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video:
Hallelujah Vocal Line & VOCALIVE
Vocal Line & VOCALIVE joined on stage during their Concert at Neu-Isenburg on Sep 26th 2010 to perform Leonard Cohens version of "Hallelujah"
video:
R.Brisotto (1972): "She walks in bEauty"
"She walks in bEauty"
for children (or female) choir and piano
by Roberto Brisotto (1972)
Lyrics by George Gordon Byron (1788-1824)
Lautitia children's choir (HU)
conductor: József Nemes
piano: Péter Gyülvészi
Live recording
23/8/2019
67° Concor... more"She walks in bEauty"
for children (or female) choir and piano
by Roberto Brisotto (1972)
Lyrics by George Gordon Byron (1788-1824)
Lautitia children's choir (HU)
conductor: József Nemes
piano: Péter Gyülvészi
Live recording
23/8/2019
67° Concorso Polifonico Internazionale "Guido d'Arezzo"
(compulsory piece cat. D)
Basilica di San Francesco - Assisi (ITALY)
She walks in bEauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all belo... less
video:
"Angel Band" (Arr. Pepper Choplin)
Members of the Seton Hall University Chamber Choir
Solo Trio: Annemarie Ryan, Ella Small, and James Kendra
Dr. Jason C. Tramm, Dir. of Choral Activities
Susan Heerema, Violin
Carol Hammersma, Guitar
Stephen Burke, Banjo/Bass Guitar
Quinton Tramm, Au... moreMembers of the Seton Hall University Chamber Choir
Solo Trio: Annemarie Ryan, Ella Small, and James Kendra
Dr. Jason C. Tramm, Dir. of Choral Activities
Susan Heerema, Violin
Carol Hammersma, Guitar
Stephen Burke, Banjo/Bass Guitar
Quinton Tramm, Audio/Video Engineer
December 2020
College of Communications and the Arts
Seton Hall University
www.SHU.edu
video:
And Will A Not Come Again
Chamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the Concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakes... moreChamber Choir Vox Humana performs Matthew Harris' "And will a not come again" as part of the Concert "Such stuff as dreams are made on" in Nationaltheatret, Oslo, Norway. Live performance 23 nov 2013. Conductor Dag Jansson. The lyrics is by William Shakespeare, from Hamlet, where Ophelia is grieving after her father Pollonius' death. Website: www.voxhumana.no
video:
Amazing Grace
Music: American folk melody
Lyrics: John Newton
Arr.: Steven Milloy
Performed by Universitair Koor Antwerpen at their Christmas Concert "Praise The Chord" on December 15, 2015.
video:
The Silver Swan - Adolphus Hailstork
Recorded on 5/3/2024 at Our BEautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" Concert.
Text:
"The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against ... moreRecorded on 5/3/2024 at Our BEautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" Concert.
Text:
"The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against the reedy shore,
Thus sang her last, and sang no more:
'Farewell, all joys; Oh death, come close mine eyes;
More geese than swans now live, more fools than wise.' "
- Orlando Gibbons (1583 - 1625)
Program notes:
A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for Choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor... less