#Aliceis90 Alice Parker's arrangement of "John Saw duh Numbah." Congregational Church of Batavia, IL. Sunday, 3/13/16.
La Chorale CasaSawt et la Chorale SGMA sous la direction de son chef d'orchestre et de chœur Adnane MATRONE lors de la 3ème édition du Festival International SAWT des Chœurs et Ensembles Vocaux à Casablanca avec la participation de l'Orchestre Symphonique... is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">La Chorale CasaSawt et la Chorale SGMA sous la direction de son chef d'orchestre et de chœur Adnane MATRONE lors de la 3ème édition du Festival International SAWT des Chœurs et Ensembles Vocaux à Casablanca avec la participation de l'Orchestre Symphonique UNIVERSALis. Le Festival SAWT (3ème édition - Du 12 au 15 Avril 2017) Le Cantique de Jean Racine est une œuvre pour chœur mixte à 4 voix et orgue (il existe deux orchestrations datées de 1875 et de 1901). Cette œuvre est une vraie réussite pour un jeune compositeur âgé de seulement 19 ans. Encore élève à L’École de musique religieuse Niedermeyer, la composition de ce Cantique lui a valu un premier prix de composition qui couronna ses 10 années d’études. - Titre : Cantique de Jean Racine - Chef d'orchestre : Adnane MATRONE - Orchestre : Orchestre Universalis - Interprétation : Chorale CasaSawt & Chorale SGMA Paroles : Verbe égal au Très-Haut, notre unique espérance, Jour éternel de la terre et des cieux, De la paisible nuit, nous rompons le... is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less
BENEDICTION, An Irish Blessing - by John Conahan, SATB a cappella. In this video, you'll be able to view the complete score in tandem with a performance. For more information and additional works, visit www.Johnconahan.com. (© John Conahan)
Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah Hallelu... is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Now I've heard there was a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this, the fourth, the fifth The minor falls, the major lifts The baffled king composing Hallelujah HallelujAh, Hallelujah HallelujAh, Hallelujah
Jerusalem A-Cappella Singers - זמרי א-קפלה ירושלים Conducted by Judi Axelrod בניצוחה של ג'ודי אקסלרוד "O Haupt voll Blut und Wunden", J. S. Bach Text: Yaakov Shabtai "ולא ישאו עוד חרב", י. ס. באך מילים: יעקב שבתאי www.facebook.com/jerusalemacappella
Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most interna... is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Sopran's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less
Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internati... is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">Weep, O Mine Eyes - John Bennet (Alto's Guide) “Weep O Mine Eyes” was first published by composer John Bennet (c. 1575-c. 1610) in his first collection of madrigals in 1599. It was one of his most popular madrigals, as well as one of the most internationally famous songs of the period. It is apparently based on John Dowland’s “Flow, my Teares”. Like Dowland’s lyrics, these lyrics express an intense melancholy of someone whose happiness has been abruptly shattered and desires to not be saved from this dark despair. The speaker wishes his death by drowning in his despair, in his tears. The expression of melancholy, and notions of darkness, neglect, Time’s cruelty, spiteful age, were themes used by Elizabethan songwriters to prefigure the stark inevitability of death, and it remained a prominent feature of English literature and music in the time of Elizabeth I and Shakespeare. More Information, contact us: guide4score@gmail.com is).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less
King of kings, Lord of lords' - Hymn of Glory to Christ - Epic Orchestra and Choir
The US Males of University School sing a tribute to John Williams (aka "John Williams is the Man")
"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 2... is).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreisplay:none;">"Der Geist hilft unser Schwachheit auf" BWV226 J.S. Bach Coral Reyes Bartlet Humboldt Ensemble José Híjar Polo, Maestro de Coro Mark Peters, Director VIII Festival de Música Antigua y Barroca de Puerto de la Cruz Iglesia de la Peña de Francia, 28 de marzo de 2010 www.reyesbartlet.com