"In Flanders Fields" by John Jacobson and Roger Emerson. Text by John McRae. Recorded live on May 7, 2016, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Lyric Choir Ensemble of The Girl Choir of South Florida. Artistic Di...  more"In Flanders Fields" by John Jacobson and Roger Emerson. Text by John McRae. Recorded live on May 7, 2016, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Lyric Choir Ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Susan Dodd. In Flanders fields The poppies blow Between The crosses, row on row, That mark our place; and in The sky The larks, still bravely singing, fly Scarce heard amid The guns below. We are The Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields. Take up our quarrel with The foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.  less

Oll an Gwella are a bunch of beauties! All members of Newquay Male Voice Choir, They are a rehearsed, a cappella, male chorus with a repertoire consisting of over 100 songs including Shanties, Cornish folk, 1960s classics, seasonal & sacred music. T...  moreOll an Gwella are a bunch of beauties! All members of Newquay Male Voice Choir, They are a rehearsed, a cappella, male chorus with a repertoire consisting of over 100 songs including Shanties, Cornish folk, 1960s classics, seasonal & sacred music. Their 4-part harmony and infectious humour has brought Them popularity as Their repertoire and reputation have grown. Entertaining for pleasure, They raise thousands of pounds for voluntary, charity & community groups. £1200 profit from donations and Their first CD was donated to “The Cove” Cancer Centre and furTher donations have been made to RNLI and Cornwall Blood Bikes (who have received more than £3400 as Their current charity). Live broadcasts on local radio and a recording by ‘Spotlight’ for BBC Television followed. Singing from The main stages at Shows and Festivals across Cornwall They have shown Their versatility by performing in Cornish at The Gorsedh Kernow cultural festival and by opening The main stage at “Boardmasters’ Music Festival. They ...    less

"The Virgin Mary Had a Baby Boy". Trinidadian carol, arr. Stephen Hatfield. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Chamber Singers Ensemble of The Girl Choir of South Florida. Art...  more"The Virgin Mary Had a Baby Boy". Trinidadian carol, arr. Stephen Hatfield. Recorded live on December 8, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Chamber Singers Ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson.  

"Camelot" by Alan Jay Lerner and Frederick Loewe, arr. Jill Gallina. From The musical "Camelot". Recorded live on April 27, 2013, on The Downtown Disney Stage at The Walt Disney World Resort in in Orlando, Florida. Performed by The Lyric Choir Ensemble...  more"Camelot" by Alan Jay Lerner and Frederick Loewe, arr. Jill Gallina. From The musical "Camelot". Recorded live on April 27, 2013, on The Downtown Disney Stage at The Walt Disney World Resort in in Orlando, Florida. Performed by The Lyric Choir Ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Susan Dodd. A law was made a distant moon ago here: July and August cannot be too hot. And There's a legal limit to The snow here In Camelot. The winter is forbidden till December And exits March The second on The dot. By order, summer lingers through September In Camelot. Camelot! Camelot! I know it sounds a bit bizarre, But in Camelot, Camelot That's how conditions are. The rain may never fall till after sundown. By eight, The morning fog must disappear. In short, There's simply not A more congenial spot For happily-ever-aftering than here In Camelot. Camelot! Camelot! I know it gives a person pause, But in Camelot, Camelot Those are The lega...    less

El Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo X...  moreEl Grupo Narval (Madrid, España) interpreta durante su concierto de Junio de 2009 la fuga que el compositor argentino Carlos Guastavino compuso a partir de la melodía de una canción popular infantil. Polifonía de construcción clásica, armonías del siglo XX y una atmósfera sonora delicada y expresiva, en un marco especial: la iglesia más antigua que se conserva en Madrid (San Nicolás), junto a la Calle Mayor de la ciudad.  

choregie project Vocal Theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: L...  morechoregie project Vocal Theatre Carmina Slovenica Conductor: Karmina Šilec FORTUNA WON’T BE FAUVEL’S MATCH! pre premiere, Old Hall of Slovene National Theatre Maribor, 2015 Flattery, Avarice, Vileness, Variability, Envy and Lechery Music: Lojze Lebič (1934): Fauvel ’86 Excerpts from The work Roman de Fauvel (1310 – 1314) Fortuna Won’t Be Fauvel’s Match! is based on a gothic allegorical verse romance in which The central metaphor for moral decay and decadence is an ambitious horse/ass. The main character – Fauvel – is an incarnation of sin, irrationality, unreliability, dominance, flattery. Fortuna Won’t Be Fauvel’s Match! mocks human egotism, hedonism, hypocrisy and excesses of The governing classes, of secular as well as church rule, a society contaminated by sin and corruption. The ruling class is despotic and greedy, forgetting about The natural equality of people. Man through politics/The church is a symbol of everything that is wrong with our society and The system which administers it. Thi...    less

