Conducting Major, (Bachelor of Theology, concentration in Church Music program). Performed in Peter Wongso Auditorium, SEABS Campus, Malang City, East Java, Indonesia. Oct. 2nd. 2015. Malang Motet Choir, conducted by Richard S. Awuy. Thou Hast Turned my Laments into Dancing (a capella) by Daniel Pinkham 詩篇30: 11,12  

We LOVE good A-cappella Music! Choriosity is a community-based a-cappella-Choir in the YMCA (CVJM) Ulm. 120 singers aged 18 to (about ;) 30 dive into the diversity of sound, rhythms and a-cappella-feeling! You wanna see/hear more? Instagram: @choriosi...  moreWe LOVE good A-cappella Music! Choriosity is a community-based a-cappella-Choir in the YMCA (CVJM) Ulm. 120 singers aged 18 to (about ;) 30 dive into the diversity of sound, rhythms and a-cappella-feeling! You wanna see/hear more? Instagram: @choriosity Facebook: www.facebook.com/choriosity Website: www.choriosity.de Snapchat, Twitter: @choriosity M+T: Hozier Arr.: M. Kost Video: 89tasten.de  

Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna...  moreWeep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and Music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati...  moreWeep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and Music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com  less

Uniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' Musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, madrigals, plains...  moreUniquely among choral groups, Albion is dedicated to the exploration and performance of the songs of the British Isles. The islands' Musical heritage stretches back a thousand years, offering a rich store of treasures: dances, folksongs, madrigals, plainsong chants, airs, anthems, and more. In their variety and beauty, they lie at the heart of Albion's inspiration. Many of the songs are hundreds of years old, but in Fraser Wilson's arrangements they are reclothed in lush contemporary colours. Working with up to twelve singers at a time, Albion performs mostly unaccompanied, allowing the purity of the human voice to sound across the centuries. The group is known for its fresh sound and vibrant energy, and for warm, wholehearted Music-making.  less

Psalm 117 for TTBB Chorus unaccompanied Music and translation by Stanley M. Hoffman (2000) Performed by the University of Michigan Men's Glee Club, Ann Arbor, Michigan, Paul Rardin, director Music and Translation: © Copyright 2001 by Ione...  morePsalm 117 for TTBB Chorus unaccompanied Music and translation by Stanley M. Hoffman (2000) Performed by the University of Michigan Men's Glee Club, Ann Arbor, Michigan, Paul Rardin, director Music and Translation: © Copyright 2001 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. ECS Publishing Catalog No. 5754 Recording: © Copyright 2005 by the University of Michigan at Ann Arbor. All rights reserved. Used by permission of Paul Rardin.  less