Silent Night performed by Nashville Singers Nashville Singers was founded in November of 2008 by a handful of men who had the desire to join their Voices with the Voices of others committed to excellence in vocal and choral performance. The missio...  moreSilent Night performed by Nashville Singers Nashville Singers was founded in November of 2008 by a handful of men who had the desire to join their Voices with the Voices of others committed to excellence in vocal and choral performance. The mission of Nashville Singers is to entertain, educate, unite and uplift their audiences and members through music that is distinguished for its innovation, diversity and artistic excellence. Their philanthropic mission of Nashville Singers is to provide funding and support for music education in our schools and the community. The singers are all volunteers, range in age from teenagers to retirees and travel from five different counties throughout Middle Tennessee to be a part of the chorus. By the end of their sophomore year, Nashville Singers had learned 24 songs, released their first CD, performed for 15 organizations across Middle Tennessee, and produced a successful concert series which attracted attendees from 36 cities in eight states across the U...    less

http://www.theaustralianVoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of music flowing, through a logical seque...  morehttp://www.theaustralianVoices.com From the composer, Gordon Hamilton: during my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of music flowing, through a logical sequence of harmony, melody and tempo, he (and other composers, including Stravinsky, Messiaen and my own teacher Butterley) created tiny fragments of music -- totally contrasting in character -- which cascade into each other: an aural mosaic. Tra$h Ma$h is a piece made up entirely of musical quotes lifted directly from modern pop songs and mashed together using the Tippet technique (perfect for our 21st century attention spans!) Deep down, I love trashy pop, and the singers in The Australian Voices are mostly under 21. We had a whole lot of parties to find the best (and worst) songs of 2011 to mash together in a kind of 60's disjunct treatment of pop, chopping it up and sticking it back together in a way that was never intended. I think it can be ridiculous an...    less

Highbridge Voices performs Pete Seeger's legendary song, as arranged by Peter, Paul, and Mary. Conductor: Mary Clementi, Guitar: Billy Janiszewski, Cajon : Chris Cubeta

This beautiful hymn setting for choir and Orchestra was reanimated by the Golden Voices Choir St Thomas Aquinas Catholic Chaplaincy FUTO.

This video was playing in the background during the finale of the FunkyVoices 2010 Show. Clips taken from various FunkyVoices choir sessions and outside events leading upto the Show compiled to create an emotional climax.

Chicagoland Voices 2016 Winter Concert Shenandoah - American Folk Song arr. James Erb Guest conductor Daniel Hammond

We are a newly formed ensemble of women's Voices from Canterbury in Kent. Our repertoire ranges from classical motet to jazz and female barbershop. We perform on a regular basis across Kent and have on going partnership links with choirs in the UK and France.

Poem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve c...  morePoem by John Gillespie Magee, Jr. Video: Ritvars Bluka Style: Līga Banga Live Performance at Latvian National Museum of Arts "High Flight" Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting wind along, and flung My eager craft through footless halls of air . . . Up, up the long, delirious burning blue I’ve topped the wind-swept heights with easy grace Where never lark, or ever eagle flew — And, while with silent, lifting mind I’ve trod The high untrespassed sanctity of space, Put out my hand, and touched the face of God. www.latvianVoices.lv  less

"TaReKiTa" composed by Renee Esmail Performed by Voices of Concinnity Chamber Ensemble Recorded Live at First Church in Glastonbury, Connecticut on February 8, 2020 Singers: Erin Bartram, Samuel Beckwith, Liz Bologna, Kara Hart, Christopher Hartel...  more"TaReKiTa" composed by Renee Esmail Performed by Voices of Concinnity Chamber Ensemble Recorded Live at First Church in Glastonbury, Connecticut on February 8, 2020 Singers: Erin Bartram, Samuel Beckwith, Liz Bologna, Kara Hart, Christopher Hartel, Sarah Kaufold, Brian Jones, Erica Maas Shippee, Daniel Pavone, Alex Walker, Jermaine Woodard, Jr., special guest: Spencer Hamlin Recording Engineer: Mackenzie Christiansen For more information please visit our website: ConcinnityCT.org -or- https://www.facebook.com/ConcinnityCT/ Voices of Concinnity is sponsored by Consonare Choral Community who owns all rights to this live recording. Sync license acquired through Oxford University Press.  less

Setting by D W Solomons of a poem by Marie Keyser, for two equal Voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very...  moreSetting by D W Solomons of a poem by Marie Keyser, for two equal Voices Elle est près du fleuve dormeur debout It stands by the sleepy river mais le saule incliné toucherait de sa cîme l'eau But the bending willow would touch the water with its very top L'église vieille dit les heures de l'île où la nuit descend The church - an old church - tells the hours from the island where the night descends Je la vois encore son toit de gris dans le gris de l'eau. I can still see it, its grey roof in the grey of the water pressens dans la tour de bois ma demeure la folie I have a presentiment in the tower of wood of my dwelling place, of madness la folie le silence of madness, of silence clos clos vigilance Closed in, closed in but keeping watch Oh Ne pas altérer ce qui reste, et le doit. Oh never change what remains and should remain "Was bleibt aber stiften die Dichter." What remains, however, is the stuff of poetry.  less