MUSICARTE Vocal "70 AÑOS DE LA CASA DE LA CULTURA" Salón Demetrio Aguilera Malta" Martes 5 de agosto 2014 CORO INFANTIL ACADEMIA MUSICARTE Director y arreglo: Leonel Palacios García Pianista Correpetidor: Eduardo Rodriguez Tema : El Lírico (Pasil...  moreMUSICARTE Vocal "70 AÑOS DE LA CASA DE LA CULTURA" Salón Demetrio Aguilera Malta" Martes 5 de agosto 2014 CORO INFANTIL ACADEMIA MUSICARTE Director y arreglo: Leonel Palacios García Pianista Correpetidor: Eduardo Rodriguez Tema : El Lírico (Pasillo) Autor: Felipe Bermejo (México)  

El Grupo Vocal In Hora Sexta interpreta las Lamentaciones del Profeta Jeremías de Tomás Luis de Victoria el 13 de octubre de 2012 en la Pontificia Parrocchia Sant'Anna in Vaticano. Vídeo cortesía de TelePace y su programa "Invito a Concerto". IN HORA S...  moreEl Grupo Vocal In Hora Sexta interpreta las Lamentaciones del Profeta Jeremías de Tomás Luis de Victoria el 13 de octubre de 2012 en la Pontificia Parrocchia Sant'Anna in Vaticano. Vídeo cortesía de TelePace y su programa "Invito a Concerto". IN HORA SEXTA son: DIRECTOR Juan Manuel Conejo González SOPRANOS Patricia Sáenz-Díez Molina Paula Coll Lapido Beatriz Teixeira ALTOS Eva González Morán Meike Von Osten TENORES Abraham González Ponce Juan Manuel Conejo González BAJOS Javier Caballero Guerrero Xavier Dupac Carlos Rodríguez-Borlado www.inhorasexta.com www.facebook.com/inhorasexta info@inhorasexta.com  less

El Grupo Vocal In Hora Sexta interpreta las Lamentaciones del Profeta Jeremías de Tomás Luis de Victoria el 13 de octubre de 2012 en la Pontificia Parrocchia Sant'Anna in Vaticano. Vídeo cortesía de TelePace y su programa "Invito a Concerto". IN HORA S...  moreEl Grupo Vocal In Hora Sexta interpreta las Lamentaciones del Profeta Jeremías de Tomás Luis de Victoria el 13 de octubre de 2012 en la Pontificia Parrocchia Sant'Anna in Vaticano. Vídeo cortesía de TelePace y su programa "Invito a Concerto". IN HORA SEXTA son: DIRECTOR Juan Manuel Conejo González SOPRANOS Patricia Sáenz-Díez Molina Paula Coll Lapido Beatriz Teixeira ALTOS Eva González Morán Meike Von Osten TENORES Abraham González Ponce Juan Manuel Conejo González BAJOS Javier Caballero Guerrero Xavier Dupac Carlos Rodríguez-Borlado www.inhorasexta.com www.facebook.com/inhorasexta info@inhorasexta.com  less

"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir Ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peters...  more"The Green Man" by Martin Donnelly, arr. Ron Jeffers. Recorded live on May 4, 2014, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by The Concert Choir Ensemble of The Girl Choir of South Florida. Artistic Director: Wallis Peterson, Accompanist: Gayle Giese. Among The many figures carved on medieval caThedrals, one may find examples of foliate heads—a figure in which leafy foliage sprouts and elaborately ornaments a frieze, façade, or column. This figure is known as "The Green Man" and was mainly a norThern European and Celtic symbol of The regeneration of life, a symbol of May, and The return of spring. The Eostre Sun It cuts my eyes Open to The wind and rain All around, The Earth breaThes deep I come alive again I am The Green Man of The woods The wounded and The broken land I am The fire in The red stag's eye The touch of lover's hand Of a lover's hand Oh, let me speak Lend me your tongue To sing The trees and streams Sing The dark blood of The hills The Moon ...    less